Douglas Hofmann

Lady of the Lake, 2022

2022

In the Evening is an oil on panel painting, 23.5 x 25.5" canvas size, signed ‘HOFMANN’ lower right, and framed in a custom, black and gold-leaf, closed-corner frame. Douglas Hofmann...

Grace is an oil on Masonite painting, 32 x 25" panel size, signed ‘HOFMANN’ lower right and framed in a custom, closed-corner, baroque-style frame. Douglas Hofmann’s works have been...

Florida is an oil and ink mixed media artwork mounted on panel, 24 x 20 inches, signed and dated 'STEINBERG/1969' lower right. Inscribed '22 Florida' verso in pencil. Framed in a con...

Oceanic Pearls is an oil painting on prepared paper, sheet size 15.75 x 22 inches, signed, titled and dated verso, 'Ben Weiner Oceanic Pearls 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Oil on canvas mounted to Masonite Signed in red, u.r. $7000.00 + $350.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure ...

Baja California View, Vintage 1970's Coastal Landscape by E.C. Madison Wonderful landscape of Baja California by E.C. Madison (American, 20th Century), 1972. This sweeping coastal l...

Monogrammed lower right, 'DM' for David Monies (Danish, 1812-1894) and dated 1849. Provenance: By descent in the family of the sitter, Peter Andreas Löser (1834–1857). Framed in a su...

Kierstin Young's (US based) "Tierra" is an acrylic and oil painting depicting a Comet Moth and it's yellow and red designs Artist Statement/Bio: (b. The Year of the Rabbit) Kierstin's life began by almost never beginning at all. A car accident occurred while Kierstin’s mother was pregnant with her. The doctors advised against continuing the pregnancy for fear that Kierstin would be born without limbs or even blind. Her parents decided against it, and Kierstin was born a healthy child. This story was relayed to her as a child as a reminder of how serendipitous her life was. Kierstin was always filled with an overflowing energy and creativity. This led her on many diverse paths in life. Her many areas of focus included psychology, poetry, photography, mountaineering, religious studies, music, playing ice hockey, spelunking and pretending to be an astronaut. She grew up between two places; the first was a house built on Native American burial grounds in rural New Jersey. The second was a summer home in the beautiful Adirondack Mountains of New York. For the first sixteen years of her life, she was home taught by an assortment of sane and insane people. Her junior year she began the strange new adventure of going to school. She was most likely the only 16 year old in the world to be that ecstatic about riding a school bus, because it was for the first time in her life. It was there in public school, that her art teachers really encouraged her to pursue her love of art. Hopes were high for going to art school, but Kierstin found herself forbidden from even applying by her parents. She applied anyway. Upon getting rejected from prestigious art schools such as RISD and Parsons, Kierstin decided to attend duCret school of Art. Being rejected turned out to be a serendipitous turn of events for Kierstin once again. It was there at duCret that she met Timothy Jahn and began studying in his Academy duCret and subsequently Jahn Studios. This lead her to continue her education at the Ani Art Academy under the direction of Anthony Waichulis.