Heinz Borchers Art

Untitled (Houses and Railroad Tracks), c. 1940s, oil on canvas board, signed lower right, 16 x 20 inches, presented in a newer frame This work is part of our exhibition America Coas...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Army Poker, c. 1943, probably tempera on board, signed upper right, 16 x 20 inches, inscribed verso a) “Army Poker / Mervin Honig / 421 W 42 St. N.Y.C.,” b) “Mervin Honig / US Army Air Force – Seymour Johnson Field – Goldsboro, NC / Circa 1943,” and c) “(This painting was done before men was (sic) shipped off to the Mariana Islands (Saipan) The Second World War.” Note: four pencil sketches for this work included Mervin Honig was a New York-based painter and illustrator who is best known for his realistic depictions of everyday life and sports themes. Honig was raised in Brooklyn and recalled almost never being without a paintbox in hand from the time he started elementary school. Honig had a deep reverence for the Old Master painters, Vermeer and Bellini, as well as the Americans Winslow Homer and Thomas Eakins. He initially studied art from 1939 through 1941 with Francis Criss. At the outbreak of World War II, Honig worked as a mechanic for Republic Aviation, but in August 1942, he enlisted in the US Army Air Corps and was stationed at Seymour Johnson Field in Goldsboro, North Carolina. During the war, Honig began to exhibit nationally, including as part of the Portrait of America exhibitions which originated at the Metropolitan Museum of Art and traveled around the country, as well as at the Carnegie Institute in Pittsburgh. He painted Army Poker in 1943 while stationed at Johnson Field. In this work, Honig draws inspiration from Paul Cezanne's The Card Players (Metropolitan Museum of Art), with a similar placement of the four figures, but Cezanne's table is replaced with an Army cot, the pipe rack with a soldier's mess kit and the drapery in the right background with a heap of discarded uniforms. Unlike the vibrancy of Cezanne's composition, the limited palette of Honig's work suggests the drabness and monotony of stateside Army life. After being discharged from military service, Honig furthered his studies with Amadee Ozenfant in 1946 and Hans Hoffman from 1947 through 1950. Additional exhibitions included the Whitney Museum of American Art, the Brooklyn Museum, the Los Angeles County Museum of Art, the National Academy of Design, the Wadsworth Atheneum, the Provincetown Art Association, and the National Academies Galleries of the Allied Artists Association. He was represented by the venerable Frank Rehn...

Signed "Martha Cahoon" lower right. Provenance: private collection, Palm Beach Florida About this artist: Born of Swedish immigrant parents in 1905, in Rosindale, Massachusetts, Martha Farham Cahoon had a highly successful business partnership with her husband Ralph Cahoon...

My Only Working Tool, 1949, oil on panel, signed and dated lower right, 16 x 12 inches, remnant of exhibition label verso, exhibited at the Art News Second Annual National Amateur Co...

Signed by Émile Tabary. Lively scene in in a parisian park, pictured moment of city life of the late 19th century. In this painting, some irony and humor are very subtly felt. One of...

This artwork showcases the beauty of sailing boats and ships sailing gracefully on the sea waters. The artist's attention to detail is evident in the intricate depiction of the ships...

Ralph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...

Peter Kurbatov (1907 – 1985), was a talented painter, graphic artist and writer. He lived a truly eventful life full of creative exploration. Despite the fact that this landscape was...

Rudolf Johann Weiss (Swiss, * 3.9.1846 Basel, † 17.4.1933 Biel) Die Twannbachgrotte/Twannbachschlucht bei Twann, Biel, Schweiz (= The Twannbach Cave/Twannbach Canyon by Douanne, Bie...

This is a rather unusual work for Allan Douglas Davidson, who primarily painted nudes. Please note that the title is not contemporary to the painting (which was most probably execute...

Oil on board, 62cm x 42cm, (70cm x 50cm framed). The picture is in good condition. Plummer trained at the Royal Academy Schools in the early 1950s, championed by Stanley Spencer and Sir Herbert Read, he was the recipient of the coveted Leverhulme Scholarship. In a mixed career which included illustration work for The National Trust, anatomical illustration for Guys Hospital and teaching, painting ran parallel to his commercial work. Plummer specialised in the medium of egg tempera, as well as oil painting, a technique little used since the frescos of the Renaissance, he often worked on a large scale, but in tremendous detail, combining Classical iconography and formal composition with visual exploration evocative of William Blake and...

Oil on board, signed (lower left), 40cm x 56cm, (51cm x 67cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...