Landscape Paintings

Paul Madeline 1863 – Paris – 1920 French Painter 'A View of Ghent' Signature: signed lower right ‘P. Madeline’ Medium: oil on canvas Dimensions: image size 46,5 x 55,5 cm, frame s...

'Middleton Farm, Comrie' represents Saltire Gallerie's Scottish landscape theme, 'A Sense of Place'. This is a contemporary painting (1996, dated verso), in a post-impressionist style by Scottish artist JD Henderson. The artist's signature is in the right lower corner. Including the frame the overall size is 25" high and 29" wide, using oil paint on canvas and presented in a gilt frame. This painting is one of three post-impressionist paintings by JD Henderson currently in Saltire Gallerie. Buy one, or buy two for a discounted price. Make an offer! All three are compatible and would work beautifully together. See 'Sunlit Path' and 'Kirkton Bridge' in the Saltire Gallerie storefront. JD Henderson's work has been exhibited in galleries in Scotland, particularly Glasgow. The post-impressionist style, use of color and emphasis on the subjects of Scottish scenery make this artist stand out among contemporary artists. Stone bridges, rural croft houses...

ARTIST: Bob Richardson (1938-) British TITLE: "Amsterdam Netherlands" SIGNED: lower right MEDIUM: pastel on paper SIZE: 79cm x 67cm inc frame CONDITION: excellent DETAIL: Bob Ri...

Artist: Unsigned late 20th Century Scottish School Title; "Highland Landscape" Signed: appears unsigned Medium: oil on board Size: 52cm x 37cm inc frame Condition: Excellent Notes: A...

ARTIST: Bill Dean ROI (1932-) British TITLE: ‘London Street Scene" SIGNED: lower right MEDIUM: oil on board SIZE: 70cm x 33cm inc. frame CONDITION: excellen...

"Banon Lavender Field " is an exceptional oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist landscape captures the beauty of Summer in the South o...

Very well executed oil on canvas painting of a approaching storm and the churning surf pounding against the seaside rocks. In the manner of Frederick...

Impressionist Landscape and Marine Oil Painting of Loch Fyne Scotland. Fishing Boats on the Loch with the Hills and Cottages in the distance. Tarbert, Loch Fyne" by Terrick Williams...

Otoño en Amsterdam (Autumn in Amsterdam Oil on canvas by Spanish artist Joan Raset. Dimension 81 cm H x 65 cm W x 2 cm D Interesting close up view of an Amsterdam canal in autumn....

Here for your consideration is an outstanding oil on canvas painting by Max Silbert. Signed lower right. Circa 1915. Recently professionally cleaned with no restorations. The fra...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Oil Painting of Gorse on the Common with Trees & Rabbits in Oxfordshire England, by Contemporary British Artist Art measures 18 x 14 inches Frame measures 21 x 17 inches (commens...

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 i...

A fine antique oil painting of horses pulling a stagecoach in snow , by John richard Worsdale (1869-1947) The artist portrays this powerful scene with an extensive view, featuring the stagecoach pulled by 4 horses and a village scene behind with buildings and peopla with another coach behind. oil on canvas, signed lower left, housed in a gilt frame. The size of the painting is approx 74 cms x 49 cms, whilst framed size is 90cm x 67cm. The painting is in very good condition, relined, with only some minor craquelure to the skyline, The frame appears original and is also in good condition with only minor age wear. Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of antique furniture...

This vibrant and expressive painting captures the enchanting atmosphere of the Fontainebleau Forest. A winding red path leads the eye through a landscape where nature comes alive in ...

Samir Sammoun uses his signature post-impressionist style to recreate an evening walk through the Parisian streets. Bistros line the sidewalks, illuminated by the glow of the streetl...

Ernest Lawson is an artist who defies easy categorization. His work exhibits characteristics of both Impressionism and realism. In fact, he studied with the American Impressionists, ...

Modern Maritime Marine Oil Painting of Clipper Ship at Sea as the Sun goes down. A large and very appealing Oil on Canvas, mounted on Stret...

Vibrant abstracted floral still life with red table by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Ander...

Symbolic and surreal landscape with figure eminating life force by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Signed and dated divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece is titled "Radiant Autumn - Wak...

A fine mid 20thCentury Modernist/Post Impressionist Landscape circa 1952 oil on canvas 46cmx54cm Good quality silver gilt gallery frame 59cmx68cm Painted by Thure Wahlstrom (1908- ? ...

Pieter Mulier known as Tempesta (Haarlem, Netherland, 1637 - Milan, Italy, 1701) Title: Landscape Medium: Oil on canvas Dimensions: without frame 49 x 65...

A fine, large oil by Modern British artist Peter Collins (1923-2001). Mediterranean Village scene circa 1960's oil on canvas 51cmx76.5cm Good quality giltwood frame 66cmx90cm View of a Mediterranean coastal town with a Chapel and palm tree lined streets. The colour palette suggests a hazey morning light, lemon yellows, greens and orange browns. Figures and a donkey walk along a side road. Most likely painted en plein air. Wonderful technique and paint surface. Signed lower right Good condition. Peter Collins' large oils make up $9,600 USD hammer price at auction. Viewing available in our town centre gallery. Worldwide shipping Peter Colins' painting career started soon after the war when he became a part-time tutor at St Martin’s School of Art before winning a scholarship to the Royal College of Art where he studied from 1947-50. In 1961 he opened Balcome Studios in Sussex, where, apart from his own paintings, he showed work by Freud, Sickert and Matthew Smith...

Bosco autunnale Marroni ,verde,Betulle Maya KOPITZEVA (Gagra, Georgia 1924 – San Pietroburgo 2005) Maya Kuzminichna Kopitzeva nasce nel 1924 in Georgia, ma già l’anno successivo la ...

Fauvist signed oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the R...

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) At the Stable, 2000 Oil on canvas Signed and dated lower right 29 x 36 inches Joseph ...

Signed and dated post impressionist riverscape oil on canvas by French painter Ferdinand du Puigaudeau. This stunning and large work depicts a view of the river Loire in Nantes, Fran...

Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1967. A substantial, Post-Impressionist oil landscape showing a view of the Mediterranean with an orange tree and blossoming apple trees in the foreground, framing a view across cultivated fields towards the azure ocean beneath a clouded lilac and ivory sky. A charming and robust work that exemplifies the artist's characteristically lyrical and painterly brushwork, elegantly expressing it here in a gentle palette of moss, teal, lavender and soft pastels. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. His palette grew brighter, and his earlier defined contours were subsumed into the nuances of light. We are pleased to offer a dazzling work from the artist's late period, that exemplifies these later qualities of his mature work, harmoniously capturing the warmth and color of a southern summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...

Giustino Menescardi (Milan, Italy, c. 1720 - Venice, Italy, after 1779) Title: Ascent of Calvary Medium: Oil on canvas Dimensions: without frame 47 x 36 cm - with frame 57 x 43 cm Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...

ARTIST: Margaret Dorothy Nicholson (1886-1972) British TITLE: "Portrait Of A Lady Steering A Boat" SIGNED: unsigned MEDIUM: oil on board SIZE: 57cm x 47cm inc frame CONDITION: ver...

This artwork titled "The Despatch" c.1985 in an oil painting on canvas by British artist Reginald John Mitchell, 1923-2018. It is signed at the ...

ARTIST: James Fry (1911-1985) British TITLE: "River Frome At Bonds Corner" SIGNED: lower right MEDIUM: oil on board SIZE: 67cm x 56cm inc frame CONDITION: excellent DETAIL: Artis...

Dutch school, follower of Herman van SWANEVELT (1603-1655), Shepherds and their flock on a path, oil on canvas, circa 1700 – good condition Wooden frame Canvas without frame : Height...

Paysage par l'artiste Theodore Schempp (1904-1988) qui était marchand d'art a New York de Nicolas de Staël, Georges Braque et Giacometti. Il résidait dans le sud de la France. Dimens...

Quality work attributed to the painter Peter Van Der Velde (Antwerp 1634 - c.1714)  Coastal view with fortified city and boats (city of Antwerp?) Oil pa...

Lucien Adrion 1889-1953 I French Les Grands Boulevards Signed “Adrion” lower right Oil on canvas This magnificent painting, Les Grands Boulevards, was painted by Lucien Adrion, a French Post-Impressionist renowned for his evocative portrayals of French landscapes and Parisian life. This work captures the vibrant energy of a quintessential Parisian boulevard under a radiant blue sky. Pedestrians, cars and horse...

The Drive in the Village of Lissewege Hervens Jacques Brussels 1890 – 1928 Belgian Painter Signature: Signed bottom right and dated 1920 Dimensions: Image size 101 x 120 cm, frame ...

Charles Wittmann (French, 1876 – 1953) Venetian backwater Oil on canvas Signed ‘CH. WITTMANN’ (lower left) 22 x 28.3/4in. (55.8 x 73 cm.) Son of Erne...

Jane by Lucie Sheridan [2022] original and hand signed by the artist Acrylic of Canvas Image size: H:40.8 cm x W:50.8 cm Complete Size of Unframed Work...

Signed lower right, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1966. A large and lyrical spring landscape showing white apple-blossoms contrasted against a cora...

A charming homage to European rooftops, Mansard is a 12 x 12 inch oil painting on cradled panel that features a quiet view of a classic mansard roofline. Lesley Powell’s thoughtful b...

Here Gaspard Dughet offers us an idyllic vision of the Roman countryside. The stages follow one another in a perfectly structured composition, revealing here a lake, there travellers walking along, gradually leading our eye to the blue horizon. But behind its classical composition, this landscape is particularly interesting because of three anthropomorphic details that the artist has hidden, opening the way to a radically different interpretation... 1. Gaspard Dughet, a landscape artist in the light of Poussin Gaspard Dughet was born on June 4th, 1615 in Rome where his father, of French origin, was a pastry cook. He was probably named Gaspard in honour of his godfather Baron Gaspard de Morant, who was, or may have been, his father's employer. His older sister Jeanne married the painter Nicolas Poussin (1594 - 1655) on September 1st, 1630. The young Gaspard was apprenticed with his brother-in-law at the beginning of 1631, which led his entourage to name him Gaspard Poussin. The first preserved works of the painter date from the years 1633-1634 and were painted in Poussin’s studio. Around 1635, Gaspard Dughet became emancipated and began to frequent the Bamboccianti circle. In 1636, he became friends with the painter Jean Miel (1599 - 1656), but also with Pier Francesco Mola (1612 - 1666) and Pietro da Cortona (1596 - 1669). This was also the time of his first trips throughout Italy. The painter, although of French origin, appears never to have visited France. In 1646 he settled permanently in Rome. A recognized painter with a solid book of orders, he remained faithful to landscape painting throughout his life, alternating between cabinet paintings and large decorative commissions, using both oil and fresco. Nailed to his bed by rheumatic fever at the age of 58, he died on May 25, 1675. 2. Discovering an idealized landscape Beyond a relatively dark foreground that takes us into the landscape, we discover a vast bluish horizon: a plateau surrounded by deep ravines advances to the right, overhanging an expanse of water that sparkles below. A road winds through a mountainous mass as if leading us to the fortress that crowns it; another town appears in the distance at the foot of three conical mountains. The composition is rigorous, mineral, and structured by geometric volumes. The various stages in the landscape lead one to the next attracting the eye towards the horizon located in the middle of the canvas. The general impression is that of a welcoming and serene nature. In many places the paint layer has shrunk, or become transparent, revealing the dark red preparation with which the canvas was covered and accentuating the contrasts. Human presence is limited to three jack players, leaning against a mound in the foreground. Their long garments, which may evoke Roman togas, contribute to the timelessness of the scene. Close examination of the canvas reveals two other travellers on the path winding between the rocks. Made tiny by the distance, their introduction in the middle register, typical of Dughet's art, lengthens the perspective. While it is difficult to date the work of a painter who devoted his entire life to the representation of landscapes, it is certain that this painting is a work from his later years. The trees that occupied the foreground of his youthful compositions have been relegated to the sides, a stretch of water separates us from the arid mountains counterbalanced by two trees represented on the opposite bank. The introduction of this stretch of water in the middle of the landscape betrays the influence of the Bolognese and in particular of the Dominiquin (1581 - 1641) A number of similarities with a drawing in the British Museum might suggest a date around 1656-1657, since, according to Marie-Nicole Boisclair , it has been compared with the Prado's Landscape with the Repentant Magdalene, painted at that period. 3. Three amazing anthropomorphic details While some late Renaissance landscapes offer a radical double reading, allowing one to see both a face or a human body behind the representation of a landscape, it seems interesting to us to hypothesize that Gaspard Dughet had fun here by slipping in a few details that, taken in isolation, evoke human or animal figures. We will give three examples, looking closely at a cloud, the trunk of a broken tree and the top of a cliff. The main cloud could thus evoke a Christ-like face or that of an antique god...

Village Church Among the Hills by Regine David (female French artist, 1910-2018) acrylic painting on board, unframed measures: 14 x 1.5 inches condition: ...

Title: Colorful Mountain 2 Medium: Oil on canvas Size: 19.75 x 19.75inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

A charming oil on board circa 1910 by sought after Post-Impressionist painter Victor Charreton. Charreton was said to be the painter of colours and this piece, which depicts an allot...

ARTIST: Marie Wylan (1938-) American Title: "Tuscan Woodland Landscape" Signed: lower right Medium: oil on board Size: 35cm x 20cm inc frame Condition: Very good Notes: American b...

Stunning signed oil on board circa 1920 by sought after French post impressionist painter Victor Charreton. The piece depicts a cottage amongst bare trees with snow...

Large impressive painting of a pheasant in flight by the listed Danish artist, Carl Hoyrup. Signed lower left. Condition is good. Circa 1935. Overall in walnut stained original wo...

ARTIST: Alan Cotton (1938-) British TITLE: “The Tamar Bridge" (Saltash Devon / Plymouth Cornwall) SIGNED: lower left MEDIUM: oil on canvas SIZE: 140cm x 110cm inc frame CONDITION: ...

Jan van Haensbergen was a painter of the Dutch Golden Age and a pupil of Cornelius van Poelenburgh (Utrecht 1594 - 1667). The painting we are presenting is inspired by Poelenburgh’s landscapes from his Italian sojourn. The dreamlike atmosphere of this Gathering in antique ruins appealed to us. Against a backdrop of antique ruins, three draped characters (perhaps bathers) are sitting in a circle, greeting a fourth character walking towards them. Their tranquility contrasts with the bustle of the other characters in the background. They constitute a vivid illustration of otium, this leisure time that allows us to realize our full potential. With this Arcadian landscape, Jan van Haensbergen invites us in turn to leave the hustle and bustle of everyday life behind, to take a break, to enjoy the present moment chatting with close friends… 1. Jan van Haensbergen, a landscape and portrait painter of the Dutch Golden Age Jan van Haensbergen was born in 1642 in Gorinchem, a town in southern Holland to the east of Rotterdam. He was a pupil of Cornelius van Poelenburgh, and began by painting landscapes inspired by those of his master, in an Italianate style. Between 1668 and 1669, he was registered at the Guild of Saint Luke in Utrecht. In 1669, he moved to The Hague, where he joined the Confrérie Pictura, an artist society founded in 1656. His portraits, which became his main activity as a painter after settling in The Hague, were strongly influenced by Caspar Netscher (Prague or Heidelberg 1639 - The Hague 1684), whom he met in The Hague and whose son Constantijn became his son-in-law by marrying his daughter Magdalena. In addition to his work as an artist, Van Haensbergen was also an art dealer, probably helped by his appointment as Dean of the Confrérie Pictura, where he also teached. 2. Description of the artwork and related paintings This painting seems to us to be a kind of allegory of otium, that quiet bliss promised by Epicurus. It might even evoke an Epicurean proverb: "It is better to lie on the naked ground and be at ease, than to have a golden carriage and a rich table and be worried" . Three draped young people - two men and a woman in the background - are seated in a circle, greeting a fourth figure walking towards them, hair disheveled and body draped in a towel as if drying off after a bath, indicating the need for prior purification to fully enjoy this rest. Their nonchalance contrasts with the bustle of the various characters in the background. The composition is punctuated by successive diagonals, and opens onto a landscape on the right, with a succession of mountainous planes. This painting is typical of the Italianate works produced by Van Haensbergen in the 1660s under the influence of Cornelis van Poelenburgh...

This oil on canvas painting was done by the American artist, Warren Sheppard. Signed twice lower left. One signature over another. See signatures photo's. Circa 1920 to 1930. Recently lightly cleaned and gold leaf frame custom made for the painting. Overall 27 by 37 inches. Some craquelure; mainly in sky. Otherwise, good condition. A student of Dutch marine artist, Mauritz de Haas, Warren Sheppard built two successful careers around his love of the sea: marine painting and yacht designing. He was born in Greenwich, New Jersey, a town on the Delaware River below Philadelphia, which has been associated with ships and shipping since the earliest Colonial times. His father was a sea captain and the young Sheppard took many voyages with his father to make artistic studies. He learned perspective drawing at Cooper Union in New York City in addition to his studies with de Haas. In 1879, he spent four months sketching Mediterranean port cities including Gibraltar, Genoa, Naples and Messina in Sicily. Between 1888 and 1893, he also studied painting in Venice and Paris. By the time he was in his mid-thirties, he had established himself as a successful illustrator and painter. The yachts he painted were the most lavish of his day, owned by the wealthiest of men. He was an expert in the design and rigging of ships of present and earlier times. His work was highly regarded for its authenticity as well as its artistic merit.Sheppard was also an expert navigator and sailed a number of famous yachts in races. Twice he was to command Tamerlane when it won the New York to Bermuda run. His book, Practical Navigation, was used for many years by the United States Naval Academy...

Beautiful Orient, Long Island, New York painting by well known Hampton artist, John Crimmins. Acrylic on masonite. Circa 1995. Signed lower left. Condition is excellent. The painting is housed in a a new contemporary antique silver frame 26 by 30.25 inches. Provenance: A Southampton, New York collector. East End artist, John Crimmins was born in New York in 1963. As an American Impressionist painter, he lives in New York and he is very active in the Hamptons. Incredibly, he is self-taught, having studied the works and techniques of the prominent American artist Charles Hawthorne and living by his saying “Let Color make form”. If you view John’s paintings at close inspection you will see single spots of color silhouetted with another which not only shows his skill but his passion and intricate dedication to his work. His paintings are done 'alla prima', that in Italian means 'at first attempt', it is a painting technique, used mostly in oil painting, in which layers of wet paint are applied to previously administered layers of wet paint. With this style of painting the work is to be completed while the paint is still wet, so once started his works are finished in one session. He is a member of the East End Arts Council and his paintings are a part of the Ken Ratner Collection and the Southold Historical Society in New York. His works were a part of the Islip Art Museum IAM Pocket sized open Call Exhibition in 2015. He is mostly known for his flag and local Hampton beach paintings...

Dance in the Wind is a vibrant acrylic painting on canvas depicting a maple tree with fall-colored leaves during autumn season. Comes framed and ready to hang.

New Forest,Hampshire, 19th century,landscape oil, by Frederick Golden Short A fine small framed landscape oil painting on canvas o...

Francesco Zuccarelli (Pitigliano, Italy, 1702 - Florence, Italy, 1788) Title: Landscape with River and Waterfall Medium: Oil on canvas Dimensions: without frame 55 x 78.5 cm - with frame 70 x 93 cm Expertise by Professor Giancarlo Sestieri Publications: Giorgio Baratti Collezione. Selezione di opere d’arte antica (Giorgio Baratti Collection. Selection of ancient works of art), curated by Professor Giancarlo Sestieri with the participation of Professor Andrea Emiliani, Grafiche Veneziane, Venezia 2011, pp...