Ellen Powell Tiberino

Three Sisters: large abstract expressionist figural painting & breast feeding

ca. 1980s

"Jazz" is a heavily textured contemporary abstract expressionism drip painting in the style of Jackson Pollock with predominant colors of pink, violet, & blue. It has all hanging hardware attached and is ready to hang. It is signed and dated on the back. Dennis Alter...

Dennis Alter's layered and textured oil on canvas paintings are rich with painterly activity. Gestural brushwork, heavy impasto, and layers upon layers of...

This is a two-panel oil on canvas abstract painting with two figures of mythological lovers. It is signed on the front. Includes hanging hardware, so there is no need for additional framing. Both panels ship in a single box 46" x 34". Every purchase comes with a free, hardcover copy of the beautiful illustrated new book, "Joseph McAleer: Sixty Years." **Please contact me with zip code for precise shipping quote and timeline. I will work to get you the best shipping price available. "Joe McAleer's paintings engage us as participants in a complex perceptual game. Comprised of contrasting patterns of color, texture, and form, which fill the canvas from edge to edge, his restless abstractions elude a fleeting encounter. Rather, they absorb our attention with rhythmic structures and visual anomalies designed to stimulate and perplex our senses. McAleer's kaleidoscopic abstractions have their basis in the humble Modernist's grid,......" - Joe Houston, Author "Optic Nerve, Perceptual Art of the 1960s"; Curator, Hallmark Art Collection. McAleer is an artist and lifelong educator based in NJ. He earned his undergraduate and graduate degrees from Rowan University, and has exhibited his work up and down the east coast, including major solo exhibitions at Bridgette Mayer Gallery and Locks Gallery...

This is a large, two-panel painting with mixed media including acrylic paint, sand, newspaper, small stones, and other materials integrated to create texture. The two panels may be h...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Wesley Kimler (born 1953) an American artist based in Chicago, Illinois, is known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, th...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...