Suit Figurative Paintings

This project is with Louis Vuitton and the stylist Carine Roitfeld and Madame Figaro, starring the Belgian singer Lous and the Yakuza. All the looks Lous is wearing are designed by N...

A set of four mid-century fashion drawings signed Lilliana. These works were purchased from an estate out of Palm Beach, FL. These charming works eac...

Original cover for Liberty magazine, published January 26, 1929. After the passing of Sandy’s Great-Uncle Ulysses, Sandy and Lil walk around the cluttered brownstone mansion he left...

ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...

Oil on canvas Liu Xiaodong is a Chinese artist born in Inner Mongolia in 1968 who lives and works in Beijing, China. He graduated from the Oil Painting Department of Inner Mongolia...

A very whimsical depiction of a woman stepping out in the South of France. This piece captures the essence of fashion in Pairs. Done in a very modern and impressionistic style, the c...

Signed on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...

The paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...

Medium: Oil on Canvas Dimensions: 34.00" x 30.00" Signature: Signed Lower Left PRICE ON REQUEST- Story illustration for The Torrent, image of man and woman in outdoor setting. Masters of the Golden Age: Harvey Dunn and His StudentsSouth Dakota Art...

Known for her bold visionary take on figurative realism, Erin Cone has twice been recognized in the national art press as one of the top young emerging artists in the country. After ...

With artist frame

This surreal Men's Fashion illustration with a dragonfly is staged in an inside/outside setting against dreamlike Rene Magritte clouds. Of particular note is how the artist cropped t...

Introducing "Madame Grande," an exquisite oil on canvas masterpiece by the renowned artist Geri Eubanks. This captivating artwork features a blonde woman with luxurious golden hair, ...

Although painted 10 years ago the artist feels it is an appropriate image for these troubled times.

The illustration shows a young bride and groom at their wedding table above an older couple sitting down for a nice formal dinner. Probable Family Herald Magazine Illustration, May 1957 Much like Norman Rockwell, Kurt Ard...

"Red Dress" is a abstract figurative oil painting of a deep red dress. János Huszti is a creator of the visual arts and conceptual thinker. Huszti places a large emphasis on figura...

In this piece, I sought to capture the ethereal blend of nature and the human spirit. Using oil paints, I layered textures and colors to create a surreal, vintage atmosphere where th...

Marcia Gaylor b.1947 American Casablanca Declaration Signed "M. Gaylor" (lower left) Oil on canvas In her original oil on canvas titled Casablanca Declaration, American historica...

This artwork captures a serene woman in a beige kimono, her elegant obi and red hairpiece adding subtle grace. Flanked by two sleek black cats with piercing yellow eyes, seated on a ...

Modern Cubist inspired portrait painting by the iconic Houston based artist David Adickes. The work features a seated male figure wearing a white jacket and maroon tie with a paint p...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK, 1961 signed "Grau Sala" (lower right) signed again, titled & dated "GRAU SALA / PADDOK / 1961" (on the reverse) oil on canvas 21-3/8 x ...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

"Crimson" by Derek Harrison (US based) is an original oil painting that depicts a female model in a red gown. Derek Harrison is a representational painter who works in the classical...

Exhibited in Almach Art Gallery Milano during 2023 Hand-signed by artist, Certificate of authenticity Included (issued by authorized authenticating body) Image rights Luca Temolo ...

Once I lived in a private house. We had four cats, and then we accidentally found the fifth. Where he came from and how long he lived with us is unknown). For texture on the primed c...

Elegant Portrait signed by Therese Hummel (French, 1911-1999) oil on canvas, unframed dated 1937 canvas : 29 x 24 inches Provenance: private collection of this artists work, Paris C...

A man stares out across a party while in the sky a faint figure is visible, perhaps the invisible presence that artist Erik Freyman alludes to in the artwork's title. Invisible Pres...

René Mels (1909-1977) Portrait of a young man, signed lower right oil on canvas 73 x 60 cm Framed : 77.5 x 64.5 This impressive portrait is obviously touching and striking for it...

Medium: Oil on Canvas Signature: Signed Lower Right Magazine cover: Woman with hat boxes. Francis Xavier Leyendecker, like his older brother, Joseph, was a talented illustrator. Bo...

Kazuya Ushioda’s The Sound of Prayer (2021) is a striking figurative oil on panel that captures a moment of quiet reflection. Measuring 44.12 x 11.87 x 0.70 inches, this tall and slender composition features a single figure clothed in a white kimono adorned with delicate blue floral motifs and cinched by a vivid red sash. The woman’s eyes are closed, and her hands are gently positioned near her head, suggesting an intimate state of concentration or contemplation. Painted in oil on a carefully prepared panel, this original, handmade work showcases Ushioda’s meticulous technique, evident in the rendering of subtle skin tones and nuanced folds of fabric. The vertical format accentuates the graceful poise of the figure, drawing the viewer’s gaze downward from her serene expression to the richly detailed kimono patterns. The neutral background highlights the subject’s form, creating a harmonious interplay of color and space. Executed in 2021, The Sound of Prayer stands...

Lets make a Move Acryl Painting on Canvas Fat Lady Dance Naive In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with Ada’s br...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Linda Adair's (Germany based) "A Black and White Girl in a Technicolor World" is an oil painting that depicts a female model in a green interior. Linda A...

Framed Size 28.5 x 21 Jaro Fabry was a brilliant illustrator with a defined style of his own. There is not a brushstroke out of place in his works that appear loosely rendered. He is best known for his depiction of Golden Age of Hollywood...

The work is inspired by the tenderness and purity of the girl on the shore, in whose hands is a white dove. Another moment and the dove will fly in the sky. In this oil painting, I ...

Date: 1993 Medium: Oil on Canvas Dimensions: 30.00" x 20.00" Signature: Signed Lower Left Zebra Books, Robert Berran has been a prolific romance and historical book cover il...

Most likely for Redbook, Cosmopolitan, Collier's Weekly, Good Housekeeping or Macall's

Medium: Acrylic on Illustration Board Signature: Unsigned

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Kazuya Ushioda’s Spring Breeze (2021) is an original, handmade oil on panel artwork that measures approximately 44.12 x 11.87 x 0.70 inches. This vertical composition offers a meticu...

"Black Man Stereotype 2 (Mandingo)" challenges the pervasive Mandingo stereotype that perpetuates the hypersexualization of black men. Through this artwork, the artist confronts the ...

Original cover for Liberty magazine, published October 17, 1931. As Lil’s Aunt Ruby, a “social gadabout” and “blithe widow of many years’ standing” arrives at the Jenkins family home for a visit, Sandy tries to hide his irritation once he sees the massive amount of luggage she had in tow. Aunt Ruby shows off an enormous new diamond ring and coyly announces she is to be married that fall and that her new fiance would be arriving shortly. As Lil scrambles up some hors d’oeuvres and cocktails, Sandy hears a car pull up to the house and is shocked to discover that Aunt Ruby’s future husband is none other than Sandy’s boss! (Liberty magazine, October 17, 1931, p. 37) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Blonde figure holding small butterfly in interior

Medium: Oil on Canvas Signature: Signed Lower Right Painting of a pensive woman seated in a chair Hans Amis, born in Canton, China, in 1957, is a graduate of the Fine Art College i...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is not stretched. Certificate of authenticity included. All ...

A peaceful, romantic scene, a couple seated in the sunlight, lush garden, alongside a gently, flowing stream… Vivid rich shades of greens and warm coral, heavily detailed with gold l...

In creating this piece, I poured my soul into the vibrant dance of colors and emotions, crafting a vision inspired by the grace and mystery of the figure. The red speaks of passion a...

Portrait PS 250 The Night Bride Ophélia - Arthur Rimbaud I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in...

This artwork depicts a serene coastal scene where a young woman stands beside a vintage white convertible, set against an ocean backdrop and stormy sky. The muted palette of blues an...

"Arthur" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a portrait of a man in a suit and bowtie on a greyscale background. Nicolas Martin is a...

Carolien van Olphen Patience Oil on wood panel 134 x 92 cm (Framed 142 x 100 cm, frame is included) Dutch artist Carolien van Olphen has left a great impression in many places with...

This artwork combines vintage aesthetics with surreal elements, set against a thought-provoking backdrop. A woman in a black suit and bow tie, holding a cigarette, exudes timeless el...

Once upon a time, a wonderful girl posed for Evgeniy, outwardly very similar to the well-known blonde from Game of Thrones. Almost a doppelganger of her fairy-tale sister .. And then...

This piece titled "Dichotomy" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 48" x 54" and is shipped in the pictured wood...

Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...

Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments. Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani. Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...

Beth Sistrunk's "Preoccupation" is an oil on two translucent acrylic panels featuring a model in a blue dress. About the artist: Beth's interests in painting the figure, women’s fa...

“I Promised My Wife: Sandy’s Business Trip Adventures,” original cover for Liberty magazine, published September 24, 1927 Traveling on a business trip, Sandy ventures out of his cut...