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Michele MikesellAnubis Reimagined: Abstract Figurative Painting, Mythological & Surreal Themes2022
2022
About the Item
This captivating oil painting by Michele Mikesell is a striking fusion of abstract and figurative styles, masterfully crafted on a large 51 x 38-inch canvas (130 x 97 cm). Titled "Anubis Reimagined", this piece embodies an evocative exploration of mythological and surreal themes. The central figure, elongated and adorned with a crown-like element, exudes an enigmatic presence, reminiscent of ancient Egyptian deities merged with contemporary abstract expressionism.
The muted gray-green background, punctuated by delicate marks and textures, serves as a minimalist stage that accentuates the vivid colors and layered details within the figure. Subtle strokes of bold yellows, reds, and blues blend seamlessly with the raw textures, creating a sense of depth and intrigue. This artwork invites viewers to interpret its narrative while showcasing Mikesell’s signature style—a harmonious balance of mystery, abstraction, and symbolism.
Perfect for collectors and art enthusiasts seeking a bold yet contemplative centerpiece, this painting complements modern, eclectic, and minimal interiors alike. Its large-scale format and compelling design make it ideal for gallery walls, luxury residences, or professional spaces.
MICHELE MIKESELL
b. 1973, Alabama, USA
In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesell completed her Master of Fine Arts at the University of Oklahoma in Norman in 2004.
“Creating individuals is what I find most interesting in the studio. It is my hope that these portraits will be familiar characters to the viewer, subjects we recognize and identify with. My work consistently travels along a general vein of the universal human experience. This particular group of paintings is an iconographical departure from previous work in that literal human features have been introduced. Other aspects of this work directly reference the anthropomorphic petro glyph characters in which I first based my interest in painting. These realistic, stylized faces placed within loosely interpreted animal shapes and costumes narrate a continued thesis of dichotomy and metaphor - comparing and contrasting human ideas with animal instinct. Irony, contradiction, humor and tragedy, have been continued themes in my work and are illustrated not only within the image, but within the actual paint and surface of the painting.
I am influenced by a diverse and extremely eclectic group of different movements including Abstract and German Expressionism, Art Informal, Children’s Art, as well as the 17th century Dutch masters and the current Pop Surrealist movement. I work with little or no preconceived finished piece. My process is a constant acting and reacting from and within the marks subliminally laid into the paint.”
- Creator:Michele Mikesell (1973, American)
- Creation Year:2022
- Dimensions:Height: 51.19 in (130 cm)Width: 38.19 in (97 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU640311656112
Michele Mikesell
American artist Michele Mikesell incorporates elements of Pop art, Surrealism and Expressionism into her eclectic works and creates a unique visual experience for the viewer. Her figurative paintings and portrait paintings depict figures that seem to be peering out at and contemplating anyone within a stone’s throw of the works. In Mikesell’s subjects’ faces, the influence of the 17th-century Dutch masters is also detectable, while her abstract paintings are marked by the influence of postwar Abstract Expressionist painters.
Mikesell was born in Alabama in 1973. She earned her BFA at Texas Woman's University, Denton, in 2002, where she minored in graphic design. In 2004, Mikesell earned her MFA at the University of Oklahoma before moving to Dallas to begin her artistic career. It didn't take long for her to begin turning heads. Dallas-based DECORAZON Gallery, located in the city's historic Bishop Arts District, started representing her in 2006.
When Mikesell begins to work on a piece in her studio, she is unhurried, allowing each project to unfold before her by reacting to the marks in the paint. Many of her paintings are of human figures with whom viewers may feel a sense of familiarity, while other works feature anthropomorphic animals or petroglyphs meant to function as metaphors for the dichotomy of animal instincts and human ideas. Mikesell also draws inspiration from mythology: The Morrigan (2017), for example, is based on a powerful figure from Irish folklore.
Mikesell has exhibited at many art fairs around the world, including SCOPE Art Show, London Art Fair, Aqua Art Miami and the Asia Contemporary Art Show in Hong Kong. She had a solo exhibition at the Ardmore Museum of Art in Oklahoma, and her work is held in numerous private and corporate collections and has been featured in publications like Juxtapoz magazine.
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