Jennifer Nehrbass

Antonia

2020

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United States, with numerous solo and group exhibitions, including shows curated by gallery owner Linda Durham and artist Joel Peter Witkin. He has been the recipient of numerous grants and awards, most recently the Professional Development Grant from the West Virginia Division of Culture and History. In 2009 he was an artist-in-residence at the Center for Land Use Interpretation in Wendover, Utah. Also a professor, Stuckey has taught at West Virginia University, and most recently, Colorado State University. Tracy and his wife, artist Erika Osborne, live in Fort Collins, Colorado. ARTIST STATEMENT My paintings operate in a fictitious world that utilizes the mythologies and realities of the modern American West. Because of its unique history, the Western United States is more than just a location; it is a label, a persona and most importantly a cultural identity. The word "Western" is a category; it is used to describe films, literature, music, art, and fashion. In my work I use the cowboy and cowgirl and other stereotypical Western themes coupled with pop cultural depictions of the region to reflect my own interpretations of the contemporary West. I am interested in historian Michael Johnson...

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Contemporary Moroccan figurative painting by Khalid Nadif. Mixed media and paint on canvas, offered framed. Signed on back by the artist. Portrait, female figure, figurative art,...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...