William "Willie" White

Untitled 2 - Abstract Squares on Red Background

circa 1990

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

A six block woodcut published in an edition of only 23. It is signed and archivaliity David Kapp is best known for his paintings of the contemporary urban landscape. His paintings ...

"Mardi Gras 1980, New Orleans", shows playful forms cavorting in the carnival celebration. It is signed in the lower left, and stamped/numbered "671/850" in the lower right corner. ...

"Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100. Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...

These new works start from polar opposite impulses which juxtapose the purity and beauty of platonic forms opposed to impulsive muscular instantaneous painting. Shifreen internalizes...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso dated 78' oil painting on canvas, unframed canvas size: 16 x 31.5 inches condition:...

Beautiful red and white abstract expressionist painting with different hues of white and beige by Bay Area artist Michael Pauker (American, b. 1957). Titled "It Is The Closest You Ca...

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...