Victorian Figurative Paintings

English artist, second half 19th century oil painting on board, framed framed: 20.5 x 27 inches board: 14 x 20 inches provenance: private collection, England condition: overall ver...

Sunset in the Scottish Highlands By F. E. Jamieson (British 1895-1950) Signed with the artist’s pseudonym “Henry Cooper” signed oil painting on canvas, framed framed: 24 x 33 inches...

Drummers were often thought of as young soldiers, joining the Army as young as 12 years old. The idea of young boys marching into battle was loved by the Victorians, and several roma...

Artist/ School: F. E. Jamieson, British 1895-1950, signed Title: The River Cottage Medium: oil on canvas, framed Framed: 15 x 23 inches Painting: 12 x 20 inches Provenance: priv...

War Ship at Sea signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, England The painting is in very go...

Canvas Size: 30 x 30" (76 x 76cm) Outside Frame Size: 37 x 37" (94 x 94cm) Unsigned Provenance: Christies REUBEN Thomas William SAYER(S) 1815 - 1888 British Painter born in 18...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

Fishing boats leaving port Millson Hunt (Late 19th Century) British signed oil on canvas ,framed canvas: 18 x 13.5 inches framed: 22 x 18 inches the painting is in overall very good...

Artist/ School: Charles Leslie (British 19th century), signed and dated 1875 Title: The Panoramic Loch. Beautiful and majestic Scottish Highlands loch scene with figures walking alo...

The Country House British School (19th Century) oil on canvas, framed framed: 33 x 54 inches canvas: 25 x 45 inches provenance: private collection, UK...

The River Cottage by Henry Cooper (British, active between 1890-1930) signed lower corner oil painting on canvas, framed framed size: 24 x 32 inches condi...

The Huntsman with his Hounds by Reginald Llewellyn Harvey (British 1888-1973) signed lower front oil on canvas, framed 13 x 15 inches 10 x 12 inches private collection, UK the painti...

Artist/ School: Scottish School, early 19th century Title: The Highland Valley Medium: oil on canvas, unframed Painting: 28 x 36 inches Provenance: private collection, UK Condit...

Walter Williams, English River landscape Walter Williams was an English landscape painter during the Victorian era and a member of the Williams family of painters. He was born George Walter Williams on 29 November 1834 in London, being the son of the well-known Victorian landscape painter George Augustus Williams...

Chestnuts by the fireside Mark William Langlois ( British, 1848-1924) signed bottom right oil on canvas, framed framed: 26 x 21 inches painting: 21 x 27 inches provenance: private co...

A well painted and good quality English Victorian landscape. Dingle was a painter of landscape scenes from the middle of the 19th century. He often painted people going about their d...

John William Haynes British, (1831-1924) Knitting Oil on canvas, signed Image size: 29.5 inches x 24.5 inches Size including frame: 35 inches x 3...

The New Arrival Colin Impey (20th Century), British signed oil on canvas, unframed dated 2018 canvas: 16 x 20.5 the painting is in overall very good and ...

Wonderful and very unique English Victorian Village scene, with figures, and lots more . John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham...

English School, circa 1800 Napoleonic Wars Marine Scene oil on canvas, framed framed: 10.5 x 13 inches canvas: 8 x 10 inches private collection, England condition: The painting is i...

The Winding River Valley by George Mulready Freezor (British, 1865-1962) signed oil on canvas, framed framed: 32 x 38 inches canvas: 29 x 33 inches provenance: private UK collection...

Circle of Anthony Vandyke Copley Fielding (1787-1855) British School circa 1830's inscribed verso oil on panel, framed framed: 9 x 10 inches board: 5 x 6.5 inches provenance: privat...

Artist/ School: British School, late 19th century, signed Title: Sunset in the Scottish Highlands Medium: oil on canvas Framed: 25 x 35 inches Canvas: 20 x 30 inches Provenance: ...

Artist/ School: Scottish School, 19th century, indistinctly signed lower corner Title: The Angler in the Scottish Highlands, beautiful landscape scene. Medium: oil painting on canv...

Waving Goodbye Colin Impey (20th Century), British signed oil on canvas, unframed dated 2014 canvas: 16 x 20.5 the painting is in overall very good and s...

The Post Office deliver Colin Impey (20th Century), British signed oil on canvas, unframed dated 2018 canvas: 16 x 20.5 the painting is in overall very good and sound condition

Well painted 19th-century portrait of Sir Charles Dickens. The original painting is in the National Gallery in London and I'm sure this piece would have been painted by a fan of the author who was also a very good artist as this piece is a very good copy of the original painting. There was a great fashion to paint copies of famous paintings during the 19th century and most of the world's most famous paintings have been copied many times. Often the artist who does the copy is very talented but usually anonymous With this piece, it's the only way to own an antique copy...

Circle of Anthony Vandyke Copley Fielding (1787-1855) VIew In Kerry Highlands, Ireland watercolor/gouache on board, framed glass over picture framed: 10 x 14 inches board: 18 x 21 in...

Thomas Brooks British, (1818-1891) Picking Flowers on a Coastal Path Oil on canvas, signed & dated 1878 Image size: 15 inches x 10 inches Size including frame: 20 inches x 15 inches...

Artist/ School: French School, 20th century, signed by Eug. Mavie Title: Napoleonic War Ships at Sea, beautifully detailed with remarkable detailing. Medium: oil on canvas, unfram...

English school (late 19th/ early 20th century) A river scene with figure in a punt, oil painting on board: 11.5 x 17 inches framed: 18 x 25 inches condition: very good and presentabl...

English School, circa 1800 Napoleonic Wars Period marine scene with soldiers on a French beach. oil on canvas, framed framed: 10.5 x 13 inches canva...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - Mallards Dropping On The Mill Stream Medium: gouache/water...

Joseph Clark ROI British, (1834-1926) The Coronation March Oil on canvas, signed & dated 1902 Image size: 25.5 inches x 19.5 inches Size including frame: 32.5 inches x 26.75 inches This painting by Joseph Clark depicts a lively group of boys leading a patriotic parade through a village. Two of the older children hold standards aloft, whilst the others wave flags or play instruments. In 1902, at the time of this painting Clark was living on Pinner Road, Harrow-on-the-Hill. The church depicted is very similar to Pinner Parish Church, which would have been the closest one to him at the time. On 9 August of that year, the coronation of Edward VII and Alexandra took place at Westminster Abbey. Special events were held all across the country to mark the occasion. Clark would probably have attended his local celebrations and was most likely was inspired to record his version of it. Joseph Clark was born on 4th of July 1834 at Cerne Abbas, Dorset. He was the son of William Henry Clark, a draper and his wife Susanna (née Shepherd). After the death of his father, his mother encouraged her son to move to London to study at the Leigh’s Academy, (now Heatherley School of Fine Art) which was set up by James Matthews Leigh in 1848. He later continued his artistic education by enrolling at the Royal Academy School and began specialising in genre scenes. He made his debut at the Royal Academy in 1857 with ‘The Sick Child...

Artist/ School: Scottish School, circa 1920's, illegibly signed and dated Title: The Lobster Pots Medium: oil on canvas, framed Framed: 16.5 x 20.5 inches Canvas: 12.5 x 16 inches...

Artist/ School: David Wilkie Wynfield, (British 1837-1887) Title: Elegant Ladies in a Drawing Room interior scene Medium: oil on panel, framed Framed: ...

Artist/School: Frank Hider (1861 - 1933), signed, inscribed verso Title: Sunset on the waters Medium: oil on canvas, framed Framed: 21 x 25 inches Size:...

ARTHUR DE BREANSKI (EARLY 20TH CENTURY) The River Road watercolor/gouache on board, Signed and framed glass over picture framed: 20.5 x 26.5 inches board: 13.5 x 21.5 inches condit...

Artist/School: 19th Century English School Title: Milking on a riverbank with church beyond Medium: oil on canvas, framed Size: 19 x 23 ...

Early Victorian Classroom Scene 19th Century oil on canvas, framed framed: 22 x 28 inches canvas: 17 x 24 inches provenance: from a UK collection The painting is in very good and pr...

ARTHUR DE BREANSKI (EARLY 20TH CENTURY) The River Road watercolor/gouache on board, Signed and framed glass over picture framed: 20.5 x 26.5 inches board: 13.5 x 21.5 inches condit...

William Edward Webb British, (1862-1903) Douglas Harbour, Isle of Man Oil on canvas, signed Image size: 21.5 inches x 37.5 inches Size including frame: 33 inches x 49 inches A busy quayside painting by William Edward Webb of Douglas Harbour on the Isle of man. Fishermen in boats can be seen preparing to head ashore as other figures make their way along the quayside. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...

Artist/ School: 19th Century English School Title: Barges In A River Landscape at Sunset, Cattle resting in pastoral landscape Medium: o...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

Late 19th Century French Figures in an old French town oil on board, framed framed: 13 x 17 inches board: 9 x 15 inches provenance: private collection, England The painting is in ve...

Artist/ School: Scottish School, 19th century Title: The Scottish Highlands Medium: oil painting on board, framed frame: 12.25 x 15.5 inches canvas: 11.75 x 15.25 inches Proven...

Artist/ School: Jean Laurent (French 1898-1988), signed lower front Title: Sailing Boat on Choppy Seas Medium: oil on board, framed Framed: 15 x 19 inches Board: 11 x 15 inches ...

Artist/ School: Norwich School, circa 1876 Title: 'Norfolk Clay Lump and Thatched Cottages'. Medium: oil on canvas, framed Framed: 24 x 31 inches Painting: 19 x 26 inches Provenance: private collection, East Anglia...

Artist/ School: English School (19th Century), inscribed verso Title: The Temple of Vista at Tivoli. Medium: oil on artists board, framed Framed: 13 x 16 inches Painting: 9 x 12....

Dutch School, late 20th century oil on canvas, framed framed: 32 x 43 inches canvas: 26 x 36 inches provenance: private collection, UK The painting is in very good and presentable c...

Arthur David Mccormick Irish/British, (1860-1943) The Royal Fanfare Oil on canvas, signed Image size: 23.5 inches x 17.5 inches Size including frame: 31.5 inches x 25.5 inches Provenance: Frost & Reed A wonderful historical painting of a trumpeter signalling the arrival of the Royal Ship by Arthur David Mccormick. The Herald, dressed in yellow livery plays a fanfare as the others prepare for the arrival of the Royal boat. Arthur David Mccormick was a painter of historical, naval, and genre scenes who was born in Coleraine, Ulster in Northern Ireland on 14 October, 1860. After attending his local school, he studied at the Government School of Design in Belfast. He then moved to London where he enrolled at the Royal College of Art in 1883. To support his studies he also contributed drawings and designs to the English Illustrated Magazine and Illustrated London News. McCormick made his debut at the Royal Academy in 1889 continuing to exhibit there throughout his life. He exhibited at the Royal Society of British Artists from 1890, becoming a member in 1897 and at the Royal Institute of Oil Painters, Royal Institute of Painters in Watercolour and the Alpine Club Gallery. As well as being a yachtsman he also took an interest in mountaineering and on 5 February 1892 joined Sir Martin Conway’s expedition to the Karakoram Himalayas as their artist. He produced more than 300 illustrations, mainly watercolour paintings which appeared in Conway's 1894 book ‘Climbing and exploration in the Karakoram Himalayas’. He later published his own book ‘An artist in the Himalayas’ using his pencil sketches from the expedition. He married Helen MacAlpine-Woods at Strean Church, Newtonwards, Ireland on 25 September, 1894. The couple lived at 58 Queens Road, St John’s Wood where their only daughter Helen Gladys was born in 1895. During the same year, he travelled with Clinton T. Dent’s on his expedition to the Caucasus Mountains, producing a number of sketches and drawings. He was also made a fellow of the Royal Geographical Society in 1895 in recognition of his work. After the death of his wife in 1899, he remained at Queens Road from where he continued to work and exhibit, employing a governess to help with his daughter. When the Ulster Arts Club was formed in 1902 he was among its first honorary members. In 1905, he was made a member of the Royal Institute of Oil Painters and in 1906 became a member of the Royal Institute of Painters in Watercolours. On 7 May, 1906 he married Helen (Nellie) Elizabeth K Laker, his daughter’s governess. In addition to painting he also produced illustrations for many books mostly related to travel and adventure. He was employed by John Player & Son in 1927 to paint the sailor's head and shoulders for their cigarette packets as well as producing a number of oil paintings which were used as promotional posters. Around 1934 he moved to 53 Colet Gardens, Hammersmith, where he spent the rest of his life. He died in London, aged 83, on 12 March, 1943. Examples of his work can be found at the Alpine Club Collection, Coleraine Museum, Grundy Art Gallery, Imperial War Museum, National Museum of Wales, National Museum of the Royal Navy Portsmouth, Newport Museum, The Box Plymouth and Williamson Art Gallery. Presentation: The work is housed in its original gilt frame which is in excellent condition. The reverse bears a label for Frost & Reed and is dated 5 November 1936. Frost & Reed is a well known fine Art Gallery, frame makers and fine art publishers founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Artist/ School: Signed by Eug. Mavie. French 20th century Title: Classical Warships at Sea. Medium: oil on canvas, unframed Painting: 18 x 25.5 inches Colours: Blue, red, orange...

The Highland Path Scottish School, circa 1830's Oil painting on canvas, framed framed size: 34 x 28 inches canvas: 26 x 20 inches condition: very good and ready to hang provenance: f...

Artist/ School: English School, circa 1830's, follower of John Constable Title: The Rural Lane Medium: oil on canvas, framed Framed: 22 x...

John White was a Cornish painter from the 19th century. He exhibited at the Royal Academy in London and also at the British Institute, in London. His work is Victorian in its com...

Artist/ School: French Romantic School, 19th century. There is an artists label verso, "P. Grimaud, Toulon". Title: Ladies in Southern French landscape praying to a statue of the M...

English School, circa 1950's The Riding Lesson oil on board, unframed 17 x 20 inches private collection, England The painting is in overall very good and sound condition. There is a...

Artist/ School: French School, 20th century, signed Karine Girard Title: "The Flower Seller", a beautiful Parisian scene from the Belle Epoque period, d...