19th Century Figurative Paintings

Oil Painting by Thomas Fallon Marshall "Mrs Pepys Adopts The Latest Fashion" 1818- 1878 Member of the Liverpool Academy came to London where he was influenced by W.P Frith. Exhibited...

Jules ROUSSET (Aillant-sur-Milleron, 1840 – ?, 1921) Portrait of young woman with blond hair Oil on canvas Signed on upper right 55 x 45 cm Son of Henry Rousset, winegrower in Aux...

Signed lower right: Irving R Wiles; on verso: Irving R Wiles

Oil Painting by Edwin Ellis "Salvaging" 1841- 1895 A Nottingham painter of coastal scenes, studied under Henry Dawson. Exhibited at Royal Academy and society where he was a member. O...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

A charming scene of children at a sweet stall/fair by the talented artist Henry Charles Bryant 19th century oil on canvas, signed The overall siz...

A rare and exquisite Berlin painted round porcelain plaque of two young beauties, impressed K.P.M., sceptre mark; signed Wagner. Painter: Wagner Maker: K.P.M. Origin: German Date...

William Bromley British, (1816-1890) Gathering Hawthorn Berries Oil on canvas, signed Image size: 27.5 inches x 35.5 inches Size including frame: 33.5 inches x 41.5 inches A love...

Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...

Well painted 19th-century portrait of Sir Charles Dickens. The original painting is in the National Gallery in London and I'm sure this piece would have been painted by a fan of the author who was also a very good artist as this piece is a very good copy of the original painting. There was a great fashion to paint copies of famous paintings during the 19th century and most of the world's most famous paintings have been copied many times. Often the artist who does the copy is very talented but usually anonymous With this piece, it's the only way to own an antique copy...

"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches

Conrad Kiesel (1846-1921), The gift of flowers. Oil on wood, 43 x 35 cm, 69 x 61 cm (frame), signed at lower left "Conrad Kiesel pxt [pinxit]", about 1900. In a magnificent gilt stuc...

Signed impressionist figurative pastel on board circa 1895 by sought after French impressionist painter Jean Louis Forain. The piece depicts a man asleep in a bed while a woman stands at the foot of the bed getting dressed. The room is dimly lit by the bedside lamp. Signature: Signed upper right Dimensions: Framed: 22"x26" Unframed: 15"x19" Provenance: Galerie Jean-Claude Bellier Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work draws a picture of the society of the period, not in a strictly imitative fashion but in the form of the 'dessin-charge' or mild caricature. In 1880 he illustrated Parisian Sketches...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

Signed lower left: Charles Hunt Jr., (1829–1900), was British. Painting resembles those of Ch. Dickens novels especially dress fashion. An unequal snowball fight, three tomboys again...

"Walking Among the Backyard" is a mesmerizing antique oil painting on canvas that transports viewers to the elegant world of 18th-century Europe. The artwork depicts a European lady ...

The Painting is signed bottom left side Provenance: Notes: This is the full scale version of Ruth in Pharoah's Fields exhibited at the Royal Academy (now lost). Exhibited at the Bristol Art Museum, Birmingham UK Private Collection, Detroit, MI Description: Sir Edwin Long (1829-1891) was a renowned British painter known for his historical and Orientalist artworks. Born in Bath, England, Long displayed exceptional artistic talent from an early age. He received formal training at the Royal Academy of Arts in London, where he honed his skills and developed his distinctive style. One of Long’s oil paintings...

Ludwig Hermann German, (1812-1881) Winter on the Quay Oil on canvas, signed Image size: 15.75 inches x 22 inches Size including frame: 23 inches x 29.25 inches This highly detailed...

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

Alexander Nasmyth (1758-1840) is a renowned Scottish artist and early plein art landscape artist, whose six children also became well known artists. Work by Nasmyth is highly valued....

19th century painting by Albert Ritzberger, portrait of a woman in a robe. Signed and dated lower left. Painting has been restored in one place. Dimensions including frame. This is a direct copy after a painting by Angelika Kauffmann...

After Heemskerck, Painting in the style of Heemskerck and Dutch Master, probably painted in the 19th Century.

John Stewart was a Scottish painter of rustic subjects and landscapes. HE exhibited 20 works at the Suffolk Street Exhibition location in London and 4 wor...

Well painted and very interesting oil on canvas depicting a Race Horse, the Jockey, and the owner on a Race track, possibly Epsom in Surrey. Harry Hall was...

Frame Size: Width: 46″ x Hight: 39″ Frame Thickness: 6″ Picture Size: Width: 35.25″ x 27.75″ French School: Masters of Artistic Expression The French School of art emerged as a p...

Charles FRÉCHOU (Paris 1820 – Paris 1900) Portrait of a child with a cat Oil on canvas H. 41 cm; L. 33 cm Signed lower left and dated 1849 Apart from participation in the Salon betw...

JOAQUÍN PALLARÉS ALLUSTANTE Spanish, 1853 - 1935 PLACE DE LA CONCORDE signed & located "J. PALLARÉS / París." (lower right) oil on canvas 13-1/4 x 18-...

Henry Barraud British, (1811-1874) Horses & grooms at Mount Mascal Oil on canvas, signed Image size: 15.25 inches x 29.25 inches Size including frame: 21.25 inches x 35.25 inches ...

A wonderful rural scene of a woman walking at sunset in a wide landscape, imbued with almost magical light. It is a work by French artist Pierre-Ernest Ballue, who had studied painti...

August Wilhelm LEU (Munster, 1819 – Seelisberg, 1897) View of Capri Oil on canvas Signed and dated lower right 49 x 70 cm 1882 Born March 24, 1819 in Munster, Germany, Auguste Leu...

Description: Addison Thomas Millar (1860-1913) was an American painter known for his captivating depictions of scenes from daily life, as well as his exploration of landscapes and ar...

Ludwig Hermann German, (1812-1881) A Busy Quayside Oil on canvas, signed Image size: 15.75 inches x 22 inches Size including frame: 23 inches x 29.25 inches This atmospheric contin...

Ganymede was a Trojan prince in Greek mythology, known for his compelling beauty. Because of his alluring good looks, Ganymede was abducted by Zeus to serve as cup-bearer in Olympus....

Gustave WAPPERS (Attributed to) Anvers, 1803 - Paris, 1874 Oil on panel Trace of monogram lower right 42.5 x 31.5 cm (59.5 x 49.5 cm with the frame) XIXth century frame in carved woo...

A very fine village scene depicting An English Village with figures, animals, horses, and cart by an Inn, oil on canvas, indistinctly signed,G Lara , lower left The size being 51cm x 31cm whilst overall being 66 cm x 47cm in excellent ready to hang condition Georgina Lara was also known as Edwina Lara ,she was a London painter of rustic farmyard and village scenes. Her work is extremely similar to Edward Masters who also went by the name of William Masters...

Charles Jones Way (English, ∗ 25th July 1835 Dartmouth, Devon, England; † 13th of February 1919 Lausanne, Switzerland) Small stream above Ospedaletti, Italy • Oil on artist board, ...

Old work on wood (1859) sold with frame. The total size with frame is 34x41 cm. Signed "C. Rivière" and dated.

The Madonna folded her hands in prayer before the Child Jesus. In this painting, the skill of the artist is amazing with which he expressed the tenderness and touching of the composi...

Walter Dendy Sadler British, (1854-1923) The Widow’s Birthday Oil on canvas, signed Image size: 23.5 inches x 33.5 inches Size including frame: 30...

An antique American folk art painting in its original period frame. Featuring a man walking his dogs in the woods with a stunning s...

Artist/ School: Scottish School, 19th century Title: The Scottish Highlands Medium: oil painting on board, framed frame: 12.25 x 15.5 inches canvas: 11.75 x 15.25 inches Proven...

19th century French School oil on canvas. Four portraits and self-portraits after Rembrandt Harmenszoon van Rijn on a rectangular gilded...

Signed and inscribed lower right: Charles Sprague Pearce / Paris.

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Fine 19the century landscape by member of the renowned Williams family of artists, George Augustus (1814-1901). George Augustus was the son of Edward Williams (1781-1855), whose wife...

Émile Renard French, (1850-1930) Cordonnier à Jouy, Eure-et-Loir (Cobbler of Jouy) Oil on canvas, signed & dated 1883 Image size: 12.75 inches x 17.5 inches Size including frame: 23.5 inches x 28.25 inches A realist painting of a cobbler in his workshop by Émile Renard. The composition features an elderly shoemaker seated on a rickety chair next to a bench. The light from a window illuminates his work. Émile Henry...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

François-Joseph KINSON (Bruges 1770 – Bruges 1839) Portrait of a young woman near a spring, accompanied by her dog Oil on canvas H. 73 cm; L. 60 cm circa 1815-1817 We owe this elegant portrait to François-Joseph Kinson from Bruges, which is still linked to the art of the First Empire. We find in this artist this type of pose that is a bit rigid, sometimes with a countryside in the background, and this way of treating costumes and faces. Thus the full-length portrait of Jenny...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 OFRECIENDO UNA COPA oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

A monumental 19th century Italian oil painting on canvas. Titled: Aurora, after Guido Reni. Presented in the original carved gilt-wood frame. Guido Reni’s masterpiece L’Aurora was executed in 1614, and the striking image is as powerful today as it would have been to a viewer at the beginning of the 17th Century. Aurora, the Roman goddess of dawn, ushers in the day by leading Apollo, the god of light...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 CONVERSANDO signed "Cortellini" (lower right) oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

Arthur Joseph Meadows British, (1843-1907) Livorno, Gulf of Genoa Oil on panel, signed & dated (18)98, with signed & inscribed label on reverse Image size: 9.75 inches x 11.75 inches Size including frame: 17.75 inches x 19.75 inches An attractive townscape depicting fruit sellers at the port of Livorno, Italy by Arthur Joseph Meadows. The scene shows the view looking across from the harbour wall to the church of Santa Caterina...

Circle of Fred MORGAN (1847-1927) c1890 A sensitively painted portrait, possibly a study for a larger work, of a young country girl. Indistinctly signed ** Morgan, possibly Fred. Unfortunately Fred signed in a number of different ways depending on the grandeur of his work. However, a consistent element was the colour, a reddish brown similar to the colour of the signature on this painting. I can offer no provenance with this painting, so I am selling at as circle of Morgan rather than actually by him. “Frederick Morgan ROI was an English painter of portraits, animals, domestic and country scenes. He became known for his idyllic genre scenes of childhood. Morgan was born in London to John Morgan and his wife, Henrietta Hester Clare. His father was a successful genre artist sometimes known as 'Jury Morgan' (after one of his paintings The Gentlemen of the Jury). At the age of 14, he was taken out of school by his father who then tutored him in art. At the age of 16, while still studying with his father, his first picture, The Rehearsal, was exhibited at the Royal Academy, and, after a hiatus of several years, his paintings were shown there regularly. For a while he worked as a portrait artist for an Aylesbury photographer; this training proved to be crucial as it "taught him how to observe closely and to give the greatest attention to detail." Eventually he turned to other subjects for his art, in particular idyllic genre scenes of country life and childhood. For many years, starting in 1874, Thomas Agnew & Sons' purchased all the work he produced. Although an excellent portrait artist, Morgan had problems in depicting pets and barnyard animals - he enlisted the aid of either Arthur John Elsley...

Oil Painting by William Arthur Breakspeare "The Young Novice" R.B.A 1856- 1914 Birmingham painter of genre scenes exhibited at the Royal Academy. Royal society member and Birmingham...

Georges DEVY (Active at the end of the 19th century) Oil on canvas 86 cm x 65 cm (96 x 76 cm with the frame) Signed and dated lower left "G. Devy / 1883" Very good condition with a f...

After Baron Gérard, circa 1835 Portrait of King Louis-Philippe Oil on canvas H. 79 cm; L. 65 cm Provenance : Private collection, Périgord, by descent since the 19th century This po...

This Egyptian desert scene "An Oasis in the Desert" depicts a group of a people pitching a tent near a cluster of palm trees in view of the Ancient...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875-1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed ...