Interior Paintings

Reference number F355 Framed with a ebony color floated frame 41 x 60 cm frame included (27 x 46 cm without frame) This work is painted with oil on a board. Stamp of the signature in...

Modernist interior scene with a kitchen still life by Johannes Gecelli (1925 - 2011) . Oil on board. Signed and dated lower right and verso. 24 3/8 x 32 1/8. Nicely framed.

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Vintage still life in earthy hues of a wine bottle with two golden apples and a copper mug by California artist Friedel Riise (American, 20th century). Sign...

Veranda, window, summer,flowers GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Revolution St. Petersburg, Russian State Museum St. Petersburg, History Museum Tblisi, Fine Arts Museum Tambov, Fine Arts Museum Irkutsk, Fine Arts Museum London, National Gallery Manchester, Fine Arts Museum Dresden, National Gallery Bratislava, National Gallery Tokyo, Contemporary Art Gallery Osaka, Soviet Art...

Antoni Granja Llobet (1954) - Pitita - Oil on canvas Oil measures 73x60 cm. Frameless.

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

Late 20th century oil on canvas of an interior scene with cats and fish by French artist Maurice Delavier, signed and dated (November '82) to the bottom r...

An original late 20th Century realist interior scene by Italian artist Andrea Vizzini. This important work was exhibited at The Anderson Gallery an...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...

A large and elegant still life with grapes and pears on a table which also features a pristine white bowl and a candle stick. Painted with simplicity, clarity of structure, and restrained emotion, this is a superb modernist work by Jean Chauffrey (1911-) dating from circa 1950. At the time, Chauffrey had a contract with mythical Paris art dealers...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. A cheerful, mid-century oil showing a pair of leisure chairs wit...

Delicate mid century still-life of white and pink roses in crystal vase with a soft, lime green background by listed California artist Helen Mae Enoch Gleiforst (American, 1903-1997)...

Beautiful and atmospheric, this painting perfectly captures the tones and colors of a steamy summer's day in Venice during a trip to that city in 1959. "Venice, Petit Pont sur le Ri...

Life’s Souvenirs by Tito Salomoni, Italian (1928–1989) Date: 1984 Oil on Canvas, signed lower left Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 25 x 2...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Make an offer on the fabulous Figure Multiple painting by Giancarlo Impiglia, Italian/American (1940). Date: 1989 Oil on Canvas, signed, dated, and title...

Signed lower right, 'S. L. Kramer' (American, 20th century) and painted circa 1960. A mid-century, oil still-life showing a bouquet of spring flowers informally arranged in a glass ...

Plugged In by Tito Salomoni, Italian (1928–1989) Date: circa 1984 Oil on Canvas, signed lower left Size: 20 x 20 in. (50.8 x 50.8 cm) Frame Size: 28 x 28...

Pierre Coquet - Still life with red peppers Reference number F286 Framed with a natural oak wood floated frame. 51 x 60 cm frame included (46 x 55 cm wit...

Gorgeous American Impressionist still life oil painting of a basket of vibrant vegetables with a white curtain background by Monterey, California artist Genevieve Rogers (American, 1...

Gestural impasto painting of flowers in a vase. 23.5" x 17.5" sight size , 22" x 28" framed hand signed lower right. Born in 1899, Belle Golinko is a listed Jewish mid...

Gorgeous mid-century still life of a vase of white lilies next to a green teapot and lemon by listed California artist Helen Enoch Gleiforst (American, 19...

Byron Browne (1907 - 1961) Nude by a Mirror, 1958 Oil on canvas 26 x 20 inches Signed lower right Provenance: Doyle New York, Doyle + Design, June 7, 2017, Lot 20 Born in Yonkers,...

Wonderful old Hollywood portrait of a middle aged Peter Lorre (1904-1964) by Charles Kingham (American, 1895-1984), circa 1955. Unsigned. Acquired with oth...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Girl In The Armachair is an artwork realized in the 1950s by Anonymous artist. Original oil painting on canvas applied to cardboard. Includes wooden frame:60 x 7 x 50.5 cm Good co...

Door #1 1988/89 33 inches x 24 inches oil on canvas Artist Statement: "This is an early work I produced in my studio at 11th street and Ave 'B" NYC. I was working at free expressio...

Robert McIntosh(1916-2010), was a prolific American artist that worked and exhibited throughout his life in California. In 1948, McIntosh was awarded first prize at the Los Angeles County Museum of Art, and again ion 1949 at the San Francisco Museum of Art. "The Birdcage...

"New Hat" is a figurative, interior portrait painting by Philadelphia born Expressionist painter Bernard Harmon from 195. The 20" x 16" oil on board portrait features a young African...

Casein on board In American art circles in the second decade of the twentieth century, Cramer was an early emissary of European modernism. Born in Wurzburg, Germany, in 1888, Cramer...

Signed lower left with monogram 'P/N' for Poul Nielsen (Danish, 1920-1998) and dated 1954. A vibrant and light-filled still-life by this well-listed Danish Modernist and disciple o...

"The Potter" is an interior portrait of a young man working on a vase at his potter's wheel by Philadelphia born Expressionist painter Bernard Harmon. The 24.25" x 14" oil on cardboard painting is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

Untitled Abstract, an original oil on canvas by Edward Gilliam, is a piece for the true collector. Gilliam's use of color and paint thickness immediately captivates the viewer. It is...

Mid-Century Floral Still Life with Yellow and White Irises Gorgeous mid-century floral still life of a bouquet of Irises painted in 1959, by Pacific Grove and Santa Cruz, Californi...

"Cat Scratching Table" is an original oil painting on canvas by Nicolas Dreux. The artist signed the piece lower left. It depicts a cat and a bird in a pastel-colored interior. 18" x 14" art 27 1/4" x 23 1/4" frame Nicolas Dreux was born on March 10, 1956 in Port-au-Prince, Haiti. He began to paint as a student of painter Calixte Henri...

Untitled Geometric Abstraction, an original oil on masonite by Juliette Steele, is a piece for the true collector. Steele's use of color and patterns immediately captivates the viewe...

"The Brass Ring" by Bob Byerley is a realistic original oil painting measuring 24x12 in. The artist’s photographic memory of his boyhood adventures combin...

"Snap Peas" is an interior portrait of a young woman working at her kitchen table, painted by Philadelphia born Expressionist painter Bernard Harmon. The 24" x 36" oil on board painting from 1955 is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

‘Piano Lesson’ By artist 'Virginia Campbell', 20th Century Signed and dated '1980' verso Oil painting on board, unframed Board size: 10 x 14 inches Eleg...

Still life in earth colors, with dried flowers Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

Victor Di Gesu (American, 1914-1988) estate stamp, verso, and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the C...

Beautiful mid century still-life of authentic Hopi Indian relics including terracotta pottery, an ear of corn, and colorful moccasins on a traditional patt...

Highly impasto still life of brightly colored flowers in a vase by Doreen Gadsby (Australian, b. 1926). Signed "Gadsby" in lower right corner. Presented in a green wood frame. Image size: 44.25"H x 22.13"W Doreen Gadsby (Australian, b. 1928) was born to a farming family in Lismore, Australia, and later studied at East Sydney Technical College (now the National Art School) in Darlinghurst during World War II. As a young mother of four, she joined the same art club as Lloyd Rees and a 17-year-old Brett Whiteley...

Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...

Medium: Tempera Painting Signature: Signed Lower Left Cover of The Saturday Evening Post Magazine, December 5, 1953

"Architectural Fantasies" is a 44" x 34" oil on canvas abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. The paint...

An original oil on canvas by listed New York female artist Enid Smiley.

Medium: Oil on Canvas with an Element of Collage Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, February 27th, 1954. The Post described, “...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Roger Van Ouytsel (American, b. 1941) Title: "The Things I liked About Larry Wise," 1987. Oil painting on canvas, signed and dated. Framed. Provenance: Exhibited at Allan Stone Gallery, New York, 1988. Size: 44'' x 52'', 112 x 132 cm (stretcher); 45.5'' x 53.5'', 116 x 136 cm (frame). It has a symbol on it that appears to be a Jewish Menorah or a candelabra. ROGER VAN OUYTSEL (b. 1941) is a Belgian-American painter whose body of work developed over a lifetime of attention to detail, imagination, and spirituality. Van Ouytsel holds an MFA from Academy of Fine Art, Mechelen, Belgium, 1963. He lives in northern New Mexico. Roger Van Ouytsel (Belgian-American) artist and painter whose body of work developed over a lifetime of attention to detail, imagination, and spirituality. Van Ouytsel holds an MFA from Academy of Fine Art, Mechelen, Belgium, 1963. He works in raw, textural paint, ink, markers and graphite EDUCATION 1957-63 M.F.A., Academy of Fine Art, Mechelen, BELGIUM 1961-63 Belgian National Institute of Arts and Crafts, Mechelen, BELGIUM 1955-57 State Institute of Technology, Mechelen, BELGIUM AWARDS AND ACTIVITIES 2018 Between Heaven and Earth, a poetry collection in English and Mandarin., published in Taipei, Taiwan. 2018 Muralist, The Flip Flop Hotel, Taipei, Taiwan. 1976 Poster...

Presenting an outstanding original oil painting by American artist Thomas Prentiss b.1920. Three Pears, is painted in the hyper realistic trompe l'oeil style, viewing this painting ...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. A...

Inviting and warm interior dining room scene by S. Spencer (American, 20th Century). Signed and dated “S Spencer 83” in lower right corner. Unframed. Image size: 17.5 x 21.5.

Beautiful oil on hardboard from the middle of the 20th century representing a still life with all the symbolic elements which are a modern transposition on the theme of vanities. The...

Samovar,Breakfast on the lawn, green, we send the work anywhere Shipping included OLGA BOGAEVSKAJA (Moscow, 1916 – St. Petersburg, 2000) Works by Olga Bogaevskaja can be found in va...

Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" ...