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Bo Bartlett Station2017
2017
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
Bo Bartlett
Station, 2017
Gouache on paper
15 1/4 x 22 1/2 inches
38.7 x 57.2 cm
Signed: Bo (lower right recto)
Dated: Aug 31 2017 (lower left recto)
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Bo Bartlett is an American realist painter with a modern vision. With reference to Norman Rockwell and Andrew Wyeth, Bartlett's large-scale oil paintings celebrate the underlying epic nature of the commonplace and the personal history of the extraordinary. Using his friends and family as a cast of characters, Bartlett's narrative works are set around his childhood home in Georgia and his island home in Maine. Whether warm, melancholic or jubilant, Bartlett's masterful paintings represent a deeper, mythical concept of the archetypal, universal home. Jeffrey Abrams elaborates, “Bartlett paints strange, beautiful, disquieting scenes. They are delicate and austere. They are also humorous and bizarre. And nearly all of his new works seem to inhabit a shared world: a sort of nameless, indistinguishable, dreamscape America.”
Bo Bartlett (b. 1955, Columbus, GA) lives and works in Columbus, GA and Wheaton Island, ME.
Recent solo exhibitions include “Earthly Matters,” Gibbes Museum of Art, Charleston, SC; Miles McEnery Gallery, New York, NY; Weber Fine Art, Greenwich, CT; “Forty Years of Drawing,” The Florence Academy of Art, Jersey City, NJ; “Paintings and Works on Paper,” Weber Fine Art, Greenwich, CT, among others.
Recent group exhibitions include “Picture This: Highlighting Contemporary Art in Georgia,” Lyndon House Art Center, Athens, GA; “COMPETERE,” The Bo Bartlett Center, Columbus State University, Columbus, GA; “Mirror Mirror,” The Bo Bartlett Center, Columbus State University, Columbus, GA; “Extra Ordinary, Magic Mystery, and Imagination in American Realism,” Georgia Museum of Art, Athens, GA, among others.
His work is included in the collections of the Academy of Music, Philadelphia, PA; Asheville Art Museum, Ashville, NC; the Bo Bartlett Center, Columbus, GA; Carpenters Union Hall, Washington, D.C.; Denver Museum of Art, Denver, CO; Frye Art Museum, Seattle, WA; Hunter Museum of American Art, Chattanooga, TN; McCormick Place Metropolis Pier and Exposition Authority, South Hall, Chicago, IL; Mennello Museum of American Art, Orlando, FL; and the Morris Museum of Art, Augusta, GA, among others.
Bartlett is the recipient of the South Arts Fellowship, South Arts, Atlanta, GA; 1858 Prize for Contemporary Southern Art, The Gibbes Museum of Art, Charleston, SC; Museum Merit Award, Philadelphia Museum of Art Award, Philadelphia, PA; Benjamin Lanard Memorial Award, Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Eleanor S. Gray Prize for Still Life, Pennsylvania Academy of the Fine Arts, Philadelphia, PA, and more.
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Signed, dated, titled (verso)
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Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory.
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