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Giancarlo ImpigliaBuddhist inspired, neoclassical, figurative painting, A Meditation on War2013
2013
About the Item
Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about the modern world. Oil on camouflage.
Born in Rome, Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art Collection. Three publications are dedicated to his work: Giancarlo Impiglia, Paintings for the Queens & Collected Works (2012), The Art of Giancarlo Impiglia (1995), and Giancarlo Impiglia: Recent Work (1982).
With his work only going up in value, this is not an opportunity to be missed.
- Creator:Giancarlo Impiglia (1940, Italian)
- Creation Year:2013
- Dimensions:Height: 70 in (177.8 cm)Width: 47 in (119.38 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Bridgehampton, NY
- Reference Number:1stDibs: LU155127987832
Giancarlo Impiglia
Born in Rome, Giancarlo Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of modernism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including The Victoria and Albert Museum's and the Absolut Art Collection. Three publications are dedicated to his work: Giancarlo Impiglia, Paintings for the Queens & Collected Works (2012), The Art of Giancarlo Impiglia (1995), and Giancarlo Impiglia: Recent Work (1982).
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About the Artist & his works :
Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata.
Education :
1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata.
1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata.
1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata.
Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation.
Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school.
As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work.
Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy.
For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration."
Solo Exhibitions :
Rabin has had several solo exhibitions:
From 1961 - 1973, 1976, 1987, 1993 and 1999 he exhibited solo at various places in Kolkata. In 1974, 1977, 1982, 1983, 1987 and 1991 he showcased solo in several place in New Delhi. From 1978 - 1980 and in 1984 he had solo exhibitions at Birla Academy of Art and Culture in Kolkata.
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In 1989 and 1990 he exhibited solo in Mumbai. In 1993 he had a solo show at Jehangir Art Gallery, Mumbai.
In 2014 - 2015 and 2016 he exhibited 'Kingdom of Exile: A Retrospective' at Delhi Art Gallery, Mumbai and at DAG Modern, New York.
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In 1955, 1969, 1970 - 1972, 1975, 1976, 1978, 1983, 1988, 1995, 1998 - 2002 and 2010 he participated in various group exhibitions in Kolkata.
From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi.
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In 1984 he participated in the Tokyo Biennale, Japan.
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