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French Pop Art Modernist Textured Painting Abstract With Stencilled Letters

c.1980

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French Pop Art Modernist Textured Painting Abstract With Stencilled Letters
Located in Surfside, FL
This is a large mixed media abstract painting with stencilled letters in a sans serif typeface in blue and red. it is in the manner of James Coignard but does not appear to be signed...
Category

20th Century Post-War Abstract Paintings

Materials

Mixed Media, Acrylic, Board

French Pop Art Modernist Textured Painting Abstract With Stencilled Letters
By James Coignard
Located in Surfside, FL
This is a mixed media abstract painting collage with string, plaster texture, stencilled letters in a bold typeface. Size includes frame. James Coignard was born in Tours, France in...
Category

20th Century Post-War Abstract Paintings

Materials

Jute, Mixed Media, Oil, Board

Pop Art Modernist Mixed Media Vibrant Day Glo Collage Painting Patrick Archer
By Patrick Archer
Located in Surfside, FL
PATRICK ARCHER (American b. 1926) Signed and dated at lower right, signed and titled on label verso. Abstract landscape with vibrant dayglo fluorescent colors Palm Beach Florida ar...
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21st Century and Contemporary Pop Art Landscape Paintings

Materials

Acrylic Polymer, Mixed Media, Acrylic, Board

Chicago Jewish Modernist Mixed Media Surrealist Painting WPA Artist Mosaic Tiles
By Alexander Raymond Katz
Located in Surfside, FL
Alexander Raymond Katz (Hungarian-American, 1895-1974) initialed l.r. "A.R.K." inscribed verso "Prayer Tree", A Raymond Katz." Sight size: 39-3/4"h x 30"...
Category

Mid-20th Century Modern Abstract Paintings

Materials

Mixed Media, Alkyd, Board

Large Modernist Painting Contemporary Abstract Art Paul Aho, Palm Beach, Florida
Located in Surfside, FL
Paul Richard Aho, American (Born 1954) Oil painting and acrylic paint on wood "Mirage". Hand signed and dated 2004 verso. Dimensions 32" x 32" Paul Aho is an American abstract ...
Category

Early 2000s Contemporary Abstract Paintings

Materials

Oil, Acrylic, Board

1970 Mod Surrealist Painting Collage David Hare Abstract Landscape Summer Land
By David Hare
Located in Surfside, FL
David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...
Category

1970s Surrealist Abstract Paintings

Materials

Acrylic, Board

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