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Black and Red Oil Abstract on Canvas by Carol Pinsky

1960s

Artists have used their creative expression to cope with the collective trauma of the Iraq War, often in ways that are deeply personal and meaningful. They have created works that evoke feelings of anger, sorrow, hope, and dread which are difficult to express through words alone. Their works raise questions about the existential struggle faced when attempting to make sense of tragedy on a global scale. Since the 1970s, Doug Edge...

Against a backdrop of deep, brilliant yellow gold, two distinct zones emerge: the outlines of a shadow formed by a pair of human silhouettes, probably a couple, appear. The golden ba...

This piece is one of his rare painting which does not features women. Neil Nagy was born in 1941 in the East Los Angeles Latino community of El Sereno. He is a figurative expressionist painter who draws upon the single, powerful human form as a way to explore the humanistic, personal, and spiritual paths. Nagy's inspirations have continually evolved. He came to appreciate the culture and art of Mexico as he traveled extensively to embrace the colorful life of the people and the country and to study ancient Mayan civilizations. He is also influenced by the work of Rembrandt. Constable and Turner. Nagy received his education at San Jose State College for Industrial Design and Art and later at the Instituto Allende in San :Miguel Allende...

This is a remarkable 3D geometric piece by Christopher Mark Brennan. This oil artwork features tubular and semi-circle shapes on a black space...

Lucas Biagini is a Canadian Contemporary artist who's focus is on the materiality of oil paint.

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, patterns, brig...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

"Rift Valley, Sonde 2" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with textural topography. Various techniq...