Anthony Herbert

Cafe Scene in Italian Piazza With Yellow Striped Awning and Diners

1995

Title: Outdoor Cafe Scene With Market Umbrellas and Wooden Picnic Benches By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 11 inche...

Title: British Impressionist Watercolor of a Vibrant Café Scene in a Town Square By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

Title: Italian Piazza with Colourful Buildings and Outdoor Café Continental Street By Tony Herbert (1927-2024) Signed: Bottom right corner Medium: Watercolor on paper, unframed Size:...

Title: British Impressionist Watercolor of Terrace Café Scene with Red Umbrellas by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x ...

Original oil painting on panel by artist Jacqueline Chanda. Framed.

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower left “Guy Nochet. Dated in pencil on fra...

A superb oil on canvas Post Impressionist work by British artist Forrest Hewit. This vibrant work depicts an external café scene under trees, with a dozen figures seated or standing at tables. It dates to circa 1930. One can feel the summer heat in this colourful piece. One of the most popular resort towns on the Italian Riviera, little Portofino has just over 500 permanent residents. But that all changes on summer days when the sun is shining, and the yachting set drops anchor in the harbour to wander about. Boutiques, art galleries, cafes and restaurants line the tiny streets. Signed lower right. Provenance. New English Art Club exhibition label verso. RBA label verso. Condition. Oil on canvas, 30 inches by 20 inches unframed and in excellent gallery condition. Housed in a fine frame, 35 inches by 25 inches framed. Good condition. Forrest Hewit (1870-1956) was a very unusual character amongst his fellow artists. Whereas many of his contemporaries turned away from commerce or the professions to become painters, he was very successful in following both paths. Towards the end of the 19th century Manchester was one of the foremost centres of the cotton trade in which Hewit established a career in which he rose to the top and became a prominent member of important institutions and various committees. Alongside this illustrious career ran an equally successful life as an artist. Considering the above, it is no surprise to find that in this field he also became a prominent figure as an Honorary Vice-President of the Manchester Academy of Fine Arts. His paintings are extremely rare as the majority of his output was purchased for permanent collections worldwide. He exhibited widely at the Royal Academy from the outset of his career; the Paris Salon; the New English Art Club; the Royal Hibernian Academy in 1940 and extensively at leading venues throughout England. When he retired from commercial life he had the opportunity to increase his output, which allowed him to stage a series of one-man exhibitions at the New Burlington Gallery in 1936; the Grosvenor Gallery in 1937; the Manchester Academy in 1938; the Goupil Gallery in 1939; Salford, his birthplace, in 1943 and Royal Society of Painters in Water Colours in 1948. He first studied under Thomas Cantrell Dugdale who was probably responsible for his interest in French painting. He also studied under Walter Richard Sickert...