19th Century Figurative Paintings

Henri-Léopold Lévy (23 September 1840, Nancy - 29 December 1904, Paris) was a French painter of Jewish ancestry, known primarily for mythological and Biblical subjects. He was the s...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Antoine VOLLON (Lyon, 1833 – Paris, 1900) Gray partridge hunting trophy Oil on canvas Signed and dated indistinctly lower left 35 x 25 cm A student of the engraver CHARASSE then o...

Domenico Bresolin (Padua 1813 - Venice 1890), Boy in a squero in Venice Oil on canvas applied to cardboard 27 x 16 cm initialed (DB) lower left. Publications D. Ritter, Venedig in...

Benjamin Théophile CHARON-LÉMERILLON (Paris, 1807 – Bouzareah (Algiers), 1873) Full length portrait of a child with his dog Oil on canvas Signed and dated lower right 36 x 28 cm 18...

Jules Joseph LEFEBVRE (Tournan-en-Brie, 1834 – Paris, 1912) The death of Demosthenes Oil on canvas Signed and dedicated lower left 38x46cm Son of Toussaint Martin Lefebvre, a baker by profession, and Carole Adélaïde Duval, Jules Joseph Lefebvre was born on March 14, 1834, in Tournan-en-Brie (Seine et Marne). The family settled sometime later in Amiens, around 1836. Then noticed by his drawing teacher at the municipal school, the city awarded him a scholarship to complete his studies in drawing and painting in Paris. Jules Lefebvre...

A French Chasseur a Cheval de la Garde Imperiale, drinking outside an Inn or Pub. Frank Moss Bennett was born in Liverpool, England on 15 November 1...

Pierre BILLET Cantin (North), 1837 – Cantin, 1922 Oil on canvas 38.5 x 28.5 cm (48 x 36.5 cm with frame) Signed lower left “Pierre Billet” Stamp of the canvas merchant "Tasset & Loth...

Oil on paper laid on canvas. Signed & dated 1899 lower right. This work is included in Tome II of the Catalogue Raisonne by Denise Bazetoux- Ref: 159 This work is a plein air stud...

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

The Drummer French School, late 19th century Post-Impressionist School oil on canvas, framed framed: 28 x 22.5 inches canvas: 24 x 18 inches provenance: private collection, France co...

View of the Grand Canal in Venice by one of England's best-known landscape and Venetian painters. This example is a very well-painted piece and is a great composition. It is framed in an English Classic running pattern frame. Tracing the story of William Meadows, the son of James Meadows, is sometimes a little difficult. In earlier census returns he gave his place of birth as Epping, but in later census returns he said that he was born in Mountnessing in about 1825. Between 1841 and 1901 William is recorded as William James, William George, and in 1881 simply as George, and these apparent changes of name were explained by a chaotic personal life which contrasts with his tranquil paintings of the English countryside and Venice. An entry in The Fine Arts Journal in 1847, concerning the Theatre Royal, Dumfries, reveals that "The scene-painter is Mr. W.J.Meadows, the son of Mr. Meadows, of the Surrey”. Initially, William had begun his career by following in the family footsteps at one of the theatres where his grandfather had performed. However, his training as a scene painter most probably came closer to home under his father's tuition, possibly at The Lyceum Theatre in London in 1844. (See the previous page on James Meadows for further details). In 1850, William married Lydia Maria Jarvis (born in Norwich c.1826) at St Pancras Old Church, close to St Pancras Station in London. By the time that the census was taken the following year, William and Lydia were living at 16, High Street in Poole, Dorset. So far it has been not been possible to identify a census entry for 1861 for the couple. However, when William exhibited "A scene in Surrey' at the Royal Hibernian Academy of Arts in Dublin in 1865, he gave his address as 187, Hampstead Road, London, not far from the St Pancras area once again. The reason for William's obscurity in the 1861 census may lie partially in his financial difficulties, as well as his frequent changes of address. In 1864, The Law Journal's list of impending bankruptcy proceedings included an entry for "Meadows, William George (known as William James Meadows), artist, of Old Kent Road, previously of Beal Road, Old Ford, previously of Wanstead Flats, Wanstead". A family source has revealed that William tried changing career not long afterward, when he became the landlord of The Black Bull Inn in Fyfield in Essex on the 9th November 1866, and that he "gave an opening dinner there" on 29th November 1866. However, if William was trying to achieve financial stability by changing careers, the 1871 census would suggest that it was an unsuccessful interlude. In 1871 William was recorded under the name of William George but is identifiable as the same person by his age, place of birth, and the personal details of his wife. He no longer gave his profession as an artist, but as an "Eating Housekeeper", back in the East End of London and living at 200, High Street in Shoreditch. Two servants were living with the couple, but more unusually there was also another resident, whose occupation was listed as "bailiff in possession". The presence of a live-in bailiff, therefore, seems to suggest that William's financial difficulties were far from over. In addition to his financial woes, William’s marriage to Lydia also appears to have been a stormy affair. In 1867 in London she petitioned for a divorce from William, although she must have been initially reconciled to him as the couple was living together (with their bailiff!) in 1871. However in 1874, Lydia once again petitioned for a divorce and this time the separation was definitive, and Lydia moved to a separate address in Holborn where she was living at the time of the 1881 census as a "retired publican". William, meanwhile, married for a second time in Southwark in 1875, under the name of William George Meadows. His second wife, Helen Grace Higgs, was born in Tipperary in Ireland in about 1841. By the time of the 1881 census, the couple was lodging over a pub at 87, High Holborn in London, where William is recorded simply as "George Meadows, Landscape painter". In the 1891 census, the couple was lodging at The Green Dragon...

The English Country Churchyard by James Rudd (English 1821-1906) signed & dated 1889 oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private colle...

A stunning 1891 exhibited oil painting by British listed artist George Sherwood Hunter. This is a glorious British Impressionist painting from his travels in Northern France. It depicts “A Breton Courtship” in blue hot summer tones and is married well with the French Barbizon frame. The couple sit opposite each other, on either side of the road they are travelling together. A fantastic painting. This is a large oil on canvas by the Scottish artist who is one of my favourite artists of the period. George Sherwood Hunter was a well travelled artist and he painted throughout Europe. He is represented in many public collections. Provenance. Exhibited: Royal Society of British Artists 1891. Condition. Oil on canvas, 30 inches by 20 inches unframed and in good condition. Housed in a fine Barbizon gilt gallery frame, 40 inches by 30 inches framed. Gallery condition. George Sherwood Hunter (1846-1914) - was born in Aberdeen in Scortland on 30 May 1846. He first visited Newlyn in the 1890s, staying at Belle View in 1897. In 1902 he settled at the Malt House, Newlyn, with his wife Constance. Hunter had a studio in Bateman’s Meadow, where the Forbes School of Painting was situated, and Hunter assisted with tuition at the School in its early days. In Mrs Lionel Birch’s 1906 biography of the Forbes’ she wrote, ‘r and Mrs Forbes feel that they owe a debt of gratitude to Mr G...

BILLE Karl. (1815-1898). « Portrait d’un brick danois ». Toile signée et datée 1855. H.48 L.71.

Signed and dated figurative oil on canvas by English Pre-Raphaelite painter John Edward Brett. In 1896 John Brett and his wife Mary went to Paris, the first time the artist had been ...

This superb large exhibited British Victorian oil painting is by noted artist Thomas Falcon Marshall. Painted in 1849 it was exhibited at the Royal Academy London that year. This lar...

Artist/ School: Dutch School, antique, signed indistinctly Title: The Farmstead Medium: signed oil painting on canvas, framed framed: 17.25 x 22.25 inches canvas: 13 x 15 ...

Ralph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...

Outstanding quality Victorian Genre scene of some fishermen helping some high-class ladies on to their small boat. The style is a type of the High-end Victorian Genre scene. Painters like Tissot, Millais, the Pre-Raphaelites, and other genre painters all painted in this high-quality style. The painting is signed and dated lower left and is an oil on canvas, but alas the signature is not obvious enough to know the painter. The history of the painting is that it came from an English private collection of paintings...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

Beautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...

French School mid 19th Century Animated dune landscape, oil on cardboard panel 12.4 x 29.8 cm bears a small inscription "Escoublac" on the lower right, not visible under the actual ...

JOSÉ GARCÍA Y RAMOS Spanish, 1852 - 1912 LA FIESTA signed & located "Garcia y Ramos / Sevilla" (lower left) oil on wood panel 11-1/4 x 7 inches (28.5 x ...

ROGELIO DE EGUSQUIZA Spanish, 1845 - 1915 A REVERIE DURING THE BALL signed and dated "Rogelio Egusquiza, 1879" (lower right) oil on canvas 21-3/4 X 3...

Wonderful French period copy of the famous painting by Jean-Baptiste Édouard Detaille, which the original is now in a museum in Paris. This piece came from a private collection in New Jersey where it had been since it was purchased in France back in the 1950s. The previous owner was an Art dealer in NYC during the 1950s-70s and she kept some of her favorite paintings, this being one of them. The piece was re-framed in the 1990s In 35 years of dealing in paintings, I have never seen another example of this scene, it is very rare.! History of the scene: In the Siege of Hüningen (27 November 1796 – 1 February 1797), the Austrians captured the city from the French. Hüningen is in the present-day Department of Haut-Rhin, France. Its fortress lay approximately 2.5 miles (4.0 km) north of the Swiss city of Basel and .5 miles (0.80 km) north of the spot where the present-day borders of Germany, France, and Switzerland meet. During the time of this siege, the village was part of the Canton of Basel City and the fortress lay in an area contested between the German states and the First French Republic. The siege occurred within the French Revolutionary Wars during which Revolutionary France ranged...

'Alone at the Ferry' is signed by British artist A.F. Patten (Alfred Fowler Patten 1826- 1889 or after). This is a fine oil on canvas painting of a young Victorian woman waiting for ...

The Flower Seller, Paris Medium: Oil on canvas Dimensions: 40.50 x 62.75 inches sight size, 51 x 73 inches framed Signed Lr.& dated 87 Providence: ...

A charming image of cherubs cavorting with sheaths of wheat in a woodland setting. Follower of Jean-Honoré Fragonard Cherubs cavorting before a tree Oil on panel 10¾ x 14 inches exc...

Large and historically significant post-impressionist painting by Albert André. Exhibition: Exposition Post et Néo-Impressionniste, Durand-Ruel Gallery, Paris, 10–31 March 1899, n...

Artist/ School: French School, 19th century Title: The Elegant Boating Party Medium: oil painting on canvas, framed Size: framed: 24.25 x 30.25 inches canvas: 19.5 x 25.5 inch...

James Sant (British, 1820-1916) The young sailor Oil on canvas Signed with monogram `JS’ (lower right) 50 x 30 in. (127 x 76.2 cm.) James Sant was a painter specialising in portrai...

Circle of Carlos ALONSO-PÉREZ (1882-1949) Flirtation c1893 I am selling this painting as circle of Alonso Perez. It is signed bottom right, A Perez and ...

French school end of 19th century Landscape by the river oil on paper 29 x 49,5 cm In good condition In a modern frame : 33,5 x 53.5 cm

A wonderful view of a river landscape with a rustic cottage and pollarded trees by Henri Sieurac. It isa rare, early and very fresh landscape by this Parisian artist which may well have been painted in the countryside around Barbizon, near the river Loing. Henry Sieurac had studied with his father, François Joseph Sieurac , and of Paul Delaroche...

An endearing Regency era genre painting by Adrien Moreau (French, 1843-1906) titled La Demande en Marriage, The Marriage Proposal. Moreau depicts the mom...

Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek...

An interesting homage to the issue of rank amongst the crews and officers of all vessels, a captain is carried to his ready command by one of his subordinates through the ocean surf ...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 CA' D' ORO, VENICE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 11-1/2 x 19-3/4 ...

Auguste Bachelin Au Bord du Lac (Reflection ) Signed Oil on canvas 29.5 x 22.75 inches

A beautiful maritime painting by Danish artist Carl Bille (1815-1898). He is best known for his dramatic depictions of the sea, often with stormy weather, ...

Romantic style painting of figures crossing a stream in a coastal European landscape. The painting dates to the 19th century and is presumed to...

Market in the Puszta is an original modern artwork realized by Artist of 19th Century. Mixed colored oil on board. Includes frame.

"Winter, Horses and Sleigh" is a 30 x 50 original oil on canvas, snowy landscape by Pennsylvania painter C F Witman. The subject of the painting is of the North American/Canadian fro...

American Impressionist

Lady with harp is a modern artwork realized by Symbolist Painter of late 19 Century. Symbolistic painting of a lady with harp standing on a rock by the sea. Mixed colored oil on ca...

Artist/ School: by Charles Leslie (British 19th century), signed and dated 1881 Title: The Highland Loch Medium: oil on canvas, unframed Canvas: 19 x 27 inches Provenance: priva...

Pensive in thought sitting at a wood-slat stern bench of a departing vessel in New York Harbor, the prominent grandeur of the Statue of Liberty recently passed, a woman and her loyal...

"Straw Barge" on the Thames (after) Edward Duncan Oil on Linen 1898 Well executed study of E. Duncan's Straw Barge circa 1881, painted by Richard Hayley Lever...

French school end of 19th century Seaside with two characters, oil on paper 27 x 49 cm In good condition In a modern frame : 35 x 57 cm

Artist/ School: Scottish School, early 19th century Title: a large panoramic Scottish landscape, with ancient castle standing to the centre, with various figures enjoying the landsc...

Work on canvas

This colorful floral still life is a charming example of Chinese reverse glass painting. Popularized during the Qing dynasty, reverse glass painting requires an artist to essentially...

View of Villa Discopoli, Capri Artist 19th - 20th century Signature: Signed by monogram bottom left Medium: Oil on canvas Dimensions: Image size 67 x 99 cm, frame size 87,50 x 118 cm Provenance: Villa Discopoli is one of the most exquisite examples of twentieth century architecture on the island in Italy. The first owner of the Villa was a close friend of Axel Munthe, Swedish-born medical doctor and psychiatrist. She sold the property in 1970 and the main part of the Villa into several self contained apartments, Gardenia, Hydrangea, Agapanthu, Oleander of exquisite charm and beauty: . During Capri’s Romantic period it was host to several intellectuals: Rainer Maria Rilke ( Prague, Czechia 1875 – Montreux, Switzerland 1926) , a Bohemian-Austrian German-language poet and novelist, was one of its prestigious inhabitants. Karl Wilhelm Diefenbach...

Circa 1865 marketplace painting by the American artist, George Washington Nicholson. Signed lower left. Oil paint on wooden panel. Condit...

Artist/ School: British School, early/ mid 19th century Title: The Shipwreck in the Storm Medium: oil painting on canvas, framed framed: 15.25 x 19.25 inches canvas: 12 x 1...

Neapolitan school, circa 1810 Vessels on the key side at Naples during the Napoleonic occupation Oil on canvas 11.1/4 x 16.7/8 in. (28.1/2 x 43.2 cm.) It is unclear whether this wor...