Figurative Paintings

Harvesting Cotton is an original contemporary artwork realized in 1981. Mixed colored oil on canvas Hand signed and dated by the artist on the lower margin Included a brown wooden...

Artist/ School: French School, circa 1960's, signed with monogram Title: Portrait of a fashionable lady in an emerald green dress. Medium: oil...

Jean-Pierre Cassigneul is arguably France’s most popular and revered contemporary figurative painter. Since his birth, the artist has been immersed in the world of feminine beauty an...

MALCAH ZELDIS Reclining Woman Wine and Cigarettes gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Matted to 13 X 1...

Carlo Pittore Oil on canvas, 1984, Self Portrait, initialed and dated lower left, slat framed, 21"sqr (frame) 20 X 20 canvas. Provenance: The Private Collection of Wolf Kahn & Emily Mason Carlo Pittore (1943 – 2005) born Charles J. Stanley was an American painter, educator, art activist, and publisher, whose primary study, teaching and body of work was figurative art and portrait painting. He was a pioneer in the Mail Art movement, he corresponded with such mail art luminaries as Buster Cleveland and Ray Johnson. Pittore is noted for opening the first independent art gallery in the East Village, Manhattan. In 1987, Pittore founded "The Academy of Carlo Pittore" in Bowdoinham, Maine. Pittore (née Charles Stanley) was born to Stanford and Estelle Stanley in Queens, New York. He grew up on Long Island, in Port Washington, New York with his sister Marion and brother Elliott. Pittore graduated from Port Washington High School (1961), where he was active in the political and debating scenes. He then went on to graduate from the School of the Museum of Fine Arts at Tufts (1966), and post graduate from the Brooklyn Museum Art School (1978). Pittore changed his name in the 1970s while studying abroad in Rome, Italy. The children nicknamed him "Carlo Pittore", (”Charles the Painter"). From there he went on to study at the Chelsea College of Arts in London. In 1978, Pittore received the Max Beckmann Scholarship in Advanced Painting. It allowed him to begin studying with American feminist painter Joan Semmel at the Brooklyn Museum Art School. He also studied with visual portrait artist Alice Neel. After which, he taught art at the New York Cultural Foundation. In the 1970s, Pittore and his close friend Bern Porter...

Colorful, tropical interpretation of the Garden of Eden in Jacmel, Haiti by Haitian artist Dieudonne Vital. The work features a pair of central figures...

Jerzy Mazur was born in Kołobrzeg in 1964. He graduated from the State College of Fine Arts in Gdańsk at the sculpture department under the supervision of prof. Franciszek Duszeńko. Jerzy Mazur is an artist in whose work man has made a permanent home. His sculptures, bas-reliefs, paintings and drawings are linked by a recurring motif of a female figure presented on a neutral background, standing or sitting, full of concentration, experiencing internal dilemmas. The artist always shows this figure as a naked figure...

Jean-Daniel RIBEYROL (Périgueux 1918 - Razac sur l'Isle 2005) Boats in Propriano (Corsica) Oil on plywood H. 46 cm; L. 55 cm Signed lower left. Signed and located on the back Proven...

This strobe-like dynamic composition with bright and bold colors reflects the energetic taste of the 7 Up brand. It lies somewhere between abstraction and figuration. Peaks' use of b...

Abstract Composition French School, circa 1970's oil painting on board, unframed size: 18 x 21.5 inches condition: overall good and sound provenance: from a private collection in Par...

"Green Meadows" by Maurice Mazeilie (French) oil painting on card, unframed painting: 6.5 x 8.5 inches A delightful original oil painting by the 20th ce...

#5-2858 A mother and child,figurative impressionistic style palette oil on canvas applied on board.Displayed in a wood frame.Artist unknown.Image size 10.5 H x 13.5 W

Curtis Ripley (American, born 1949). Expressionist figurative abstract oil painting on paper. Titled "Study For A Diptych". Artist signature upper right and lower left. Good overall condition with normal storage wear to frame. Provenance: Joy Moos Gallery. Bears their label verso. Measures approximately 30 in. x 42 in. (image), 33 in. x 45 in framed. Born: Lubbock, Texas, 1949. Lives and works in Los Angeles Education: University of Wisconsin, Madison, MFA 1975, Texas Tech University, BFA 1971, University of the Americas, Mexico D.F. 1969 Teaching: Associate Professor, Virginia Commonwealth University, Richmond (w/tenure) 1977-85 Assistant Professor, Purdue University, West Lafayette, IN 1975-77 Awards: Juror's Award, Zeichnung Heute, Kunsthalle, Nurnberg, 1983 National Endowment for the Arts, Artists Fellowship, 1979 His new works are musically inspired, atmospheric paintings that are influenced by poetry and jazz music. and bears the influence of both abstract expressionist Jackson Pollock as well as Wassily Kandinsky and the light and movement art. He has shown with Peter Lodato. Curtis Ripley was born in Lubbock, Texas. He attented the University of the Americas, México D.F. in 1969; Texas Tech University, earing a Bachelor of Fine Arts degree in 1971; and the University of Wisconsin, Madison, where he earned a Master of Fine Arts degree in 1975. Ripley served as a lecturer in 1975 at the Univeristy of Wisconsin, Madison; an Assistant Professor at Purdue University, West Lafayette, Indiana from 1975 to 1977; an Associate Professor at the Virginia Commonwealth University, Richmond, Virginia from 1977 to 1985; an Associate Professor at California State University, San Bernardino from 1985 to 1986; and a lecturer at California State University, Long Beach from 1986 to 1987. His awards include a National Endowment for the Arts Artists Fellowship, 1979, and Juror’s Award, Zeichnung Heute, Kunsthalle, Nurnberg in 1983. He has had numerous one-person shows throughout the United States, has participated in a wide-variety of group exhibitions, and has works in several collections such as those of the Fine Art Museums of San Francisco, California; Chemical Bank, New York City; Yokohama Royal Park Hotel, Japan; MGM Grand, Las Vegas, Nevada; and The Ambassador Hotel, Taipei. The artist lives and works in Los Angeles, California. Selected One Person Exhibitions: William Turner Gallery, Santa Monica, A Poem About Breathing--Recent Paintings Susan Street Fine Arts, Solana Beach, CA, Invocation--/Recent Paintings William Turner Gallery, Santa Monica, Here and Now--Recent Paintings Page Bond Gallery, Richmond, VA, Changing Light--Paintings and Works on Paper Melissa Morgan...

Hilly Landscape is an original artwork realized in the 1970s by Germaine-Irene Darbois-Gaudin Original colored acrylic painting on paper. Hand-signed by the artist on the lower rig...

Lovely oil on canvas depicting The Schooner Canandaigua by BK Kremitske Art Sz: 7 3/4"H x 11 3/4"W Frame Sz: 10"H x 14"W

Artist: Hattakitkosol Somchai, Thai (1934 - 2000) Title: Green Virgin Year: 1970 Medium: Oil on Canvas, signed l.l. Size: 27.5 x 31.5 in. (69.85 x 80.01 cm)

Medium: Oil on Canvas Signature: Unsigned This is a study for the very large Howard Pyle mural now in the historic County Courthouse in Hudson County, New Jersey. It was commissione...

Medium: Tempera on Board Signature: Signed Lower Left Submitted as a Saturday Evening Post Cover

Signed lower right: Albert W. / Hampson

This is a rare artwork on the theme of nude. The back of the artwork is hand signed by the master in 1970. The Nude was exhibited in a personal exhibition at Annunciata Gallery in ...

Signature: Initialed Lower Left

Dizzy Dean, The Pride of St Louis

Medium: Oil on Canvas Dimensions: 28.00" x 21.00" Signature: Unsigned Literature: The Saturday Evening Post, June 14, 1923, illustrated as Kuppenheimer Clothing Company advertisementLaurence S. Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, p. 91, illustrated in color p. 92 Notes: The Kuppenheimer Clothing Company used this painting as an advertisment for its men's clothing. The advertisement printed...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1978 Acrylic and Paper Collage on Canvas...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...