Late 19th Century Figurative Paintings

Charming 19th Century painting of a grandmother and grandauughter in front of their thatched cottage. It is an oil on canvas measuring 18 inches by 14. The frame measures 20 3/4 by 1...

Pieter Cornelis Dommersen, also known as Pieter Cornelis Dommershuijzen (1833 - after 1913) was renowned for his 'capriccio' paintings, where imagination melds with reality, Dommerse...

Ada Stone, English Victorian landscape with Oak and Yes trees on a pathway. Ada Stone had a London address but was an East Midlands painter focusing her works on tranquil English river landscapes. She flourished between 1879-1904 and exhibited three works at the Suffolk Street, Society of British Artists. Ref: p.455 Dictionary of Victorian Painters (2nd Edition) by Christopher Wood. English Victorian oil on...

Henry William Banks Davis Scottish farmers with there animals in the Highlands of Scotland Henry William Banks Davis was a landscape and animal painter. He exhibited over one hundr...

Alfred Edward Emslie A beautiful example of Arthur Emslie's work combining his renown ability for portraiture and genre. The soft tones of the background and dress contrasted with the highlights in the face and the large, vibrant bouquet of roses creates a piece perfect for any situation. It is a painting showing class, technique and subtlety. Provenance: Bonhams Canvas Size: 22 x 18" (56 x 46cm) Outside Frame Size: 32 x 28" (81 x 71cm) 1848-1918 Alfred Edward Emslie was an English genre and portrait painter and photographer. He was the son of the engraver, John Emslie...

Italian painter (18th-19th century) - Roman allegory. 74 x 60 cm without frame, 81 x 67 cm with frame. Antique oil painting on canvas, in wooden frame. Condition report: Lined can...

Ada Stone, English Victorian landscape with Oak and Yes trees on a pathway. Ada Stone had a London address but was an East Midlands painter focusing her works on tranquil English river landscapes. She flourished between 1879-1904 and exhibited three works at the Suffolk Street, Society of British Artists. Ref: p.455 Dictionary of Victorian Painters (2nd Edition) by Christopher Wood. English Victorian oil on...

The Close of Day British School, late 19th century signed, 'Harvey' oil painting on canvas, framed framed: 19 x 27 inches canvas: 16 x 24 inches provenance: private collection, UK co...

W. Mitchell (late 19th Century) oil on board, unframed board: 12 x 10 inches inscribed verso dated 1893 after Sir Edwin Landseer provenance: private collection, England condition: ve...

The Lady in a Black Hat French Impressionist painter from the late 19th century oil on canvas canvas: 11 x 9 inches provenance: private collection, Paris, France condition: very good...

This is an original antique 19th-century large oil painting on canvas painting depicting a portrait of a Lady in a long black dress, standing near a bright red curtain. The painting...

French impressionist landscape, Barbizon forest, with river and cows at Sunset George Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. ...

Jean Marie Constantin Joseph (Jan) VAN BEERS Oil on Panel Panel Size: 32 x 24" (81 x 62cm) Outside frame Size: 38 x 33" (97 x 83cm) Van Beers (1852 ...

JOAQUÍN PALLARÉS ALLUSTANTE Spanish, 1853 - 1935 PLACE DE LA CONCORDE signed & located "J. PALLARÉS / París." (lower right) oil on canvas 13-1/4 x 18-...

August Wilhelm LEU (Munster, 1819 – Seelisberg, 1897) View of Capri Oil on canvas Signed and dated lower right 49 x 70 cm 1882 Born March 24, 1819 in Munster, Germany, Auguste Leu...

*THIS PRICE INCLUDES 5% IMPORT DUTY APPLICABLE IF THE WORK REMAINS IN THE UK ONLY. Bords du Loing by Alfred Sisley (1839-1899) Oil on canvas 46.1 x 55.7 cm (18¹/₈ x 21⁷/₈ inches) S...

Signed and dated "Henry Bacon 1881" lower right. Provenance: private collection About this artist: A figure painter in the conservative tradition of the late 19th century French, H...

Work on canvas

late 19th-century Irish school portrait of a seated man smoking a pipe in a barn interior. A very well-painted and skillfully composed portrait of a wor...

Self Portrait of the Artist French Impressionist painter of the late 19th century oil on canvas canvas: 11 x 9 inches provenance: private collection, France condition: very good and ...

19th century British oil, Ship in a rough sea. The style of the painting is very similar to the work of Bernard Benedict Hemy a well known Briti...

Charles Collins, as he was known, was born in Hampstead in 1851. He began painting pictures at a very early age starting with landscapes with cattle and figures. He studied at the We...

Charles Jones Way (English, ∗ 25th July 1835 Dartmouth, Devon, England; † 13th of February 1919 Lausanne, Switzerland) Small stream above Ospedaletti, Italy • Oil on artist board, ...

This painting is signed bottom left. This Monumental Middle Eastern Figurative painting by Charles Theriat (1860-1937) is an oil on canvas and comes with frame. His artistic training...

Signed and dated figures in seascape oil on panel by Belgian impressionist painter Alfred Emile Leopold Stevens. The work depicts an elega...

Up for sale is an original antique 19th-century oil painting on canvas depicting a scene in an interior of a house with a male figure dressed in a traditional hooded robe seated at t...

Thomas Pollock Anshutz (American, 1851-1912) Sewing by the Hearth, c. 1884 Original frame Oil on canvas, 17 x 24 inches; Framed: 34 x 27 inches Label (handwritten in ink) on stretcher verso: “Artist Thos Anshutz” Label on backing verso: (printed) “PORTLAND MUSEUM OF ART”; [...] (typewritten) “Thomas Pollock Anshutz/American, 1851 1912/INTERIOR/oil on canvas/stretcher: 17 x 23 15/16 inches/not signed/COLLECTION OF MRS. NORMAN B...

This charming study depicts a mother and child at a cottage door watching a kitten drink a saucer of milk. The artist has set the scene in an rural setting in high summer with a robu...

A wonderful rural scene of a woman walking at sunset in a wide landscape, imbued with almost magical light. It is a work by French artist Pierre-Ernest Ballue, who had studied painti...

In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty. She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion. The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings. Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era. With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play...

An antique American folk art painting in its original period frame. Featuring a man walking his dogs in the woods with a stunning s...

JOSÉ GARCÍA Y RAMOS Spanish, 1852 - 1912 LA FIESTA signed & located "Garcia y Ramos / Sevilla" (lower left) oil on wood panel 11-1/4 x 7 inches (28.5 x ...

A fresh and atmospheric painting depicting the vast River Seine seen from the cliffs near its estuary in coastal Normandy. It is incredibly modern for its time: if the definition of ...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

Up for sale is an original approximately 19th century oil painting on wood, depicting a dancing Spanish woman and a musician. Very impressive. Dimensions (frame): 25.5” x 18.5” D...

English painter (19th century) - Bulls at the stream. 35 x 54 cm without frame, 44.5 x 62.5 cm with frame. Oil on panel, in a gilded wooden frame. Con...

Val Duchesse Castle (Dutch: Kasteel Hertoginnedal) is located in the municipality of Auderghem, in the south of Brussels (Belgium), on the edge of the Soignes Forest. The Val Duchess...

19th/ early 20th Century Italian School Madonna and Child oil painting on canvas, unframed canvas: 32 x 24 inches provenance: private collection, UK co...

19th century French scene of Lovers walking in a Garden, in 17th century costume original frame Wonderful 19th century classical Genre scene, painted with great skill and delicasicy . The artist has captured the meetiung of the two lovers...

Signed and inscribed lower right: Charles Sprague Pearce / Paris.

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Impressionist watercolour on paper circa 1890 by French Neo-Impressionist painter Henri Edmond Cross. The work is a rear view study of three workers in standing and kneeling position...

English artists, circa 1870 oil painting on canvas, framed framed: 36 x 31 inches canvas : 30 x 25 inches provenance: private collection, England condition: overall very good and pr...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

The Harvest English School, late 19th century oil on canvas, framed framed: 28 x 38 inches canvas: 20 x 30 inches provenance: private collection, Suffolk, England condition: very goo...

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

Christian-Henri Roullier was born in Lyon, France, in 1845, and was an infant when his parents arrived in gold-rush San Francisco. After much difficulty, Roullier senior found employment at the White House, a pioneer department store owned by a popular and successful French businessman, Raphael Weill. From then, the Roulliers' life took a prosperous turn. Christian-Henri resided with his family in San Francisco at the beginning of his career. During the Franco-Prussian War he was listed, with other members of the city's French community, as a local subscriber to a French patriotic fund. He subsequently traveled to Paris to study painting with Jean-Leon Gerome the leading teacher of the day. He also studied sculpture with W. E. Fremiet and explored both media throughout his life. A successful artist, Roullier exhibited widely in France. His work was included in most Paris Salon exhibits between 1878 and 1914. He exhibited at the San Francisco Art Association and the Mechanics' Institute of San Francisco in 1883, suggesting that he had returned to San Francisco, perhaps working with Jules Tavernier, whom he depicted in buckskin and knee-high boots in an oil entitled Tavernier Painting. Roullier probably joined the gregarious Tavernier in Monterey as well. Among his portraits, he executed two of Josiah Stanford, now in the collection at the Cantor Center for Visual Arts at Stanford University. When in France, Roullier and his sister Blanche spent half of their time in Paris, the remainder at a beautiful property the family bought in the small town of Saint-Nizier sous Charlieu, some ten miles from Roanne. Blanche became a successful pastellist who also exhibited at the French salons and received several awards. Like his friend and fellow-painter Armand Charnay, Roullier painted rustic, local scenes of his native region, except for a few canvases of Tunisia done in colors reminiscent of his California work. He died in Paris on July 25, 1926. A retrospective exhibit of his work was held at the 1926 Paris Winter...

The Highland Cottage Irish School, 19th century signed and dated 1888 oil painting on canvas, unframed canvas: 30 x 50.5inches provenance: private collec...

Hermanus Koekkoek the Younger was a member of the renowned Koekkoek artist family. He was the grandson of Johannes Hermanus Koekkoek, the nephew of the landscape painter Barend Cornelis Koekkoek...

Winter Scene English School, 19th century oil on board, framed framed: 13.5 x 19 inches board: 6 x 12 inches provenance: private collection, England condition: good and sound conditi...

William Langton (British, 19th century) - Lake at sunset. 41 x 61 cm without frame, 45 x 65 cm with frame. Oil on canvas, in a gilded wooden frame. - Work signed bottom left: “Wil...

Interior scene Oil on canvas, 40,5x67 cm "Interior Scene" is an oil painting on canvas that depicts a late 19th-century kitchen setting. Through its portrayal of the interior space, figures, and attention to detail, the artwork offers viewers a glimpse into domestic life during that time period, capturing the essence and atmosphere of a bygone era. Alessandro Sani...

The two paintings are being sold as a pair. Edwin Austin Abbey, born in 1852 in Philadelphia, was a muralist, illustrator, and painter. He is best known for his drawings and paintings of Shakespearean and Victorian subjects, as well as for his painting of Edward VII's coronation. Abbey studied at the Pennsylvania Academy of Fine Art under Christian Schuessele. He began as an illustrator, producing numerous illustrations and sketches for such magazines as Harper's Weekly and Scribner's Magazine. He also illustrated several best-selling books, including Christmas Stories...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

A good gossip, oil on canvas, 61x92 cm "A Good Gossip" is an oil painting on canvas that depicts a figurative composition of women engaged in conversation in a natural setting. Thr...

The Flower Seller, Paris Medium: Oil on canvas Dimensions: 40.50 x 62.75 inches sight size, 51 x 73 inches framed Signed Lr.& dated 87 Providence: ...

Dutch estuary landscape Oil on canvas, 30x40,5 cm The artwork depicts a landscape scene of an estuary in the Netherlands, showcasing the unique characteristics and natural beauty of the region. William Raymond Dommersen (1850-1927) also Dommersheusen and Dommersheuzen, (London, Stratford West Ham...

Venetian painter (dated 1869) - Venice, view of Palazzo Sanudo Soranzo van Axel ai Miracoli. 44.5 x 37.5 cm without frame, 59 x 51 cm with frame. Oi...