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Ginny WilliamsImari and the New Yorker2025
2025
$2,950
£2,227.57
€2,567.03
CA$4,163.70
A$4,590.39
CHF 2,401.54
MX$56,315.54
NOK 30,230.67
SEK 28,270.46
DKK 19,170.64
About the Item
This original oil painting on panel is a striking piece of a red bird sitting on an Imari porcelain bowl with an abstract black and white typographic background. One in an ongoing series of pieces where the artist has used the iconic typography of the New Yorker Magazine as a backdrop for still life pieces.
This piece is on a cradled panel and can be hung frameless for a contemporary look, or we can frame it for you--just message us.
GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles.
She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts.
"My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects and the life shadows give to a space. Humans are innately creative beings. We create in myriad ways--painting is one of them. I have made pictures for as long as I remember. While I appreciate many kinds of art, for me, the ultimate goal is to make a beautiful painting that show parts of the process--evidence of an individual behind the easel. I love calligraphic brush marks and leaving parts of a picture to the viewer's imagination. I love pairing the realistic with the made-up. In this, we participate in creating art together."
- Creator:Ginny Williams (1976, American)
- Creation Year:2025
- Dimensions:Height: 16 in (40.64 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Wenham, MA
- Reference Number:1stDibs: LU2164216675112
Ginny Williams
Ginny Williams is an American artist currently living and working in New England. Her art training began at an early age when she was given the opportunity to study with working artists as part of her elementary and secondary education. In college, while auditing painting classes on the side, she chose to earn her degree in art history-something she sees as highly valuable to her development and career as an artist. It was during these studies that she gained an appreciation for the broad scope of artistic expression over the centuries. She has a particular fondness for the northern European artists of the 17th and 18th centuries alongside much art of the late 19th century. She finds inspiration in artists’ ability to imbue everyday objects and scenes of daily life with a dignity and meaning above what is gained with a cursory glance. In her work, Williams strives to make pieces both beautiful, thoughtful, and able to speak to contemporary life despite their traditional style. Initially self-taught, Williams studied at several classical ateliers over the course of ten years, learning the methods and materials employed for centuries by artists. Her work has been shown at galleries around the country and she is currently represented at galleries in Atlanta, Cleveland, Portsmouth and Wenham. Williams maintains a studio in Wenham, MA, as well as one in Amesbury, MA, alongside her husband, the painter Donald Jurney. “My work is about little moments of beauty that comprise our existence if we will but pay attention, as well as the things and the relationships that tie us all together as people living, breathing, and experiencing life on the same planet. Whether it is the glint of light on an object; growing things, made objects, or the quiet glance of a figure, I enjoy finding interesting interactions between objects, people, and space. I strive to create a story that the viewer can enter, and interpret alongside me. In this we become partners in the creation of art.”
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