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Frederick Judd Waugh"Risen Moon" Frederick Judd Waugh, Coastal Landscape, Rocky Coast Marine Scenecirca 1927
circa 1927
About the Item
Frederick Judd Waugh
Risen Moon
Signed lower right, Grand Central Art Galleries Inc. label on verso
Oil on board
25 x 30 inches
Mainly known as a marine painter. Waugh's sea paintings were enthusiastically received; for five consecutive years, he was awarded the Popular Prize at the Carnegie International Exhibition. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire.
In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts.
Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, ME during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith.
In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c.1912 painting “The Knight of the Holy Grail”.
- Creator:Frederick Judd Waugh (1861-1940, American)
- Creation Year:circa 1927
- Dimensions:Height: 25 in (63.5 cm)Width: 30 in (76.2 cm)
- More Editions & Sizes:Unique workPrice: $24,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841214417312
Frederick Judd Waugh
Frederick Judd Waugh was born into an artist's family. His first teachers were his father, Samuel B. Waugh, a respected Philadelphia portrait painter, and his mother, Mary Eliza Young Waugh, a miniaturist. With encouragement from his parents, he attended the Pennsylvania Academy of the Fine Arts, where he studied with Thomas Eakins and Thomas Anshutz. After three years, he left for Paris, where he entered the Académie Julian and studied under Adolphe William Bougereau and Tony Robert-Fleury. In 1883, while he was still a student, his work was accepted for the Paris Salon. His father's death in 1885 brought him back to the United States, where he spent the next seven years doing commercial work and painting some portraits. In 1892 he returned to Paris. Although Waugh was very versatile and accomplished in depicting a variety of subjects, it was his marine paintings that brought him critical attention. Visiting Sark Island in the English Channel in 1893, he began to study water, rocks, and sky, often battling the elements to paint en plein air. By 1895, Waugh had set up his studio in the English coastal town of Saint Ives, Cornwall, where J. M. W. Turner had painted eighty years earlier. A large window in the studio provided an intimate view of the ocean, and he could continue his intensive study of waves in greater comfort. His wave paintings have been referred to as majesty in motion. Waugh remained in England for twelve years, working as an illustrator for various newspapers and magazines in London, and returning to Saint Ives to paint when time allowed. In 1907, Waugh returned to the United States, eventually settling in Provincetown, Massachusetts. He was elected a member of the National Academy of Design in 1911. For five consecutive years he was voted the favorite artist of the prestigious Carnegie International Exhibition in Pittsburgh. Waugh was known to have painted up to ten canvases a month to keep up with the demand for his work. The United States government called on him to help camouflage the naval fleet in World War I. Fittingly, upon his death, he was buried on the New England coast within sound and sight of the sea.
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