June Glasson

Never Done II

2024

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Berlin, and various New York and stateside galleries and museums. They have also appeared in New American Paintings, the Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself, Sand Journal, and Diner Journal as well as the film “My Idiot Brother.” She has also designed and fabricated exhibitions and displays for the Center for Urban Pedagogy, Bergdorf Goodman, Bumble and Bumble, and Crumpler Bags. She is a co-founder of the Wyoming Art...

A portrait of a man. Acrylic on paper 14 x 11 inches unframed and 15 x 12 inches framed, Part of the artist's new Face to Face series started in 2017 and featuring real and imagined ...

René Romero Schuler is an American painter and sculptor who creates powerful images that speak to the complexities of the human condition and the spirit that connects all human being...

Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments. Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani. Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...

“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment: “Ninety-nine parts of all things that proceed from the intellect are plagiarisms.” In the Framed Series, I use my 1% contribution to combine issues of consumption with my autobiography. I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects hanging on walls, I augment art as a commodity and reconcile the conflict between the artificially assigned monetary value of artworks with the reality that they are simply swirls of paint. In this way, I am also acknowledging the literality of my own work. I have also altered each copied painting to personalize the context of the pieces and address specific autobiographical ideas. These ideas relate to a range of both recent and distant experiences, both funny and sad. Although my initial renderings are digital image composites, my medium of choice is oil paint, applied in transparent layers, using the image on the computer screen as a reference. In addition to its lush visual properties, I enjoy the flexibility of oil paint in making acute renderings as well as the evolution of the imagery from paint to digital and back to paint in further protracting both the distillation and evolution of form. statement on piece "The character Jame Gumb, from the 1991 film and 1988 book, The Silence of the Lambs...