Oil Figurative Paintings

Medium: Oil and Ink on Gessoed Board Signature: Signed Lower Right

EMILIO GRAU SALA Spanish, 1911 - 1975 PLAGE DE TROUVILLE signed Grau Sala (lower left) signed again, located & dated "Grau Sala, Trouville, 1953" on the reverse oil on canvas 15 X 24 inches (38 X 61 cm.) framed: 24-1/2 X 33-3/4 inches (62.5 X 85.5 cm.) PROVENANCE Private French Collection Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Grau Sala lived and absorbed all the avant-garde movements that broke through in Paris, but never adhered to any. Creating your personal style. His pictorial lyricism and naturalism superimposed the evotative and sensitive quality of the image to any other concern. In 1953 Grau Sala spends his first summer in Honfleur becoming one of the most active Honflerian painters. Honfleur forms a coast triangle next to Deauville and Trouville, and in that August of 53, Grau Sala pinto is an elegant beach, which at that time met French and European high society. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

This is a rare artwork on the theme of nude. The back of the artwork is hand signed by the master in 1970. The Nude was exhibited in a personal exhibition at Annunciata Gallery in ...

A strong modernist oil painting depicted in the 1950s by Russian, American painter Helen Stein. Mostly known for her abstract figures on canvas, this piece...

Colorful figurative landscape of a woman walking through a San Francisco park with two children, while another woman sits on a nearby bench with a b...

Beautiful figural abstraction by American artist, Alan Tompkins (1907-2007). Seated Figure, 1956. Oil on Devoe academy board measures 11 x 13 inches; 15....

An oil painting by George Marshal Cohen from 1960. An abstract expressionist style painting with dark blue tones and bright yellow accents. Figurative representations of female legs ...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Pensive with nosegay - Painted in Berkeley CA. painting size 10x8 with frame 16x14x1 Jon (Corka) Cornin 1905-1992 Born in New York City on March 24, 1905, Jon Cornin studied in Ne...

Date: 1952 Medium: Oil on Canvas Dimensions: 30.00" x 24.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, May 10, 1952. The Post describe...

Beautiful and large-sized work by Casorati, hand signed and published in one of the most important monographs about the Artist. Felice Casorati was an important Italian painter, scu...

Date: 1955 Medium: Oil on Canvas Signature: Signed Lower Left Dimensions: 27.00" x 38.00" "Dr. Walters glanced back. Howell was whispering to Louise as though the savagery arou...

Fabulous oil on masonite by the well known Russian/American artist, Nahum Tschacbasov. Signed and dated lower left, 1954.. In very good original condition; no issues. The painting ...

This illustration was used in magazine advertisements. Frank C. Bensing was born in Chicago, Illinois, and received his art training there at the Art Institute. Among his teachers were DeForrest Schook, Wellington Reynolds, Charles Schroeder and Walter Biggs...

Medium: Oil on Masonite Signature: Signed Lower Left This piece was published as an illustration in True Magazine titled "Blondin Crossing Niagara" in 1953. Born Jean-François Grave...

Chester Snowden (1900 - 1984) Houston Artist Size: 16 x 12 Frame: 23 x 19 Medium: Oil 1951 Biography Chester Snowden (1900 - 1984) Houston Artist Chester Snowden was born in Elgin, Texas. He attended The University of Texas in Austin and the Cooper Union in New York as well as studying at the Art Students League of New York, Grand Central Galleries Art School, also in New York and the Richard Art School in Los Angeles. His teachers included Harry Sternberg, Boardman Robinson and Walter Jack Duncan. Snowden worked as a painter and an illustrator, for decades providing art for the publications of naturalist author, Royal Dixon...

Date: 1953 Medium: Oil on Masonite Dimensions: 42.00" x 32.50" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, January 31, 1953. The Post d...

Date: 1955 Medium: Oil on Canvas Dimensions: 28.25" x 38.5" Signature: Signed Lower Right

Great early Lowell Collins cubist neutral toned still life on canvas. Placed in a thin, black frame. Signed and titled by artist. Artist Biography: Born in San Antonio but raised i...

A modern abstract expressionist oil painting signed illegibly and dated 1956.

Artist: William Skilling, After Giuseppe Arcimboldo Title: Vertumnus Year: circa 1950 Medium: Oil on Canvas, signed l.r. Size: 42 in. x 36 in. (106...

Stadium Party depicts at wholesome all-american tail gate party from the 1950's. Stadium Party Circa 1950's 16 x 22 Oil on Canvas Signed lower left , Condition is excellent, Work i...

Signature: Signed Lower Left, "Hughes" Medium: Oil on Masonite Framed 24.50" x 26.50" Original cover illustration for The Saturday Evening Post, June 8, 1957. The Post described, “...

Most likely for a magazine like Saturday Evening Post interior editorial spread. The empty space to the right was for the art director to surprint type. The empty space acts as a com...

Born in Baku, Russia in 1899, prolific avant-garde artist and painter Nahum Tschacbasov studied in Paris with Leopold Gottlieb, Marcel Gromaire and Fe...

Description: Very expressive oil on heavy paper of a man with a large mustache and wearing a white chapeau by Gen Paul. Signed middle right. New silver leaf frame with dark mat and Museum glass. Overall size framed is 25 by 20 inches. Provenance: Private collector, Argentina. Eugene Paul, known as Gen Paul, was born in 1895 and raised in the bohemian atmosphere of Montmartre. In his life he came to know a great many of the artists, from the anonymous to the world famous, who established themselves in the neighborhood. A self-taught artist, Gen Paul began expressing himself in drawings and paintings as a child, his earliest works show a remarkable talent. He was apprenticed to a wallpaper hanger. until his life was interrupted by war. He was wounded twice in World War One, the second time he lost one of his legs. During his recovery he turned to painting, which became his passion and his livelihood for almost 60 years. Gen Paul exhibited at the Salon d’Automne and the Salon des Indépendants beginning in 1920. In 1928 Gen Paul exhibited fifty paintings at Galerie Bing with Picasso, Rouault, and Soutine. He participated in collective exhibitions in London and Anvers. In 1937 he painted a large fresco for the Pavillon de Vins de France at l’Exposition Internationale de Paris. A restrospective was held at Galerie Drouant-David in 1952 and his works were shown several times at Galerie Ferrero in Geneva, Switzerland. From the late teens until about 1930 Gen Paul produced a large number of exceptionally strong, vibrant expressionist paintings. His work from this period is particularly interesting when compared to that of Chaim Soutine. While their techniques are clearly similar, Soutine’s paintings...

Stunning and expressive large scale oil painting by mid-century San Francisco artist Louis Earnest Nadalini (American, 1927-1995). Signed "Nadalini" lower right. Unframed. Image size...

Date: 1953 Medium: Oil on Canvas Laid on Board Dimensions: 27.50" x 21.25" Signature: Titled and Dated '1952' Verso This illustration was published as the cover for The Naked R...

Wonderful Bay Area Figurative by unknown artist (signature marred), circa 1955. In style of Nathan Oliveria and Norman Bluhm. Image size 16"H x 23"W. Presented in rustic frame. Frame...

Date: 1951 Medium: Oil on Canvas Dimensions: 23.00" x 15.75" Signature: Signed Lower Left Book Cover of Casualty by Robert Lowry (Popular Library #387)

Multi-colored figurative oil painting of a woman in bikini bathing in the California sun by listed California artist Jon Blanchette (American, 1908-1987). The colorful background is...

Date: 1950s Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Unsigned Color study featured in Step By Step Graphics, 1950's.

"On Wisconsin" is an original oil painting on panel by Sylvia Spicuzza. The artist signed the piece in the lower left. This painting depicts two figures and other symbols to represen...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Three masks abstract by Novak (American, 20th Century). Presented in a white wooden frame. Signed "Novak" lower right. Image: 28.5"H x 26"W.

Approximate Date: 1953 Medium: Oil on Board Signature: Signed Lower Left Dimensions: 24.00" x 16.50" This illustration was published as the paperback cover of The Golden Egg...

Date: 1950 Medium: Oil on Masonite Dimensions: 25.75" x 20.00" Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, July 1st, 1950. The Post des...

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Singer Medium: Oil on Masonite, signed Image Size: 11.5 x 23.5 inches Frame Size: 17.5 x 30 inches

Date: 1951 Medium: Oil on Canvas Dimensions: 30.00" x 25.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post...

Charming painting of colorful Gallic "Le Coq Gaulois" roosters by listed California artist Helen Enoch Gleiforst (American,1903-1997), circa 1950. Born in...

Francois Gall ( 1912-1987) François Gall was a Hungarian-born French painter best known for his Impressionistic style. Primarily focused on the figure, his brushy oil paintings are largely inspired by the Impressionist masters, Edgar Degas in particular. Gall often painted women engrossed in traditionally feminine activities—ballet, fixing their hair, sewing—rendered in loose, expressive marks and bright pastel colors. In addition to his figurative work, the artist also captured the French landscape, most notably the beach. In A Day at the Beach (c. 1948), loosely sketches bathers frolic under striped umbrellas in a picturesque rendering of French summer vacation. Born in 1912 in Transylvania, Romania, Gall received his formal training at the Royal Academy of Fine Arts Workshop Coromaldi in Rome, Italy. He would later settle in Paris in 1936, where he befriended prominent artists of the day—including Pablo Picasso—and became a naturalized French citizen in 1942. As his work grew in esteem, Gall was granted the Francis Smith...

Born in Terrenoire in the Loire, France, self-taught painter Charles Marcon was encouraged by Madeleine Castaing and Paulette Jourdain. Marcon exhibited throughout Paris and in Arles...

Signed lower right, 'ZEV' for Daniel Albert Harris (American, 1914-1986) and dated "1952-1953". A dramatic, Mid-century cityscape showing numerous figures, both concealed and partially-revealed, dispersed in a neo-classical townscape beneath a vibrant sunset. Born Daniel Harris, and adopting the name of Zev, Harris studied at the Masters Institute of the Roerich Museum in Hungary and at the National Academy of Design...

Surrealist painting from 1950 by artist Camilo of two relaxing harlequin performers by the seaside dressed in yellow and pink. Signed and dated by artist. Cleaned And Restored.

Beautiful oil on canvas by the french artist Paul Guiramand. Provenience: Important private collection. Very good conditions.

Oil on cardboard, 1954 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ). Signed and dated lower right: Wellenstein 54. Framed. Height: 13.78 in ( 35 cm ), Width: 18.5 in ( 47 cm ...

Henri Gadbois (Born 1930) Houston Artist Image Size: 29 x 13 Frame Size: 34 x 18 Medium: Oil 1953 Mid Century Modern Juggler Biography Henri Gadbois (1930 - present) 1930 Born Houston, Texas St. Joseph’s Hospital 1947 Ceramic Bowl accepted in the Texas General 1948 Graduated Lamar High School, Houston, Texas Houston Artists Exhibit 1948 to 1960 1952 Bachelor of Fine Arts, University of Houston Instructor Museum of Fine Arts, Houston School (Now the Glassel School) 1952 to 1965: “16 Texas Painters” Valley House Gallery, Dallas Texas 1953 Master of Letters, University of Houston Registrar, Business Manager, Museum of Fine Arts, Houston One-man Exhibit, James Bute Gallery, Houston, Texas 1954 U.S. Army, Fort Bliss, El Paso, Texas, Camp Gordon, Augusta, Georgia Archives of American Art, Personal Papers 1954 to 1970 “Red Tights” Allied Art Purchase Prize, Museum of Fine Arts, Houston “Clump of Trees, Hermann Park” Western Artists Exhibit, Denver, Colorado Contemporary Arts Museum, Houston, Art Rental Exhibit 1955 One-Man Exhibit, Herbert Institute, Augusta Georgia 793 MP Battalion, Nurnberg, Germany Studio space at University of Georgia, Furth, Germany 1956 Married Leila McConnell August 18, 1956 Art Teacher, Houston Public Schools Chaired Exhibit “Contemporary German Graphics” Contemporary Arts Museum, Houston, Texas Exhibit, Men of Art Guild, San Antonio, Texas “Landscape-Stuttgart” Flaxman Purchase prize, Houston Artists Exhibit, Museum of Fine Arts, Houston 1957 “Three Tiered Formation”, American Federation of Arts Survey of Texas Painting “Illogical Organism” Bute Gallery 1958 “Budding Stump”, Feldman Collection Exhibit, Little Studio, New York, New York “Espaliered Burlap” Autumn Show, Delgado Museum, New Orleans, Louisiana One-Man Exhibit, Rudi’s Club, Houston, Texas Texas Fine Art Association Exhibit, Austin, Texas TFAA Circulating Exhibit 1958-1959, San Marcos, Seguin, Corpus Christi, Edinburg, Brownsville, and Kingsville “Night Crossing”, Four-man Exhibit Petroleum Club, Houston, Texas “Gold Flow” Texas ’58 Circulating Exhibit “White Out” Honorable Mention, Houston Artists Exhibit, Museum of Fine Arts, Houston “Spring”, Terrace Show, Handmakers, Houston, Texas “Winter”, “Start With Art” Exhibit, Junior League, Houston, Texas 1959 One-man Exhibit, Driscoll Gallery, Austin, Texas One-man Exhibit, Houston Geophysical Club, Houston, Texas Faculty-Student Exhibit, Museum of Fine Arts, Houston, Texas Dallas Art Rental, Dallas, Texas “Winter”, Western Artists Exhibit, Denver, Colorado “Portrait of a Dress” Junior League, Houston, Texas 1960 “Field Patterns, Europe” One-man exhibit James Bute Gallery, Houston, Texas 1961 Instructor Hill Country Arts Foundation 1961 to 197? “ Katy Road”, Texas Annual Exhibit, San Antonio Art league Purchase Prize, Witte Museum, San Antonio, Texas 1962 “Field Pattern, Wurzburg” Western Arts Exhibit, Denver Colorado One-man Exhibit, St. Luke’s Church, Houston, Texas “Mystic Road, Germany” Azalea Trail Exhibit, River Oaks Garden Forum, Houston, Texas Art Teacher, Robert E. Lee High School, Houston 1963 One-man Exhibit, James Bute Gallery, Houston, Texas “Landscape at Nysa”, Longview Invitational, Longview, Texas 1964 Chaired...

Before there was Photorealism, there was Austin Briggs. Done in 1951, this work has all the hallmarks of the 1970's fine art movement and more. Briggs is using photographs as a refer...

Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...

Date: 1950 Medium: Oil on Canvas Signature: Signed Lower Center Contact for exact dimensions. High Score, By Frank Bennett, This Week Magazine, September 1...

Evergood is decades ahead of his time in shouting out against racial injustice. Painted in the late 1950's KKK is an important work. For Philip Evergood (born Philip Blashki), pain...

Oil on masonite encaustic painting by the well known Russian/American artist, Nahum Tschacbasov. Signed and dated top right, 1952. In good to very good condition. Provenance: Est...

Oil on canvas painting by the Russian/American artist, Nahum Tschacbasov. Signed top right and dated 1957. Condition is good. Provenance: Estate of the artist. Biography : Russia...

Oil on hardboard, 1951, by Heinz Borchers ( 1898-1972 ), Germany. Signed and dated top right: Heinz Borchers 51. Framed. Dimensions: 29.53 x 23.82 in ( 75 x 60,5 cm ) Provenance: es...

Presenting an original oil on panel by American artist Robert McIntosh, c.1958. "Male Torso in Green", is an original oil on panel, signed,c.1958, a painting directly from the personal collection of...

Jirayr Hamparzoom Zorthian was born April 14, 1911 in Kutahya, Turkey, of Armenian parents. At the age of three, he showed considerable talent in drawing and painting. Zorthian went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academies on the west coast including both the Chouinard Art Institute and the Otis Art Institute. "The Picture Framer...

Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, December 2, 1950 The Post described, “One night Art Editor Stuart was having a party. His three boys came downstairs four times and were conducted back up by their mother. The next time they came down, Papa Stuart waxed excited, firmly conveyed them aloft himself, and they did not show up again. Stuart was warmly congratulated on his success as a father. When the party broke up, the youngest lad was found asleep on the stairs. Stuart claims that the older ones never did come down again, but this was probably because they merely went to sleep in their beds from natural causes. George Hugehes has painted some other people’s offspring, to get over the idea that children all over America are eager to improve their minds by listening to sophisticated conversation.” (The Saturday Evening Post, December 2, 1950, p. 3) Exhibited: Norman Rockwell Museum...