Daniel Brennan

Homage to Mirandi, Hamada Cups

1960s

Ted Hinrichs Vehement Acrylic on Canvas Year: 2021 Size: 48x40in Framed: 50x42x2.5in Signed by hand COA provided Ref.: 24802-1716 *Framed in black Wood ...

Jennifer Bricker-Pugh Signal 1 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Stefanie Betz Exercise Acrylic, Chalk, Whitewash on Canvas 2023 27.55 x 19.68 (70 x 50 cm) Signed verso COA provided Stefanie Betz lives and works in Stuttgart, in southern Germany. Working as Coach and Consultant she utilizes art to open people’s minds to discover new solutions and perspectives. Stefanie Betz is a passionate and active designer of many-layered interpersonal relationships. Accordingly, her art is always a reflection of dynamic inner processes such as the evolution of a particular project or the right time for its beginning; the overcoming of obstacles; and achieving “flow state”. All of this and more is expressed in her paintings. Stefanie Betz likes to work on large formats, sometimes on canvas, sometimes on cardboard boxes. She works intuitively and spontaneously with an array of tools beyond brushes. Stefanie can be found making use of box knives, scrapers, bubble wrap, fabric...

Title: Still Life with Chess Materials : Oil on Canvas Date : 1960's Dimensions : 42 1/2 x 31 in. In the late 1960's, Daniel Brennan had a day job loading boxcars for Railway Express. During nights, he would go to a coffee house (Lawrence Gallery and Coffee House, at 43rd and Main St., KCMO), to sit and draw before heading home to paint. The gallery owners, Anne and Sidney Lawrence...

The painting is being offered with a work and authenticity certificate

By Linda Dumont 30" x 10" - Oil on Panel About the Artist: Linda Dumont draws upon her childhood experiences in a vibrant and experimental art world to create extraordinary works. W...

Sandor Mohi (1902 - 2001) was a very widely-listed Hungarian painter, known primarily for his Cubist works such as this fine example. His brilliant u...

Amanda Watt Lemonade Acrylic on Canvas 20 1/8 x 15 3/4 in 51 x 40 cm "I consider myself a ‘Fusionist’, because I merge styles that inspire me, while playing with the fusion of East and West. I combine orientalism and primitivism with western cubist principles and the expressionists’ use of colour, to create bright and vibrant figurative images." - Amanda Watt Amanda Watt was born in Northern Ireland in 1960, and graduated from the Belfast College of Art and Design in 1982. Just three years out of University, while living in London, Amanda was discovered by top film director Barry Levinson, who invited her to Malibu to paint from his beach house for six months. From this moment, her art took off, and she spent the next twenty years building a successful career in California, making her way into collections of many key LA directors, producers, galleries, and film stars. With annual solo shows in LA, San Francisco and New York, Amanda's bright, vibrant landscapes, interior scenes, and her semi-abstract figurative paintings have became a staple of Californian society. Watt's key collectors include casino mogul Steve Wynn, cultural ambassador Vanessa Branson, former president of Ireland Mary Robinson, and fashion-designer Marla Ginsburg. Her work is held in key global collections including: Allied Irish Bank, Dublin; ARCO Corporation, California, and Nagi Corporation in Tokyo. In 2006, Amanda was burnt out by the sheer volume of work expected of her by these galleries, and took a step back, exhibiting just occasionally until her return to her native Ireland in 2015. Amanda now lives and works in Dromara, Northern Ireland. Artist Statement; "I am influenced by the pattern-making of Gustav Klimt and the highly stylised figures of Tom Wesselman and Alex Katz, as well as Rainer Fetting's use of bold colour and gestural brushstrokes. Japanese woodblock prints and Gauguin's Tahitian women have also inspired me, while the bright Californian colours of David Hockney and the decisive curves of Matisse are clearly recognisable in my work. I favour acrylic paint, which allows a fast pace of work with spontaneous gestures. Transparent washes precede bold primary colours to create depth and vibrancy. Multiple motifs, all from memory or imagination, are peppered throughout my work: highly stylised furniture; a picture within a picture; a torso - fragmented parts that on their own don't necessarily make sense, carefully placed to create a balanced whole." NOTABLE EXHIBITIONS Annual Solo Shows:  1995 - 2005 Timothy Yarger Fine Art, Beverly Hills, California  1993 - 2002 Bowles/Sorokko Galleries, New York & San Francisco  1989 - 1993 Tower Gallery, California Additional Solo Shows:  2004 Marla Ginsburg Productions, private show, Los Angeles  2003 Area Art Gallery, Santa Rosa, California  1999 Lee Hamilton Gallery, Santa Monica, Los Angeles  1998 John Dupree...