Monoprint Figurative Paintings

"El Toro" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" inch ...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

"El Purerco" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" in...

Georgia-based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant paintings that celebra...

"Dont Belong Here" (FRAMED) Painting 18" x 24" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 18" x 24" inch Size framed: 20" x 26" ...

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line structure to celebrate the details. Through layering additional texture, Newsome creates paints with depth and liveliness. This one-of-a-kind 14-inch high by 11-inch wide mixed-media artwork is created with acrylic and pencil on watercolor paper. The artwork comes beautifully adorned with a gold frame, which is included in the size and price of the piece. It bears the artist's signature on the front and back and comes with a certificate of authenticity issued by the art gallery. Convenient shipping is available for those in the local Los Angeles area. Affordable worldwide shipping is available for U.S. and international art collectors. Newsome says about her work: “Painting is my passion; I enjoy the process of capturing something beautiful and organic while creating contrast with vibrant and pastel colors combined with quiet spaces and bold mark-making. My subject matter is often plants or animals that make me feel empowered or inspired as metaphors for my own life experiences.” Born in Columbus, Georgia, and raised on a small farm in Alabama, Newsome's love for flora and fauna shines through in her work. Her art practice received sponsorship from Chroma's Atelier Interactive brand of paint while she attended Troy University. Today, her artworks are collected across the United States, and she continues to create from her studio in Columbus, Georgia. REPRESENTATION: Artspace Warehouse, Los Angeles EXHIBITIONS 2024 Affordable Art Fair, Austin, TX, USA Artspace Warehouse, Los Angeles, CA, USA 2023 Artspace Warehouse, Los Angeles, CA, USA 2022 Artspace Warehouse, Los Angeles, CA, USA 2021 Liz Lane...

Amazon River (2019), oil painting, ecosystem, animals, pastels, jaguar, fauna "Amazon River" by Alexis Kandra. Figurative oil painting with holographic foil on wood panel. Amazonian ecosystem, animals of Amazon River Basin and Rainforest, South America, fauna. Jaguar, tapir, Amazon river dolphin (aka pink dolphin...

Vibrant figurative of abstracted fish in coral reef by John Stenvall (American, 1907- 1998), circa 1990. Signed left edge. Presented in gilt-toned frame ...

This piece titled "Supersisto" is an original artwork made from acrylic on paper by Henry Hablak. This piece is shipped with the pictured black frame and measures 19”h x 13”w. Vario...

Bull XII is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes wi...

Andrzej Kreutz-Majewski is a Polish artist born in 1936 and died in 2011. Known all around the world as a stage designer, he is also a renowned painter. After studying at the Academy...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...