Vivian Liddell

Myth of Sisyphus VIII (Starting out from the absurd over the ruins of reason)

2022

"Myth of Sisyphus II (Abstract thought returns to prop of flesh)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece has a bold contrast between black chains and a pastel background. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

"Myth of Sisyphus X (A Man Defines Himself by his make-believe)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece contrasts boldly between white forms and chains in the foreground and dark blue background. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

"Myth of Sisyphus III Black Sky (If it were sufficient to love)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series...

"Myth of Sisyphus VI (Each mineral flake of that night-filled mountain)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece shows a landscape with shrubbery, rocks, and a field underneath a black sky. Framed image is an example of the frame in which it can come in. Framing is an additional $100. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

framed in white wooden frame Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Marti...

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