Academic Figurative Paintings

Erulo Eroli 1854-1916 Italian Young Emperor Signed "Erulo Eroli Roma" (lower left) Oil on canvas Standing over five feet tall, this monumental painting by celebrated Italian pain...

Artist: Ara H. Hakobyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Flower Sellers Size: 16" x 20" x 0.8'' inch, (41x51x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Emile Rene Menard (French, 1862-1930) L`enlevement de Dejanira (The rescue of Deianara) Oil on canvas Signed `E R Menard’ (lower left) and inscribed with t...

Work on canvas : 61 x 43 cm Golden frame With frame : 70 x 52.7 x 4 cm This 19th-century portrait by an anonymous artist shows an elderly man seated at his desk, engrossed in writing...

“Mom and Her Kids,” an exquisite oil painting on canvas by Gaetano Chierici, also known as La Maschera, captures a timeless domestic scene with remarkable attention to detail and emo...

Eastman Johnson John Van Schaick Lansing Pruyn, 1883 Initialed and dated lower left Oil on canvas 28 x 18 inches For many years the foremost genre painter in the United States, Eas...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2016 Style: Impressionism Subject: Young People on the Rocks Size...

"Winged Genius", oil on canvas, 70x110cm, 27.5×43.5in Winged Genius is a fantastic character, a mythological creature, a male figure with birds’ wings, a guardian spirit, a demigod. ...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Autumn in the Yard Size: 18" x 14" x...

Jules Salles-Wagner (French, 1814-1898) A Large and Impressive French, 19th century oil on canvas "The Water Carrier Lady" depicting a standing and posing young peasant girl holding ...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Waves Size: 20" x 27.5" x 0.8'' inch...

Charles Edouard Edmond Delort (French, 1841-1895) oil on canvas "Game for the Cardinal", depicting a seated cardinal behind an ornate French Louis XV roll-top Bureau du Roi, after th...

Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century interior scene of a young 'High Society' maiden getting dressed for ...

Léon Olivié-Bon 1863-1901 French The Potter Oil on canvas Signed and dated "Olivie-Bon 1888" (lower right) This monumental masterpiece by French artist Léon Olivié-Bon is one of ...

Georges-Marie-Julien Girardot (French, b. Besançon 1856 - d. Paris, 1914) "Avant le mariage" (Before the Wedding) A Palatial and Impressive French 19th Century Oil on Canvas depictin...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different pla...

Oil on artist board painting of a misty morning in Gloucester Harbor by the Provincetown artist, Kay Kellogg. Signed lower left. Circa 1935. The painting d...

Marguerite Stuber Pearson Nude, circa 1940 Signed lower right Oil on artist board 20 x 16 inches Marguerite Stuber Pearson was an American painter best known for her elegant portra...

Artist: Eugene Schmidt (German/American, 1919-2007) Title: Solothman on the Aase, Switzerland Year: Circa 1970 Medium: Oil on canvas board Board size: 10 x 8 inches Signature...

Mary Russell Smith Feathered Tribe, 1871 Signed and dated lower left Oil on canvas 9 1/2 x 14 3/4 inches The daughter of theater scenery and landscape painter Russell Smith (1812–1...

Original oil on wooden panel painting of a young child begging for a coin. The painting is attributed to the hand of Leopoldo Dumini. Circa 1865...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Georges Croegaert 1848-1923 Belgian The Chess Game Signed "Georges Croegaert Paris" (lower right) Oil on panel This oil on panel by Belgian artist Georges Croegaert is a rich and...

Here for your consideration is an intriguing portrait of a young harem girl in costume by the German artist, Konrad Filip. Signed by the artist top right, Munich. Condition is very ...

This large oil on canvas painting by Adam Springfield depicts the Battle of Ptolemais which took place in 1191. It is signed lower left and dated 1877. The verso of the painting contains the title of the painting. It has it's original period gold leaf frame and measures 44 x 63.75 inches. The siege of Ptolemais is unique in the history of the Crusades since the Frankish besiegers were themselves besieged, by Saladin's troops. It was not captured until July 1191 when the forces of the Third Crusade, led by King Richard I of England and King Philip II of France, came to King Guy's aid. Acre then served as the de facto capital of the remnant Kingdom of Jerusalem...

French school of 19th century Academy study - Naked man Oil on canvas 81 x 56,8 cm Inscribed "Julien" on the backside Without signature

The Martyrdom of Saint Ignatius of Antioch in the Circus during the Celebrations for Emperor Trajan - Russian School of the Mid-19th Century Signed on the lower right. TITOV? Dated 1...

STEIN Georges (1864-1917) Paris street Views - Porte St Denis Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 92 cm - Dim ...

Original oil on canvas painting of a bucolic seaside picnic with a mother and her young children. Signed by the artist, F. G. Grust lower left. Condition is very good. The painting is housed in a period style gold leaf frame in fine condition. Overall framed measurements are 31.5 by 41.75 inches. Provenance: A California estate. F. G. Grust was a Dutch painter born in 1889 who was best known for his domestic interior and exterior scenes of a mother with her young children. He is the son of artist Theordor Grust (1859 - 1909), who also painted Dutch genre...

Exhibited at the Paris Salon, exhibition label on reverse. Description: Édouard François Zier (1837-1924) was a French painter known for his captiva...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

David Hamilton (British, circa 1888) Harvest time Oil on canvas Signed and dated `David Hamilton 1888’ (lower right) 20.1/8 x 16 in. (51.2 x 40.8 cm.)

This lyrical landscape entitled Dance of the Nymphs was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. Born in Paris in 1831, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert...

34 x 28 overall Canvas laid down on artist board Signed lower right Overall in gold leaf frame 30x24 inches R.W. Rowe Circa 1970’s

Alone in the world Signature on the left Presented in a period frame Provenance: Sold in Paris on February 6, 1895, at Drouot, for 140 Gold Francs (Bénézit) Biography Henri-Joseph ...

If Vogue magazine existed in the late 19th century, this sitter could be on the cover. The depth of her feminine beauty and sweetness is mesmerizing. She looks at you. You look ...

"Forrest Nymph" (2016) Oil on canvas 80 x 100 cm unframed Painting was started in 2015, most of it was finished by 2016, the last touches done in 2019. Inspired by the 19th century French painter Bouguereau, she wanted to depict a nymph that inhibits the forest, wearing a flower crown made from Hepatica flowers, wild forest flowers. The Painting’s Qualities Lyubena Fox...

Title: Young Peasants at Rest Artist: Adrián de Unzueta (Mexico, 1865 – first half of the 20th century) Medium: Oil on panel Dimensions: 35 x 26 cm (13.8 x 10.2 in) Framed dimens...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

Conrad Kiesel (1846-1921), The gift of flowers. Oil on wood, 43 x 35 cm, 69 x 61 cm (frame), signed at lower left "Conrad Kiesel pxt [pinxit]", about 1900. In a magnificent gilt stuc...

The Musical Performance by Antonio Ermolao Paoletti An italian genre painting showcasing two boys playing a trumpet and a guitar for their sist...

English school, 18th Century Figures at a mill Gouache on paper 4.5/8 x 7.1/2 in. (11.8 x 19 cm.)

Signed and dated '1884' lower right

Annie L. Morgan Still Life with Cherries, Grapes, and Pomegranate, circa 1880 Signed lower left Oil on canvas 20 x 16 inches

The painting is dated and signed on the bottom left side. Description: Alfred Jacomin was a landscape and genre painter. He was a student of his father, Jean-Marie Jacomin, the Swiss...

Alfred Weber 1859-1922 I Swiss The Musician Signed “Alfred Weber” (lower left) Oil on panel This work by Swiss ecclesiastical genre painter Alfred Weber, best known for his humorous and meticulously detailed paintings, features a cardinal enjoying his leisure time. Weber's talent for rendering opulent interiors and his keen sense of comic narrative are evident in this painting. The cardinal, looking blissfully content, sits in his lavish living space playing the violin, accompanied by a flutist. Alfred Charles Weber...

Anna Milo Upjohn was an overlooked female illustrator in the school of Jessie Willcox Smith. Her work displays a deep academic knowledge evident in her stylized illustrations of children and engaging their world. Signed lower right- 'A.M.UPJOHN" unframed. She was an assignment artist for renowned women's publications such as The Woman's Home Companion and children's books, as well as commercial assignments.s for the Red Cross. Unframed Anna Milo Upjohn (1868–1951) was an American artist, illustrator, author, and relief worker who, late in her long career, became known for paintings, drawings, and illustrations she made for the American Red Cross. After graduating from high school, she studied art briefly in New York but obtained most of her training in Paris from Claudio Castelucho and Lucien Simon.[1] In the early years of the twentieth century, she became known both for her portraits and paintings of children and for her book and magazine illustrations. Finding herself in France at the outset of the First World War, she devoted herself to relief work first among the refugees in Paris and later among the devastated villages in France and Belgium. Having spent the first half of her adult life as an independent professional, she served as a staff artist for the American Red Cross between 1921 and 1931. She traveled extensively during her adult life and lived mostly in New York City; Ithaca, New York; and Washington, D.C. Early life and training During the 1870s, Upjohn's family lived with her grandfather, a well-known architect named Richard Upjohn who had retired to a scenic home in Garrison, New York. Richard Upjohn's biographer says when she was about five she would accompany him as he sketched and painted. She questioned him about his color choices and learned that artists often chose colors different from the ones present in the subjects they painted. He also showed her engravings of famous paintings, explaining what made them great and where they fell short in his view.[2] Her family was living in Fond du Lac, Wisconsin when she graduated from high school in 1887.[3] A few years later, the family moved to New York, where, in the early 1890s, she took classes at the Cooper Union Woman's Art School.[4] She began her foreign travels in 1893 and during the next few years studied art in Munich, Florence, and Paris.[5] In 1902, she took an illustration class at the National Academy of Design and the following year won the Academy's Suydam silver medal for her work.[6] Between 1909 and 1912, she studied and traveled in Europe's other major cities.[7] In 1922, Upjohn told a reporter that she had studied art "in many places, usually for a few months at a time and disconnectedly, but what counted most was the work she did in Paris under Castelucho and Lucien Simon.”[1] Born in Barcelona, Castelucho's birth name was Claudi Catelucho Diana, but he went by his surname alone. In Paris during the early years of the twentieth century, he and Simon both trained private students and both taught at two mondernist alternatives to the École des Beaux Arts: the Académie Colarossi and the Académie de la Grande Chaumière.[8] Upjohn did not say whether she took private lessons, classes, or both. Career in art Image No. 1, Anna Milo Upjohn, Young Boy Going Fishing, 1910, oil on canvas, 25 x 30 inches In 1890, at the age of twenty-one, Upjohn completed a painting of angels for St. Paul's Episcopal Cathedral in Fond du Lac, Wisconsin. Her uncle Richard M. Upjohn had designed the building and her father was currently its rector (having succeeded John Henry Hobart Brown...

Angelo Zoffoli 1860-1910 Italian Cardinal with Elegant Company Signed "A. Zoffoli Roma" (lower right) Oil on canvas A sumptuously dressed cardinal enjoys the company of a fabulou...

Napoleone Luigi Grady (Italian, 1860-1949) A Very Fine Oil on Canvas "A Young Man Bicorne Hat". The beautifully executed artwork depicting a posing young boy in full period celebrato...

Classical style allegorical painting with puti and monarchy type figures floating within the clouds. The canvas is framed in a decorative gold frame. Dimensions Without Frame: H 43.5...

Friedrich Ortlieb (German, 1839-1909) A fine and large oil on canvas titled "New Year's Day at The grandfather's". The joyful indoor family scene depicting a Christmas and new year's...

Up for sale is a wonderful Italian Venetian Sunset painting by Bernhard Stange (1807-1880). Painting for sale depicts SUNSET VIEW OF SAN LAZZARO, VENICE It is absolutely colorful a...

The "Caravansary at Shiraz," is accompanied by the book "From The Black Sea Through Persia and India" by Weeks. In his book, on page 115, Weeks provides an insightful explanation abo...

Elizabeth Zanzinger's (US based) "Crossing" is an oil painting that depicts an elderly man crossing the high water of a river with a young child on...

Maria Martinetti was born in 1864 in Italy. Martinetti attended the Academy of Fine Arts in Rome, studying under the Orientalist painter Gustavo Simoni. Martinetti exhibited works in...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and resting by a river bank, holding a bird's nest and one of the tiny eggs. Her bonnet resting to her side and a wicker basket full of hand-picked flowers by her feet; within a later giltwood carved frame. Signed: ChChaplin (lower left). Circa: 1870-1880. Canvas Height: 31 1/2 inches (80 cm) Canvas Width: 17 15/16 inches (45.5 cm) Frame Height: 38 5/8 inches (98 cm) Frame Width: 24 3/4 inches (63 cm) Frame Depth: 2 3/8 inches (6 cm) Charles Joshua Chaplin (8 June 1825 – 30 January 1891) was a French painter and printmaker who painted both landscapes and portraits. He worked in techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women. Chaplin was born on 8 June 1825 in Les Andelys, Eure, France. His mother, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886. He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts. In 1845, he entered the Paris Salon, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist's Mother. Chaplin conducted art classes specifically for women at his studio, including Marie Joséphine Nicolas. The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin's students. His son Arthur Chaplin was also a painter. Early Work: Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, from 1848 to 1851, were painted in a manner characterized by an interest in realism, a style established in the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte. Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution. From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy. Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Later, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, François Boucher (1703–1770). He also embraced the tradition of the great English portraitists and developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work. Later Work: Gradually the muddy colours used by Chaplin transformed into white, grey and pink, depicting his models with an opalescent, mother-of-pearl complexion by applying a subtle palette of rosy flesh tones and light greys. After painting portraits and trying his skills on ornamental painting, Chaplin took up genre painting in the 1850s. His favourite subjects are the feminine grace of a young woman's everyday life. He portrays women in several poses: resting; grooming; singing; and reading. He captures them with lightness and carelessness and accentuates the decorative elements of the composition. Empress Eugénie, the wife of Napoleon III and an admirer of the "Pompadour style", rapidly fell under the enchantment of the painter's neo-Rococo works. Chaplin was among Napoleon III and Empress Eugénie's favourite court artists. In 1859, when his portrait of Aurora was banned by the judges of the Salon as "too erotically suggestive", Napoléon III defended Chaplin and overturned the disqualification order. He was similarly valued as an interior decorator and was appointed to remodel the decor of Empress Eugénie's rooms. His sensual portraits of women and young girls, often with models posed erotically in hazy surroundings and frequently wearing transparent clothing, attracted the interest of the high society and aristocracy of Paris during the French Third Republic (1870–1940) guaranteeing his success and wealth. He was one of the most popular painters of his time, but nowadays his work is almost unknown, in spite of the fact that his works hang in many major museums around the world. He employed his Rococo style for his mythological scenes and genre scenes paintings. His genre pictures formed a significant part of his work. In 1861, working as a decorative painter. Chaplin painted the doors and several glass panels above them of the Salon des Fleurs in the Tuileries Palace. The Palace was gutted by fire in 1871 and its ruins swiftly demolished.[9] He also undertook decorating work in the Salon de l’Hémicycle of the Palais de l’Elysée. Honours and awards: As a member of the Académie royale de peinture et de sculpture, Chaplin exhibited his paintings at the Paris Salon, the official exhibition venue of members' work. He began exhibiting his paintings at the French Artists' Salon in 1845 and was represented there habitually each year. These exhibitions made him one of France's most famous portrait artists. Commencing in 1847, his work was exhibited regularly at the Royal Academy in London. During his lifetime, he received acclamation for his artistic talents by the award of several medals: a third class medal in 1851; a second class medal the following year; and an Honour Medal...