Figurative Paintings

Tinta, acuarela y barniz sobre papel de algodón sobre bastidor.

Dimensions are of the composition, not papersheet itself WALERIA MATELSKA (born 1994 in Belarus) In 2012-2015 she studied at the Faculty of Painting at the Academy of Fine Arts in K...

Acrylic on canvas Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since chi...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

‘Gertrude’ is an original abstract painting on board by contemporary artist Wendi Weller. Oil pastel mark making details are added to many layers of acryl...

Oil on Canvas, Made in Florence, Italy Daylight explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are immersed in childlike delight. We experience snapshot images of a world reduced to its essence, in a seemingly comic-book style that has echoes of Giotto and Paolo Uccello, and even of medieval illuminations. My work is simple: the subject matter is stripped to basics, so all that is engagement, controversy and links to reality is taken away, and what remains is an icon with an aura of philosophical suspension, and a window into the enigma of existence. Piussi’s work is directly influenced by artists Alex Katz and David Hockney, and his style reflects a comprehensive understanding of the work of Giotto and Paolo Uccello. In "Girl on a Rock with Mask”, the figure represented in this painting conveys a blank mood, such that the viewer is invited to examine their own intimate feelings that arise when observing the image. Piussi creates a universe of more profound truths in his examination of the tranquility of everyday life: he reminds us of our need for reflection, shows us a fearlessness in the face of stillness and the passage of time. The broad repertoire of his paintings, with their naturalistic color and semi-abstract shapes, presents us with Piussi’s views concerning our contemporary lives. Rather than mimic the appearance of nature, Piussi reaches for its essence, in visions that are devoid of distracting details. Women stand on the shores of quintessentially peaceful seas; they are self-contained, at ease. These women are unwitting replicas of classical goddesses. Or we see a proud diver echoing Neptune, holding his trident. Piussi was born in 1967 in Udine and raised in Florence, where he majored in sculpture at the Institute D’Arte. He completed his artistic education at Milano's Brera Art Academy where he majored in painting. Piussi went on to live in Florence, where he now pursues his passion for painting, bronze, terracotta sculpture and bas-reliefs. Giacomo Piussi...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

Turquoise bay is an original painting in acrylic by Gordon Hunt. Two yachts sailing away from a sandy beach, after being anchored up for a while. Everything is very peaceful, quiet a...

The Still Life is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. Th...

This original painting by Mandii Pope takes a unique painterly approach to the butterfly motif. Pope here contrasts the traditional painterly portrayal of the butterfly against a mod...

Figurative Pink Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost...

Artist Statement The core of my inspiration always relies on perhaps the most mundane faces of natural scenery. Various faces of nature in the past, that remain deep within my memory...

Oreum is a small volcanic cone in the Jeju Island in South Korea. The word 'Oreum' is the Jeju dialect which means climb. There are more than 360 Oreums throughout the island and the...

Cuando hace frío comparto mi abrigo, si no tengo abrigo, comparto el frío.

Pep Suari 14.75" x 40" Acrylic on Board

In highly developed nations today there is a widespread alienation and loneliness that engenders fear and distrust, a restrictive self-righteousness of thought, and a dread of what-c...

Artist Statement The core of my inspiration always relies on perhaps the most mundane faces of natural scenery. Various faces of nature in the past, that remain deep within my memory...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

Ocean Light is an original figurative painting by artist Bill Bate. It features two figures underwater in this atmospheric composition and colour palette. Bill Bate was interested in...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, he connects contemporary art with tradition. The natural clay color bestows the pictures with a completely special dim texture which stands in an exciting contrast with the delicate luster of the acrylic color. The features of the clay color allow a more intensive treatment of the surface. Often, there are lines, scratches or breaks in the surface, as if the canvas had been covered with a fair patina. More subtle strokes in the color bring graphic characters to mind, color gradients natural phenomena, divided canvasses the contrast which is immanent in everything: the principle of yin and yan. Roger König's works are in private collections worldwide. His admirers include leading figures in international business, film and media. Submit Best Offer, all reasonable offers will be considered Signed front 'Roger König'; signed reverse 'Roger König' This original artwork includes a Certificate of Authenticity . The piece will be stamped from Roger König Art...

Artist: James, Clarence Title: Get Up, Stand Up Date: 2023 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" Signature: Signe...

The Polish artist Ewa Rzeznik reflects reality in her colorful paintings: Fishermen along the French coast, families walking towards the Mon Saint-Michel, children playing in the sur...

STARSKY BRINE’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist focuses on characters that are built from a combination of anthropomorphic and zoomorphic features, as well as the appropriation of elements from comics and toys from his childhood. On the one hand, these characters distort reality to venture into an environment of subcultures and urbanism created by the spontaneous intuition of his strokes and the appropriation of the contemporary iconography. On the other hand, they move within the realm of fantasy. In particular, the animals paired with their human characters evoke associations with fairy tales or comics. They are reminiscent of the world of theatre, in which fantasy and poetry but also comedy often serve as catalysts for the creation of critical meaning. With his works, Brines often questions the interplay of good and evil against the background of the worldwide socio-political climate. Yet Brines does not interpret his themes as ‘black and white.’ They are complex and nonlinear, with charming disruptions, quite serious and yet full of humor. Brines is personally influenced by his mother and art historically influenced by Latin American figurative art, the German Neoexpressionism, the Italian Transavantgarde, and the COBRA group. His works oscillate between figuration and abstraction. Brines holds a degree in Fine Art from the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón...

"Challenge at Dawn" - Landscape with Elk in Watercolor on Paper Serene landscape with an elk by Greg McHuron (American, 1945-2012). An elk stand to the right side of the composition, looking back over it's shoulder towards the viewer. To the left of the elk, a calm river winds away from the viewer in to the distance, where mist and clouds partially obscure a rocky mountain. The sky is bright blue with streaks of yellow sunlight illuminating the clouds. Signed in the lower right corner. Artist's tag (with signature, date and title) and gallery tag on verso, Presented in a wood frame with a double mat. Frame size: 20.75"H x 17"W Image size: 14"H x 10"W Gregory Ivan McHuron (American, 1945-2012) was a plein-air painter working in oil and watercolor/gouache. He was born in Syracuse NY but was raised in Colorado, Wyoming, Alaska and California. His education included 4 years of extensive high school training by a teacher who graduated from the Berlin Art Academy. He also attended Oregon State University where he took classes in forestry, fisheries and wildlife and graduated with a Bachelor's Degree in Art from Oregon State University. Introduced to plein-air painting in oil in 1973 by Conrad "Connie" Schwiering, he quickly found that he enjoyed painting the rapidly changing scenes. It allowed him to put in his paintings the feelings and excitement that he felt while watching the scene unfold which created more drama and excitement than he would have been able to do in a studio environment. He has traveled widely including much of Alaska; in wilderness areas in WY and CO; down the Colorado River through Grand Canyon NP; to British Columbia and Alberta, Canada; and on extended boat trips along the west coast from Port Ludlow, Washington to Glacier Bay, AK going in and out of the fjords. He honed his understanding and knowledge of animals not only from college classes he took but also from the everyday study and observation of the wildlife in the Jackson, Grand Teton NP and Yellowstone NP areas. In addition for many years, he drew and studied wild animals at the Okanagan Game Farm in Penticton, British Columbia, Canada. Every summer and fall a group of artists would go to the Game Farm kibitzing, painting and drawing the wildlife. He taught workshops, gave demonstrations and participated in quick-draws for a variety of organizations including Wyoming Artists Association, Wind River Artist Association, Scottsdale School of the Arts, The Lodge at Palisades, National Museum of Wildlife Art, CM Russell Show, Grand Teton National Park and Isle Royale...

"Floating Weightlessly" is a stunning oil painting of a beautiful nude swimmer, floating through expansive turquoise waters. Artist Anastasia Gklava's oil painting technique is fresh...

Richard Gibbons' painting "Golden Eyes" shows a portrait of a beautiful young woman. Her piercing gaze brings the viewer in for a closer look. Her sultry, yellow eyes are intoxicatin...

Oil on canvas Keti Shapatava is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. She was introduced to the world of art at Anastasia Virseladze Art Gymnasium ...

This painting came about when I had just experienced a significant breakthrough in my work process. The bold splash of black seems like it is breaking through and has burst forth wit...

Françoise Juvin - View of Paris with buildings Reference number FJ74 Framed with a natural oak floated frame. 32,5 x 41 cm frame included (28x 37 cm without frame) This work is paint...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled with ecology, making their lives more diverse and fascinating'' Rusiko Chikvaidze is a Georgian artist born in 1970, who lives and works between Tbilisi, Georgia and Chevy Chase...

NOTE: This item is a diptych and the dimensions of each rectangle are 40x20x.75 in The painting depicts an arrested moment of ecstatic daring. The silhouette of a woman leaps out fr...

This impressionist urban landscape by Anthony Klitz depicts the Pump Room Spa in Cheltenham, England in his characteristically unique impressionist style...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

The goldfinch is an modern artwork realized by the artist Enotrio in the half of 20th Century. Mixed colored oil on masonite Hand signed on the lower m...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

David Shrigley Untitled (You Look Great), 2022 acrylic on paper 75 x 56 cm

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artistic education at Milano’s Brera ...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Purchased from Ward Estate after his passing in 1990. Part of a private collection since mid 1990's till now and custom framed in handmade unique frames. Ward had a unique vision on ...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

This realist fractal study by Leavon Bowman involves an influence of the vibrant Caribbean landscape and an appreciation for the dynamic flow of nature. ...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

"Pool Party" is an original oil painting by Megan Eisenberg. This painting was made using high quality oil paints on 3/4" cradled hardwood panel and measures 12"x24"

STARSKY BRINE’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist focuses on characters that are built from a combination of anthropomorphic and zoomorphic features, as well as the appropriation of elements from comics and toys from his childhood. On the one hand, these characters distort reality to venture into an environment of subcultures and urbanism created by the spontaneous intuition of his strokes and the appropriation of the contemporary iconography. On the other hand, they move within the realm of fantasy. In particular, the animals paired with their human characters evoke associations with fairy tales or comics. They are reminiscent of the world of theatre, in which fantasy and poetry but also comedy often serve as catalysts for the creation of critical meaning. With his works, Brines often questions the interplay of good and evil against the background of the worldwide socio-political climate. Yet Brines does not interpret his themes as ‘black and white.’ They are complex and nonlinear, with charming disruptions, quite serious and yet full of humor. Brines is personally influenced by his mother and art historically influenced by Latin American figurative art, the German Neoexpressionism, the Italian Transavantgarde, and the COBRA group. His works oscillate between figuration and abstraction. Brines holds a degree in Fine Art from the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón...

Kerry’s education followed the principles of the Bauhaus . He has practiced professionally in all three disciplines of Art, Design, and Architecture. Often as the liaison between the...

Study Easter Sunday Baby

Water has been the backdrop to the significant events in my life. The reconstruction of radiant moments that exist in memory define the images I choose to paint, of swimming in the l...

Mid-century post modern oil on paper of a woman with children. Signed and dated 1948 to the bottom left, (the artist as yet undiscovered). An arrestin...

STARSKY BRINE’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist focuses on characters that are built from a combination of anthropomorphic and zoomorphic features, as well as the appropriation of elements from comics and toys from his childhood. On the one hand, these characters distort reality to venture into an environment of subcultures and urbanism created by the spontaneous intuition of his strokes and the appropriation of the contemporary iconography. On the other hand, they move within the realm of fantasy. In particular, the animals paired with their human characters evoke associations with fairy tales or comics. They are reminiscent of the world of theatre, in which fantasy and poetry but also comedy often serve as catalysts for the creation of critical meaning. With his works, Brines often questions the interplay of good and evil against the background of the worldwide socio-political climate. Yet Brines does not interpret his themes as ‘black and white.’ They are complex and nonlinear, with charming disruptions, quite serious and yet full of humor. Brines is personally influenced by his mother and art historically influenced by Latin American figurative art, the German Neoexpressionism, the Italian Transavantgarde, and the COBRA group. His works oscillate between figuration and abstraction. Brines holds a degree in Fine Art from the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón...

STARSKY BRINE’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist focuses on characters that are built from a combination of anthropomorphic and zoomorphic features, as well as the appropriation of elements from comics and toys from his childhood. On the one hand, these characters distort reality to venture into an environment of subcultures and urbanism created by the spontaneous intuition of his strokes and the appropriation of the contemporary iconography. On the other hand, they move within the realm of fantasy. In particular, the animals paired with their human characters evoke associations with fairy tales or comics. They are reminiscent of the world of theatre, in which fantasy and poetry but also comedy often serve as catalysts for the creation of critical meaning. With his works, Brines often questions the interplay of good and evil against the background of the worldwide socio-political climate. Yet Brines does not interpret his themes as ‘black and white.’ They are complex and nonlinear, with charming disruptions, quite serious and yet full of humor. Brines is personally influenced by his mother and art historically influenced by Latin American figurative art, the German Neoexpressionism, the Italian Transavantgarde, and the COBRA group. His works oscillate between figuration and abstraction. Brines holds a degree in Fine Art from the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón...

"Moonlit: Blue I" (2022) color pencil and acrylic wash on Arches paper, mounted on cradled wood panel Contemporary academic realism, hyperrealistic portrait, woman, face, electric blue tones 14" high x 11" wide x 1" deep by Erica Rose Levine...

Quiet conversation, 2020, 55x45 cm

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of genres including fashion, lifestyle, editorial, conceptual, sports, portraiture, and nightlife photography...

2023, 85x70 cm

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

A sailing break' is an original painting by Gordon Hunt. it shows a group of people out sailing. They have dropped anchor to take time to enjoy the beautiful turquoise water and brig...

"Incomplete Solar System" Painting 55" x 79" inch by Gosha Ostretsov Acrylic & enamel on canvas Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and wo...