Landscape Paintings

Sailing Boats French School, 20th century oil on board, framed inscribed verso framed: 20 x 24.5 inches board: 17 x 21 inches provenance: private collection, France condition: very g...

This colorful late spring scene is most likely around Erie, Pennsylvania. Artist and teacher Joseph M. Plavcan generally painted around the area in which he lived for over 50 years. Joseph Michael Plavcan was born near Pittsburg, in Braddock. He attended the Pennsylvania Academy in 1926, studying with renowned New Hope artist Daniel Garber. Through a scholarship, he went to Europe to study. He returned to Erie in 1932 and became an art instructor, teaching for the next 38 years. Plavcan went far beyond teaching trade school requirements and instilled a true sense of sophisticated artistry in his students. During his artistic career, he exhibited often in Philadelphia, Washington, New York and Chicago. This painting, oil on canvas, demonstrates Plavcan’s style, utilizing figurative abstraction with a modernist color palette. The paint is not over applied and areas are treated with smooth broad brush strokes. The hint of late blooming leaves are dashes of paint applied in a fast yet confident manner. Plavcan’s sense of light, demonstrated in the distant church tower is spot on. While not signed, there are two official estate stamps on the reverse that attest to the authenticity of Plavcan’s work. The piece measures 16” x 20” and appears to be canvas applied to a back board. This was likely done by the former retailer, Hudson House Galleries in Hagerstown, Maryland. That shop was a fine regional art gallery and antiques shop for decades until its closure about five years ago. The painting is nicely framed in a modernist gold wood frame with a subtle pink liner. The overall framed dimensions are about 20” x 24”. The painting is in very good condition, bright and crisp. There is a very minor vertical crease above the peak of the house that is truly barely noticeable from any distance. Other than that, all is fine with the work and its frame. This strong, colorful work by Joseph Plavcan...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

The Stubborn Mule Italian School, 19th century oil on canvas, unframed canvas: 9.75 x 14 inches provenance: private collection condition: very good and sound condition, a little scru...

Hall is a highly respected contemporary artist. It is framed in a contemporary lacquered off white float frame. The surface of the board is slick and almost photographic in feel. The...

Katharina Husslein's textural and abstract paintings vividly encapsulate the vibrancy and movement found in a bouquet of flowers. This series differs from Husslein’s more controlled...

An original modernist oil painting by American female artist Esther Rollick.

Elevated View of Sussex Town in the Countryside of the South of England in Summer, by 20th Century British Artist, Christopher Osborne. Art measures ...

A beautiful c.1970 French modernist oil on canvas depicting a large staircase with figures, by Roland Hamon. The work is signed lower right and presented in a beautiful painted fram...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Seanergy II" offers a stunning meditation on light and water, ...

PARISIAN STROLL Size: 40.5 x 48.5 cm (including frame) Oil on canvas A captivating mid-century modernist painting that presents a dynamic street scene in Paris, executed in oil onto...

Annieo Klaas Floating on a Dream 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang Annieo K...

Seascape Painting of Waves Crashing against the Rocks at Pacific Grove, Monterey in California by 20th Century Post War Irish Artist, Tobias Everet Spence A...

Artist/ School: Jill Jackson (British, contemporary) Title: Golden Fields Medium: oil on artist paper, unframed Painting : 16 x 20 inches Provenance: all the paintings we have b...

Provence Huguette Ginet-Lasnier (French 1927-2020) signed watercolor painting on paper, mounted on card framed: 7 x 5.5 inches canvas: 5 x 5 inches. All the paintings we have for sal...

MOONLIT SEA Size: 34 x 47 cm (including frame) Oil on board An atmospheric mid-century abstract coastal landscape, executed in oil onto board. The composition presents a seascape w...

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

Large and powerful French modern street scene. A paris view by Claude Aliotti (1925 - 1989). Oil on board. Signed. Framed. Image size, 18"L x 24"H.

French Cityscape by Jacques Pergel, French (1924) Date: 1968 Oil on Canvas, signed l.l. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 31 x 43 inches

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Work on canvas Wooden frame 74 x 61.5 x 4 cm

Mid Century Bay Area Mountains Autumnal Landscape Oil Painting Beautiful plein air oil painting of Bay Area mountains in autumn by Charles Eades (A...

Work on wood

Joan Gillchrest. English ( b.1918 - d.2008 ). Cornish Fishing Boats At First Light. Oil On Paper Mounted On Board. Signed Monogram Lower Right. Image size 26.2 inches x 22 inches ( 66.5cm x 56cm ). Frame size 35.8 inches x 31.3 inches ( 91cm x 79.5cm ). Available for sale; this original oil painting is by the Cornish artist Joan Gillchrest and dates from around the late 1980s. The oil painting is presented and supplied in a sympathetic new replacement frame (which is shown in these photographs) that suits the artwork’s color palette and behind non-reflective Tru Vue UltraVue® UV70 glass. This painting is in excellent condition and presents superbly. It wants for nothing and is ready to hang and display. The painting is signed with her monogram lower right. Joan Gillchrest is one of Mousehole’s and Cornwall’s most recognised and celebrated artists. Her vibrant art sits firmly alongside other great artists of the St. Ives School from the 1960s. She was born Joan Scott in London in 1918 into a wealthy and illustrious family. She was the third of four children. Her father was a pioneer of radiology – and a skilful caricaturist - and her Australian mother was an accomplished pianist. Sir George Gilbert Scott was her great grandfather, who designed the imposing Midland Grand Hotel at St. Pancras as well as countless parish churches. Grandfather, George Gilbert Scott Jnr, is remembered for three Cambridge colleges, Christ’s, Pembroke and Peterhouse. Her uncle Giles, (Giles Gilbert Scott) to whom Joan was close, is best known for his magnificent Anglican Liverpool Cathedral, Battersea Power Station and the iconic and ubiquitous red telephone box. Coming from such a long line of eminent architects it is not surprising that Joan always loved architecture and the churches and chapels of the Penwith peninsula feature prominently in her work. She said that buildings were “in her blood”. Her early childhood was spent at the family home in Buckinghamshire, but she was a difficult child – the family hired one nanny for her and one for the other three children- and at one point she was sent to Upper Chine School in the Isle of Wright to give her family some peace! She was however the apple of her father’s eye and he encouraged her obvious artistic talent. In 1934, aged only 15 but encouraged by her parents, she went to Paris to study art and learn the language. There she met Gwen John and studied in various studios, sometimes working as a model. In 1936 she enrolled at the Grosvenor School of Art and subsequently studied there under Iain McNab, whom she described as a marvelous teacher. Her early artistic career was very promising; she first exhibited at the Royal Academy when she was just 18 and showed works at the New England Art Club in 1937 and the London Group in 1938. When the Second World War broke out Joan was 21. She took a crash course in nursing and first aid and volunteered as an ambulance driver for Westminster Hospital. She later drove a mobile rescue unit. She was not able to paint much during the war but kept in touch with McNab; when the area around St Paul’s was blitzed, leaving the cathedral relatively unscathed, McNab got Joan and a few others to paint the scene. Her work, created with a thick paint and a palette knife, hung in the art school for many years. Joan’s painting career stalled in the 1940s. In 1942 she married a barrister and Coldstream Guards officer Samuel Gillchrest, and they soon had a son, then a daughter. With a young family, she had little time to paint, and had to hide the work she did produce as her husband thought that work as an artist was beneath them. Sadly, the marriage broke down and in 1953 they divorced. In leaving a difficult marriage at this time, she forfeited money, security and her previous place in society. Despite the huge changes in her life, her overwhelming desire to paint remained constant. She ignored the disapproval of her friends and family and started to explore new ways of expressing herself on canvas. She moved to a studio in Chelsea, an area much favored by the artistic community. To support herself, her children and her painting she also found regular work as an artist’s model. She was tall, strikingly good looking and combined elegance with bohemianism. She also carried an air of mystery from her rich and privileged past, and so she became sought after as a fashion model. In the flat below hers lived an artist who had enjoyed some professional acclaim, Adrian Ryan...

Oil on cardboard without frame. Signed A. Ramseier Swiss artist from 19th century

Mid Century Northern California Mountain Lake Landscape Serene landscape by Margot Wilson Lowe (American, 20th Century). The viewer looks out over a large mountain lake, reflecting ...

This evocative vintage oil painting from the 1930s–1940s captures a classic adobe church in New Mexico, likely inspired by the historic San Francisco de Asís Mission Church in Rancho de Taos. Painted by Denver modernist Paul K...

Circa 1930 American school winter impressionist landscape painting. Oil on board. Framed. Signed verso. Image size, 16 by 20 inches.

Oil on canvas sold with frame Total size with frame 58x67 cm Signed A. Zosso (artist unknown from the gallery) Dated 1951

Fernand Blondin (1887-1967) was a Swiss painter and teacher, celebrated for his depictions of idyllic rural life, interiors, female nudes, portraits, still-lifes, religious subjects ...

A late 20th century oil on canvas of a marine landscape depicting boats at a dock featuring a blue tone. The painting, an exemplary work of the American landscape art work of the 20t...

Georgina Klitgaard Spring Ploughing Signed lower right Oil on canvas 34 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists ...

Original Oil painting on Wood panel - Contemporary Landscape painting, Seaside Painting. Unique Work. Framed in Solid naturel wood floater frame with light finish. The work can be pl...

"The Red Garden" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Milano...

Nicely framed early American modernist cityscape painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

Genevieve Hamel Love Bubbles Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design and...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Make it yours! A fabulous painting titled "47th & Woodlawn Ave in Chicago, ILL" by EC Nieman and dated 1950. It depicts a Walgreen's Drug Store, a horse pulling a milk truck, a new...

Inspired by local Dorset landscape. Discover original paintings by Charlie Baird online with Wychwood Art and in our Deddington Art Gallery. Born in Nairn, Scotland in 1955, Charlie ...

Mid Century Figurative Landscape - The Search A dreamlike landscape by Winifred Lucy Shaffer (American, 20th Century). Several figures are clustered together in a forest setting. Th...

Artist: Ian Hornak (1944-2002) Title: Last Song: Beim Schlafengehen (Going to Sleep) Year: 1985 Year: 1985-2001 Medium: Acrylic on Canvas, with Artist Painted Frame Size: 47 x 59 i...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Signed Adolfo Perez Frameless

Artist/ School: Jill Jackson (British, contemporary) Title: Sunlit Garden Path Medium: gouache on artist paper, unframed Painting : 25.5 x 18 inches Provenance: all the painting...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

"East Santa Cruz (California)" is a captivating oil on canvas board by artist Jon Blanchette (1908-1987). The painting features a striking yellow farmhouse set against dark gray storm clouds, capturing the beauty and drama of the California landscape. The composition, with its bold contrast between the warm farmhouse and the looming storm, evokes a sense of both tranquility and tension. Presented in a custom frame, the outer dimensions of the painting measure 21 ¾ x 25 ¾ x 1 ½ inches, with the image size measuring 16 x 20 inches. This artwork is in very good vintage condition, reflecting the care and craftsmanship of its creation. Please contact us for a detailed condition report. Expedited and international shipping options are available—please reach out for a personalized shipping quote. About the Artist: Jon Blanchette, born on March 29, 1908, in Somerset, England, immigrated to Battle Creek, Michigan in 1918. He displayed artistic talent from a young age and went on to study at the Pittsburgh Art...

Landscape is a modern artwork realized by Kurt Schwitters in 1936. Mixed colored oil on canvas. Signed with monogram and dated on the lower right rec...

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

Pausing for Thought Paris School, mid 20th century signed oil on canvas, unframed painting: 25 x 20 inches provenance: private collection, Paris condition: very good and sound condition

Rocky Seascape (55) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 20 in. (40.64 cm x 50.8 cm)

"Blooming Dandelions and Wild Tulips" is an abstract expressionist painting by Romina Milano where a landscape of black gestures unfolds across colorful brushstrokes infused with raw...

Impressive contemporary abstract expressionist painting by Stephen Heigh. Oil on canvas. Signed. Image size, 8H x 10L.

Charming and well painted rural New England modernist landcape by Vern Henry Smith (1927 - 2007. Oil on canvas. Framed. Signed.

Ireland Landscape Rocky Cliffs with Castle on the Northern Irish Sea Coastline, by 20th Century Irish Australian Artist, Henry McLaughlin. Art measures 10 x 8 inches Frame measure...

'Port of Saint-Malo', oil on canvas affixed to board, French Modern School (1984). Although the artist dated this painting '84, it depicts a nostalgic view of the port of Saint-Malo in Western France's, Brittany in 1884 judging by the clothing worn by the characters depicted. The crowd on the shoreline is watching a sailboat regatta starting just inside the port's breakwater. A rather rare sunny day in Brittany brought out the parasols of the sitting ladies on the edge of the old ramparts. The walled city...

Untitled is a modern artwork realized by Vincenzo di Giorgio. Mixed colored oil painting on canvas Hand signed on the lower margin Includes frame