Victor Vasarely

Tridos ediction 239

1989

George Merheb was born in Lebanon in 1960 where he currently works and resides. He obtained a Master’s degree in Drawing and Painting from the Lebanese University of Beirut, Lebanon....

John Andrew Perello, AKA JonOne is a graffiti artist, borns in 1963 in New York USA. Also known as Jon156, is an American graffiti  now living and working in Paris.   Born in New Yor...

Ben Abounassif was born in Caracas in 1964 to Lebanese parents. He graduated from Tennessee Tech University in 1987 with a B.A. in Business Management. Abounassif's first contact working in the art world was in 2006 when he launched Leiter Gallery in Miami, a short but successful experience as a co-owner working along with Cuban-born, Miami-based artist Sinuhe Vega Leiter, and Venezuelan-born internationalist & journalist, Jesus Rojas Torres. Abounassif's innate creativity was highly influenced by working closely with local artists and by visiting their studios and launching exhibitions at Leiter's, the only gallery in the U.S. that paid a living tribute to the late Cuban musician, Israel “Cachao" López. A year later in 2007, Abounassif exhibited his first art cube on Photo Miami '07 with Hardcore Contemporary Art in Wynwood. In 2008, Miami art dealer...

Since the 1940s, the Egyptian painter Hamed Abdalla is not only a visionary pioneer of modern art for the global south and Arab countries; he is also one of the first of his generation to envision painting as political art and activism. The current display focuses on a specific time of defeat and disillusion for a whole generation of Arab artists and intellectuals, in the aftermath of the “Six Days War” led by Israel and their allies (a war title which a lot of Arab activists consider propagandist, preferring to call it “The Defeat of 1967” or simply the “June 1967 War”). This persistent ideological wound became the symbol of failed dreams for the “Arab Nation” or Arab states alliances – including the short but emblematic Egyptian-Syrian achievement of the United Arab Republic. Another major failure, to which Abdalla will respond through the paintings on display here, is the Egyptian President Anwar Sadat program of “opening up” (Infitah) the Egyptian economy and give way to political compromise with the US and Israel – Abdalla assimilating this period to a vast state of Coma for all Arab people and territories. In a collective statement by a group of Egyptian artists exiled in Paris (including Abdalla), published in the Egyptian local journal Al-Dustur, on 5 December 1977, one can read: “This disaster is far greater than the defeat of June 1967. Rather, it approaches the scale of the disaster that took place in 1948 (…) To destroy the Arab people’s noble three decades-long struggle against imperialism and Zionism (…) Sadat is exploiting the stifling economic crisis that Egypt is currently facing (…) We must resist this betrayal of our nation or be crushed under the wheels of global imperialism for generations to come.” The works presented here reflect Abdalla’s transformation of the Hurrufiyyah aesthetics, to achieve his own way of “Arab Letterism”. It claims for a deeply experimental, non-decorative, politically committed and non-commercial use of the Arabic letter...

"Venezia II" Lithograph 10" x 12" inch Edition 3/10 (1965) by Zaccaria Zeini Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was raised in the popula...

Catherine Ann Lurcat ( 1932-1994) was a French artist and painter born in Boulogne-Billancourt in the inner southwestern suburbs of Paris, and is the daughter of the architect Andre'...

Alexander Liberman (Ukrainian/American 1912-19990 Colored lithograph, signed in the lower right and dated '75 in pencil, numbered in the lower left, and presented in a chrome frame. ...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº1 + Year: 2024 + Edition Size: 100 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...