1930s Figurative Paintings

➡️ Landscape Luminous Mediterranean ⬅️ ⏩It is signed Mieutaud⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐46x55cm /18.1x21.7 inch w...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐26x46cm /10.2x18.1 inch ...

This intimate studio interior from 1930 belongs to the more psychologically engaging side of Carlo Hornung Jensen’s oeuvre. A seated woman has paused beside her easel and turned towa...

This lively city view from Vadstena was executed over two consecutive days in late October 1930. Erik Tryggelin records the scene with remarkable immediacy, capturing the fleeting at...

A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...

4066 Art Deco Lady in blue pastel painting Set in a white frame

Portrait of the artist, Mario Tauzin (French 1909-1979) By Georges Delhomme (French 1904-1989) signed oil painting board, framed dated 1934 framed: 46.5 x 35 inches board: 42 x 30 in...

ean-Luc Gérard Olive Trees, Côte d’Azur Circa 1930 Oil on Canvas Signed and inscribed on the reverse Presented in an ornate French-style frame This vibrant and richly textured lands...

Interior Still Life by Harry Bloomfield (British, 1883-1940) *see notes below signed verso oil on canvas, framed framed: 28 x 24 inches canvas: 22 x 18 inches Provenance: private co...

An elegant pair of oil paintings on panel depicting traditional and rustic scenes, titled “Basque Customs,” created by the Spanish painter C. Vidaime around the beginning of the 20th...

Signed and titled figures in cityscape oil on board by Russian-born impressionist painter Konstantin Alekseevich Korovin. The work depicts a nighttime view of hotels on the Rue de Ve...

Marc Aldine View in Venice, Looking toward St Mark’s Square Oil on canvas Circa 1930 Unsigned A warm and evocative Venetian view by Marc Aldine, capturing the timeless splendour of ...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1934. Bouquet of Wild Flowers. Artwork typical of the manner of Charles Picart Le Doux. However, the robust and contrasti...

Antique post-impressionist landscape oil painting by French artist Lucienne Capdevielle (1885-1961) entitled, 'Le Petit Port'. A captivating landscape oil painting of figures by a French harbour. The colourful town houses painted in pastel hues shine jewel like over a busy port on a large canvas that is textured to the touch. MORE ABOUT THIS PAINTING: Medium: Oil on stretched canvas Overall size: 21.5ins x 25.5ins or 55cms x 65cms (approx) Date: 1920's Condition: The painting is in overall good condition, note that at some time it would have been pinned at the corners and still carries the scars which would uite possibly be hidden by a new frame. It comes unframed. Signed: Lucienne Capdevielle (1885-1961) Lucienne was born in Algiers in 1885, she died in a Parisien hospital in 1961, she was a French painter and pastelist. She was a student of Georges-Antoine Rochegrosse, Jean-Paul Laurens, Paul Albert Laurens and Léon Cauvy...

Erik Tryggelin (1878–1962) Sweden Cloud Study over Lake Vättern, Vadstena, 7 September 1935 signed and dated lower right E. Tryggelin 7/9 1935 inscribed Vadstena oil on canvas laid...

Children’s Theater, 1934, watercolor on paper, signed and dated lower right, 10 ¾ x 12 5/8 inches (image) Children’s Theater is a fine example of Berlandina’s modernist approach to ...

Jessie Arms Botke Leaf Pattern, circa 1930 Signed lower right Oil on Masonite 30 x 25 inches Charlotte Yarbrough, Santa Paula, California Private Collection, Oregon William A. Karge...

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

Original oil on canvas painting of a lavish interior dinner party scene by Venancio Zolla. Signed lower right. Condition is excellent. Bibliography printed label on frame verso. O...

About this work: “Daguerreotype Dandies" c. 1937 by Tressa Benson (American, 1896-1987). Painted with the charm of a rediscovered family photo, this wonderfully eccentric work by Be...

Title: Family Scene with Guitarist Artist: Pedro Creixams (Barcelona, 1893 - 1965) Technique: Oil on canvas Dimensions: 39.4 x 31.9 inches (unframed) Signature: Signed lower right "C...

Kenneth Marcus Hugh (American, 1916-2011) Self Portrait Oil on canvas Signed lower right and dated ’36 33 x 27 inches 39 x 33 inches, framed Kenne...

Grand Prix de Pau, 1933 — Oil on Canvas (Painted 1934) A dynamic and atmospheric oil painting capturing the excitement of the Grand Prix de Pau 1933, created in 1934 by an unknown ar...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

This painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal S...

A Charming 1930s City Rooftop Scene by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful, early springtime view likely painted from the artist's stu...

A wonderful original figure painting for a 1930's illustration by Charles Kinghan (American, 1895-1984). A woman in a plaid green skirt and mustard yel...

Signed lower left, 'W. Schwartz' for Walter Erwin Otto Schwartz (Danish, 1889-1958), dated 1935 and inscribed 'Skagen' lower right. A substantial, psychologically penetrating portra...

"Young Westminster" by Kathleen Emily Temple-Bird (British 1879 - 1962) signed and dated 1931 oil painting on canvas, framed framed: 33 x 24 canvas: 29 x 20 inches condition: very go...

Oil on wooden panel realized in 1930s. Good condition.

In 1910, having separated from her first husband, the artist model Jeanne Chastagnier Serré had a relationship with the surrealist Marcel Duchamp: you know, the one of the porcelain ...

Signed watercolour on paper circa 1930 by French post impressionist painter Paul Signac. The piece depicts a view of sail boats in the harbour at Paimpol, a commune in the Côtes-d'Ar...

Veiled woman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Antonio Feltrine...

John Opper (American, 1908-1994) Ninth Avenue El (New York City), c. 1935 Oil on canvas Signed lower left and verso 30.125 x 24 inches The Ninth Avenue El was the first elevated rai...

Artist: Bernd Werner Title: Hebrew School Year: circa 1930 Medium: Oil on Canvas, signed Size: 10.5 x 12.5 in. (26.67 x 31.75 cm) Frame Size: 14 x 16 inches

Tyrus Wong Original set illustration from "Gone With The Wind", 1939 Signed lower right Oil on panel 6 x 8 3/4 inches Tyrus Wong’s life embodies a remarkable journey of perseverance, talent, and artistic achievement. Born in China, he immigrated to the United States at the age of nine after being separated from his mother, whom he would never see again. Reunited with his father in Sacramento, Wong later relocated to Los Angeles, where the two lived in modest circumstances within a boarding house in Chinatown. His father nurtured his artistic abilities by encouraging him to practice Chinese calligraphy and helping him secure small painting jobs in the neighborhood. Recognizing his exceptional talent, one of Wong’s teachers recommended him for a summer scholarship at the Otis Art Institute. He became the youngest recipient of the award and later earned a full scholarship, offsetting tuition costs through work performed on campus. After completing his studies in 1930, Wong supported himself through a variety of artistic jobs, including creating advertisements and working at the popular Dragon’s Den restaurant in Chinatown. During the Great Depression, he found employment through the Federal Art Project, producing paintings for government-sponsored programs. His career took a pivotal turn when he joined Walt Disney Studios. There, his atmospheric pastel studies for Bambi impressed Walt Disney and helped shape the film’s distinctive visual style. Wong’s contributions to the film’s backgrounds were instrumental to its success, earning him posthumous recognition as a Disney Legend in 2001. Following labor disputes at Disney, he left the studio before Bambi was released and continued his career at Warner Bros. and Republic Studios, creating concept art for films including Rebel Without a Cause, Around the World in 80 Days, Sands of Iwo Jima, and The Wild Bunch. He retired from the film industry in 1968. Alongside his Hollywood career, Wong remained deeply involved in Southern California’s art community. He exhibited regularly in galleries and museums and participated in artist-run initiatives such as Eleven Associated, a cooperative gallery active during the early 1950s. Best known for his watercolor paintings and ceramics, Wong developed a unique artistic language that blended traditional Chinese brush techniques with modern American aesthetics. Influenced by his teacher Stanton Macdonald-Wright, he combined expressive calligraphic brushwork with depictions of nature and movement. His artistic versatility extended beyond fine art into commercial design, where he created popular Christmas card imagery and dinnerware patterns for Winfield Pottery...

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

Raphael Gleitsmann (American, 1910-1995) Still Life with Apple, 1934 Gouache on board Signed and dated lower right 20 x 16 inches 24.5 x 20.5 inches, framed Condition: small damage ...

A charming, vintage 1930s Modern forest landscape scene painted in Algonquin Park, Ontario, Canada by notable Chicago artist, Harold Haydon. Many of Haydon's early landscape paintin...

Antique American modernist winter landscape oil painting. Oil on board. Signed. Framed. Measuring: 26 by 20 inches overall, and 20 by 15 painting alone. Excellent condition, ready t...

Signed impressionist oil on canvas figures in cityscape circa 1930 by sought after French painter Edouard Cortes. The work depicts a bustling evening street scene outside the Cafe Br...

'The Church of Saint-Nicolas du Chardonnet, Paris', gouache on art paper by Lucien Génin (circa 1930s). In Paris' 5th Arrondissement the site in which Saint-Nicolas du Chardonnet is ...

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

May Lydia Ames (American, 1863-1943) Near Carmel, Calif., 1932 Oil on board Signed and dated lower left, signed and titled verso 14 x 20 inches 18.5 x 24.5 inches, framed May Ames w...

Elegant Female Skier Portrait Alpine Scene circa 1930s Barcelona School Artist: Signed J. Barraguer School: Barcelona School Period: circa 1935–1945 Medium: Oil on canvas Signature: Signed lower right Support stamp: Casa Teixidor, Barcelona (verso) Dimensions: 61 × 50 cm (24 × 19.7 in) Frame: Unframed Condition: Good vintage condition consistent with age. Stable paint surface and fresh original colors. No visible restorations under normal inspection. DESCRIPTION Elegant alpine portrait of a female skier painted in Barcelona during the golden age of European winter tourism imagery, likely between the mid-1930s and early 1940s. The composition captures a refined winter sports aesthetic typical of pre-war Alpine visual culture, where skiing symbolized modernity, elegance and leisure rather than competition. The seated figure, dressed in a vivid blue jacket and striking red scarf, appears poised against a dramatic snowy mountain backdrop rendered with confident, atmospheric brushwork. The artist combines portrait sensitivity with poster-like clarity, creating an image that resonates strongly with the visual language of classic Swiss and French ski resort advertising from the same period. The palette is particularly effective: cool tonal snow fields contrast with warm facial modelling and bold accents of red, producing a balanced decorative presence ideal for interiors. The reverse bears a supplier stamp from Casa Teixidor, Barcelona, a well-known early twentieth-century artists’ material provider, supporting the proposed dating of the work. Today the painting reads both as a refined portrait and as an evocative example of early Alpine leisure imagery, making it especially suitable for mountain interiors, ski lodges, modernist homes or collectors interested in European travel culture of the interwar period. ARTIST BIO J. Barraguer was active in Barcelona during the first half of the twentieth century and worked within a pictorial language that bridges easel painting and illustration associated with the emergence of modern leisure culture in Europe. Artists of this generation frequently contributed to portraiture, decorative painting and tourism-related imagery that reflected the growing popularity of winter sports and Alpine travel between the 1920s and 1940s. Works such as this example demonstrate a confident handling of figure painting combined with a strong awareness of contemporary graphic aesthetics typical of the period. Paintings by Barcelona-based artists working in this hybrid decorative-figurative tradition are increasingly appreciated today for their ability to connect portraiture, design and early travel imagery within a single composition. Comparable in atmosphere to the refined Alpine winter imagery developed in Europe during the interwar period by artists associated with the golden age of ski resort poster design and leisure culture painting. The elegant treatment of the female skier and the stylized mountain backdrop resonate with the visual language found in works by artists such as Emil Cardinaux, Alex Walter Diggelmann, and Roger Broders, whose compositions helped define the iconic imagery of Alpine tourism between the 1920s and 1940s. The painting also shares affinities with the modern figurative approach to leisure subjects seen in Jean Gabriel Domergue, particularly in the refined depiction of fashionable female figures associated with elegance and travel culture of the period. Within the Iberian context, the work relates to the broader tradition of Catalan artists working between easel painting and decorative illustration during the early twentieth century, when winter sports imagery became part of the emerging visual identity of modern European tourism. female skier painting alpine skier portrait vintage ski painting...

Signed oil on panel seascape circa 1930 by New Zealand post impressionist painter Sydney Lough Thompson. The work depicts sailboats in the water at Concarneau, a commune in the Finistere department of Brittany in Northwestern France. Signature: Signed lower right Dimensions: Framed: 14"x16" Unframed: 8.5"x10.5" Provenance: Private collection - Switzerland Sydney Lough Thompson was born on 24 January 1877 at Oxford, Canterbury, New Zealand. He was one of six sons and three surviving daughters of Charles Abel Thompson, a shoemaker, and his wife, Sophia Matilda Lough. His father was a man of some enterprise, who had come to New Zealand as a young man and had established a general store in Oxford, before purchasing a sheep farm about four miles from town. Sydney attended school locally before beginning work on his father's farm as a boy of 13. It was Petrus van der Velden...

Signed and titled oil on canvas figures in cityscape circa 1930 by sought after French impressionist painter Edouard Cortes. The work depicts a bustling evening street sccene on the...

“Jamaican Girl by the Palm Tree, c. 1930” by Will Howe Foote (American, 1874-1965) A fantastic portrait of a young Jamaican woman set against a vibrant palm frond, painted by the re...

A Laborer Resting, 1930, oil on canvas, signed and dated lower center, 36 x 30 inches, inscribed verso “July – 1930 / Title – A Laborer Resting / Artist – Robert Gilbert / Price - $2...

Signed art deco figurative oil on board circa 1930 by French painter Louis Icart. This beautiful work depicts a two elegant ladies in Place la ...

➡️ Moutain Landscape in Autumn) ⬅️ ⏩It is signed A Boulgaric⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐55x46cm / 21.7x18.1 inch w...

'Potted Flowers', oil on canvas, by Charles Kvapil (1933). Potted red geraniums symbolise happiness, good health, good wishes, and friendship. They are ...

August Frederick Biehle (1885-1979) Farm in Berlin Heights, c. 1930 Oil on masonite Signed lower right 22 x 30 inches 27.75 x 36 inches, framed A versatile painter who worked in a v...

RICHARD GEIGER "RELAXING" OIL ON CANVAS, SIGNED HUNGARIAN, C.1930 28 X 39 INCHES FRAMED 36.5 X 46 INCHES Richard Geiger 1870-1945 Richard Geiger was born in Vienna and first studied at the Vienna Art Institute with the academic painter Christian Ludwig Von Griepenkerl and, subsequently, in Paris with Francois Flameng...

NYC Cafe WPA American Scene Social Realism Regionalism Modernism Woman Artist Dorothy Eaton (1893-1968) New York City Cafe Scene, 1931. 20 x 29 inches ...

Antique American impressionist sunset landscape oil painting by Louis Saphier (1875/77 - 1954). Oil on canvas. Framed. Signed. Measuring: 30 by 43 inches overall, and 24 by 36 pai...

Oil on canvas. Hand monogrammed lower right. Exhibited at the 19th Biennale di Venezia, in 1934. Framed, in very good condition.

Vintage American modernist beach scene oil painting . Oil on board. Signed. Framed. Measuring: 21 by 25 inches overall, and 18 by 22 painting alone. Excellent condition, ready to h...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Pastel on silk by Elizabeth O'Neill Verner. Verner (December 21, 1883 – April 17, 1979) was an artist, author, lecturer, and preservationist who was one of the leaders of the Charle...