Panel Figurative Paintings

Alejandro Rubio La Casa Amarilla (The Yellow House), 2022-2025 Oil on panel 18 x 18 inches This is a one-of-a-kind oil painting on a wooden panel.

"Dancers reading III", Impressionist Indoor scene with tow girls. Oil on panel. Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork, signed IF by Scottish artist Iain Faulkner...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

Ron Hick's (US based) "Axiomatic Appeal" is an original, handmade oil painting that depicts an impasto rendering of a male figure with dark hair and an abstracted background. Ron Hi...

The subject of Richard Gibbons' painting entitled "La Boheme" is based on the opera by Puccini of the same name - a love story of a poor seamstress and her artist friends in 1830 Boh...

Black bear with layers of potential meanings. Mainly oil on panel.

Devin Michael Roberts' ( US based) "Winter Solace" is an oil painting depicting a snowy landscape with a small river fork and a bright orange sunset above. Artist bio/statement: Dev...

ANJA VAN HERLE "Blinking Butterfly" Acrylic & Swarovski Crystal on Panel 12 x 12 inches. Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her art...

This painting (oil on paper applied to wood panel, 18 x 12, 5 cm) is a valuable example of the production of small-format works, thus aimed at a private audience, which was very comm...

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...

Abstract oil on wood panel depicting the beginnings of the ascendancy of the Earth by Julie R. Fudge (American, 20th Century). Signed "Julie Fudge" on verso. Unframed. Image, 42"H x ...

Quang Ho's (US based) "Figure in Gold Abstraction" is an original, handmade oil painting that depicts a pale nude female model sitting among rumpled white fabric as she delicately pl...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Textured mixed technique, 2021 Figurative Magical Painting. This is one of my early works, where I delve deeper into our connection with animals through a human and magical lens. Ani...

Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...

Valerio D'Ospina's (Us based) "BLT Ride" is an oil painting depicting a forest and light with a motion blur. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he receiv...

Alexander Chistov's "Wildwood Regional Parks, Thousand Oaks" is an original, handmade, plein air oil painting depicting the landscape in southe...

The Cocktail Paintings It's Five O'Clock These four cocktail paintings are completed at a certain point at which time the artist will start to add a mosaic style pattern to the en...

Tempera painting on panel depicting a monk or hermit with folded hands praying next to a cross and rosary, surounded by 5 pebbles. Gilded background. Dated lower right AD 1577. 17th...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Painting by Noche Crist (1909 - 2004). Work is titled "The Sanctuary" and signed. Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the Katzen...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Scott Conary's "Beneath" is an original, handmade oil painting that depicts fabric draped over a surface with light hitting every fold. About the Artist: Raised where the East Coast...

Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary. Whenever possible, she prefers to paint f...

"Three Magenta Peonies" is contemporary realist oil painting pink flowers on black background. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian...

Émile-Pierre Metzmacher (French, 1815 - 1890) A Young Beauty Crossing a Brook, A Hunter Beyond Oil on panel 24 x 19 1/2 inches Signed lower left Provenance: Christie's New York, Oct...

Collage and acrylic paint on sintra panel, excellent gift

Suchitra Bhosle's "Downstream Riot" is an original, handmade oil painting that depicts white and orange koi fish mingling and pressing together in the shallow blue water of a koi pon...

Based on Georgia Hinaris' love of the Horror Film genre, all that appears may be so much more in her work. The artist takes inspiration from these types of films with their stark cin...

"Victoria" is portrait of a young female with flowing blond hair and draped in white. Purple flowers adorn her hair as well as her dress. Her pale skin, as well as her gaze away f...

Joseph Lorusso was born in Chicago, Illinois, in 1966, and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Art Institute. While in school, Lorusso majored in watercolor and considers himself self-taught as an oil painter. He learned to paint by studying the works of master painters, often losing himself in the halls of the Chicago Art Institute during lunch hours...

Landscape. Oil on panel, 23 x 31 cm. Framed 46 x 54 x 6 cm. ( In inches: 9 x 12.2 In / framed 18.11 x 21.26 x 2.36 ) Signed down right angle. Author Simó Busom (Barcelona- Spain 1927-2020), a landscape painter, trained at the Baixas Academy. He began with watercolors, and from an initial figurative art, influenced by the work of the Catalan artist Ramon Rogent, he evolved towards post-cubism and finally returned to figurative art. In 1964 he held his first exhibition at the prestigious Sala Parés in Barcelona and, from that moment on, he became part of the group of young painters linked to this gallery. In 1955 he received the Barcelona City...

An absolutely stunning and unique tryptic by the indelible Giancarlo Impiglia; three hinged panels, hand-cut by the artist into an iconic cityscape with life-size figures. Reminiscen...

ANJA VAN HERLE "Mrs. Hisses" Acrylic & Swarovski Crystal on Wood 72 x 35 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with...

Brian Keith Stephens' painting "All the Wild Ones Act 4" (2018) is a delightful exploration of wildlife through the lens of contemporary artistry. Rendered in oil on panel, this orig...

Sara Scribner's (US based) "Stardust" is an oil painting that depicts a realistic portrait of a feminine form in profile wearing blue in a blue interior ...

Master painter Bruno Surdo brings humor to the painting "Trick or Treat". His classically posed figures sport various Halloween costumes and stand in front of a factory. The painting is framed in a simple black frame. Bruno Surdo Trick or Treat oil on panel 18h x 24w in 45.72h x 60.96w cm BRS046 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section...

Suchitra Bhosle's "A Moment in Time" is an original, handmade oil painting that depicts a woman, in all white, crouching with her knees pulled to her c...

Mia Bergeron's (US based) "Halo" is an original, handmade oil painting that depicts the glow of a lit candle creating a halo around its form. Mia Bergeron's interest in art was cul...

"Coffee (Marquee)" Acrylic on Panel 48 x 12 inches Charlotte Gibbs’ "flag," star," and text paintings often reference the artist's interest in Pop art and sometimes incorporate ...

Gottfried Seelos, antique oil painting, home of Walther von der Vogelweide. Signed and dated. According to an antique note on the back, the painting come...

James Hardy Jnr British, (1832-1889) Playing Cribbage Oil on panel, signed & dated (18)58 Image size: 11.5 inches x 14.5 inches Size including frame: 20.25 inches x 23.25 inches Provenance: Mr J Taylor Esq; F C Mander, purchased March 1907. A delightful genre painting of a family playing a game of cards by James Hardy Jnr. A group of people are depicted sitting at a table in front of a fireplace in a rustic interior, playing cribbage. As four of the players study their cards, a woman gets up to help another player with their hand. Meanwhile, a tan and white dog watches on with interest. The reverse of this painting includes a handwritten inscription which reads: ‘This painting was purchased by the late Mr Taylor for £40 and bought by me at Public Auction at Addison Hall for £45. March 1907. F. C. Mander’. Further research has discovered that a public auction of the collection of a Mr J Taylor Esq was held by his Executors on Tuesday 5 March 1907 at Addison Hall, Addison Road, Kensington. Details of the sale including a mention of a work on offer by J Hardy, appeared in the Kensington News and West London Times on Friday 1 March 1907. Messrs F C Mander & Co were listed as the auctioneers involved in the sale. Their address at the time was 296, Uxbridge Road, Shepherd’s Bush. James Hardy Jnr was a genre and sporting painter born in Brighton, Sussex in 1832 into a family of artists. He was the son of the portrait and genre painter James Hardy (1801-1879) and his wife Elizabeth (née Vinson). His brothers David Hardy (1838-1870) and Heywood Hardy (1842-1933) and his sister Ada Hardy all became artists. His cousins Frederick Daniel Hardy...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

Original Painting by Eric Zener

Still Life with Pear and Grapes Quitton Edouard Péruwels 1841 –Brussels 1934 Belgian Painter Signature: Signed top right and dated 1881 Medium: Oil on panel Dimensions: Image size ...

GREG MILLER "Wonder Palms" Acrylic, Collage on Panel 24 x 60 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relation...

Chuck Sperry Sappho Panel Edition out of 30 7 color screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them...

red, odalisque,orange,yellow Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

The partially shrouded male nude stands in front of a doorway outlined in black. The rich burgundy background does not give us any clues as to where the figure is yet the darkened d...

Unique and original painting, ready to hang. Campbell La Pun’s unique spray can paintings merge street art sensibilities with vibrant pop culture influences, transforming ordinary s...

Elizabeth Zanzinger's (US based) "Crossing" is an oil painting that depicts an elderly man crossing the high water of a river with a young child on...

In Shivers, a disease is spread through the throat, resulting in a zombie-like infection. In this painting, coupled with an image from The Eyes of Laura Mars, is a reference to ideological possession and the use of compelled speech. It is a concern towards those who display totalitarian traits in their quest for justice, too caught up in their own righteousness to really consider the damage they are doing. The do in the background stands above the lifeless body of a woman, it is dogma and its dismantlement of womanhood. Inspired by the films Shivers, 1975 The Eyes of Laura Mars, 1978 Georgia Hinaris Eyes of Shivers oil on panel 16h x 24w in 40.64h x 60.96w cm GHS003 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

JAMES WOLANIN "Ciao Bella Acrylic & Gloss Varnish on Panel 48 x 48 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wor...

Kevin Weckbach's (US based) "Gonske' House" is an original, hand made oil painting that depicts an adobe house in Taos with a colorful entrance and blooming flowers in the foreground. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to resemble a literal story of what it is; moreover, it is a quilt that explains my visual expression. What I find particularly interesting in human intervention in nature is how we are still intertwined with it. Roads, buildings, and farmlands bend with the natural curves of mountains, hills, and streams. City nights are lit up like lightning bugs...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Michael Carson's (US based) "Resigned" (2024) is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College ...