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Abraham Jansz BegeynWooded Figurative River Landscape - Dutch 17thC Golden Age art oil paintingCirca 1640
Circa 1640
$9,417.54
$11,771.9320% Off
£6,800
£8,50020% Off
€7,998.34
€9,997.9220% Off
CA$12,811.83
CA$16,014.7920% Off
A$14,236.77
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CHF 7,460.22
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MX$174,588.60
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NOK 95,150.74
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About the Item
This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work.
Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600).
Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner.
Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light.
He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia).
The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History.
A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290).
Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition.
Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition.
Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen (1645–1690). In 1681 he was in the Hague where two years later he became a member of the painters' confraternity 'Pictura'. He moved to Berlin in 1688, where he became Prussian court painter. There his works were greatly prized, and, according to Houbraken, he was principal painter to Frederick III, the elector of Brandenburg, afterwards king of Prussia. He died of a heart attack when Augustinus Terwesten came to visit his studio, accompanied by two other painters. It is highly possible that he felt put under great pressure by Terwesten to perform, since Terwesten had also become court painter in Berlin and had also started an academy there, which opened in 1697. Begeyn died in Berlin. In many collections in the Netherlands, the pictures of Begeyn are placed amongst those of the most admired masters. His pencilling is light and free, and his colouring very agreeable. Many of his works are landscapes like Peasants with Cattle by a Ruin, with views of rivers, ruins, and pieces of architecture, enriched with figures and a variety of animals. He is also known for his still life paintings of flowers and hunting paraphernalia.
- Creator:Abraham Jansz Begeyn
- Creation Year:Circa 1640
- Dimensions:Height: 28 in (71.12 cm)Width: 25 in (63.5 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:1640-1649
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853114375142
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