Horizontal Landscape Paintings

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Impressionism, Subject: Winter Time, Size: 27" x 35" x ...

Early 19th century English school Oil on canvas 35x55cm (50x75cm with frame) This view of the Thames from Richemond Hill is a famous site that was...

An original oil painting on canvas signed lower left featuring the clipper ship Flying Fish. Provenance: MacConnal-Mason and Son, Ltd. London Private collection USA Bradbury Ar...

French Master (18th century) - Allegory of the Arts. 53 x 72 cm without frame, 63 x 83 cm with frame. Ancient oil painting on canvas, in a gilded wooden frame (not signed). Condi...

Sheep in a VW Split Screen Camper Van celebrating St Patricks Day in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 ...

Alfred Nathaniel Oppenheim German, 1873-1953 Park Terrace in St. Cloud Oil on board 12 ¾ by 16 ¼ in, w/ frame 19 by 22 ½ in Signed and dated 1908

Who is the dreamer and what is the dream. Dreamer in Pink is a lovely, romantic painting from Francesca Owen and adds to the range of her work. It’s a s...

A deep Expressionist landscape painting exploring the play of colours and hues found in the Welsh countryside. Rossiter handles his palette beautiful...

Signed landscape oil on canvas circa 1885 by French impressionist painter Jean Baptiste Armand Guillaumin. The work depicts a farmland with haystacks pilled up into the distance unde...

This captivating 1960s abstract painting, titled "Desert Landscape," is a striking original work by acclaimed New Mexico and Colorado artist Ann Sink. The composition beautifully cap...

This vibrant Post Impressionist oil on canvas painting is by Bernard Fleetwood Walker circa 1925. The painting is of a French vineyard with the picturesque landscape running up to a hillside village. The impressionist palette really gives one the sense of it being a hot summer's day. Signed lower left. Provenance. Midlands estate. Condition. Oil on board, 18 inches by 14 inches approx and in excellent condition. Framed in a complimentary frame 25 inches by 21 inches framed and in good condition. Bernard Fleetwood-Walker , PPRBSA, (1893-1965) was an English artist and teacher of painting. In variably known as B. Fleetwood-Walker, he was born in Birmingham, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley...

This painting is an oil on canvas and signed in the lower right, dating to about 1920. It does has craquelure which would be expected for an untouched painting of this age, but it do...

10/02/2023, 13.59h is a unique oil on wooden board painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 37 cm (8.7 × 14.6 in).  The artwork is signed, sold unf...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

Australian River Landscape Painting by 20th Century English Australian Artist, Howard Barron (1900–1991) depicting a scene along the Murrumbidgee River in Australia’s New South Wales...

This evocative winter landscape by Oscar Lycke captures the quiet poetry of northern Sweden. A frost-laden weeping birch dominates the foreground, its delicate branches shimmering in...

Brian Blood (American, b. 1962) Fisherman's Wharf - SF, 2002 Oil on board Signed lower left 'BB' Verso is titled, dated, and signed Board: 9 x 12 inches In a brown wooden vintage fr...

Mare and Foal by Geoffrey Mortimer (1895 - 1986) Signed oil on board, framed Framed: 13 x 15 inches Board : 10 x 12 inches Provenance: private collection Condition: very good conditi...

Antique American landscape oil painting. Oil on board, circa 1900. No signature found. Displayed in a period frame. Image, 14"L x 10"H.

The Close of Day Italian School, early 18th century oil on canvas, unframed canvas: 17 x 22.5 inches provenance: private collection, France condition: very good and sound condition

Shire Horse & Man by Woodland River in the English Countryside by British Artist, Peter J Greenhill Art measures 24 x 18 inches Frame measures 30 x...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

Exquisite antique painting of terrier dogs by Jacques Cartier (1907 - 2001. Oil on board. Framed. Image size, 15H x 18L.

Evening Glow by Gustav Andreas Gehlin This exquisite oil painting, "Evening Glow," is a captivating work by the Swedish artist and photographer Gustav Andreas Gehlin. He studied un...

NATURE DWELLINGS Size: 42.5 x 68 cm (including frame) Oil on Canvas A brilliantly executed semi-abstract composition, painted in oil onto canvas and dated 1967. In this abstract nature landscape...

"Farm Fields" by Camille Meriot (French 1887-1975) watercolour on unframed paper paper: 6 x 9.25 inches Fine original French Impressionist painting by the well listed and popular Fr...

Jacques Alfred Brielman (1836-1892) French. A Landscape with Cattle and a Dog in a Rural Lane, Oil on Canvas, Signed, Unframed 15" x 23" (38 x 58.5cm) condition: overall very good,...

Louis BONAMICI (1878-1966) Provence School Post Impressionist Les barques de peche c1920 A delightful post Impressionist painting of fishing boats nest...

Seascape, Nautical Original oil Painting Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism T...

Michel Loeb (French, 1931- ) "Le Petit Clocher" Oil on Panel Painting Frame: 22.5" X 26" Image: 14.5" X 17.75" Hand signed bottom left Oil on board Fauve painting of a French countryside scene with trees, farmers and houses. Michel Loeb, 1930- painter, was born in Saint-Cloud. Lives and works in Luberon. Art naïf. Pointillist, Fauvist, Surrealist, Dadai artist, unclassifiable, highly original, unique art. His works radiate a light, a love of colors, of the absurd, of the funny, of the tender and of the poetic. French Naive art. Galerie Felix Vercel showed his work. Whether in color or black & white, in painting, sculpture or a lithograph print, the world of Michel Loeb is a poetic, joyful and exuberant paradise, where humor and fantasy are never far away. Extravagant works that sparkle like their iconoclastic author whose titles often say a lot. Each work is executed with great attention to detail, often under the magnifying glass, by this former jeweler, including its very large formats. Michel Loeb has drawn parallels to his masters of painting, facetious but always majestic winks and the desire for paintings in the style of Vincent Van Gogh, Paul Gauguin, Edward Hopper, Hokusai. Michel Loeb is a painter born in Saint-Cloud. He first trained as a jeweler and diamond dealer like his father and painted as an amateur. He devoted himself to painting from 1970, after his meeting with the famous art dealer Félix Vercel, who then took him under contract and exhibited him in Paris, New York and Tokyo. Galerie Felix Vercel in Paris (Avenue Matignon) and New York (Madison Avenue) showed artists as Pablo Picasso, Fernand Leger, Armand Guillaumin, Maurice Utrillo and Claude Venard. He is part of School of Paris artists that included Marcel Cosson, Jean Jansem, Claude Salomon, Michel Kouliche, Bernard Buffet, Bernard Lorjou, Jean Dufy, and others. Naive art was then in fashion and his work enjoyed great success; he has prepared no less than one exhibition per year since this period. Recently he had the opportunity to present his work in Provence, Oslo or Shanghai. Since 1988, he has settled in Oppède, in the Luberon, among vineyards, scrubland and olive groves where he draws his inspiration. His work is simimilar in its childish naive appeal and is reminiscent of Henri Maik and Gustavo Novoa. In the French tradition of Séraphine de Senlis, Ferdinand Cheval, Henri Rousseau, Louis Vivin...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

This piece, "Twilight Marsh", by artist Dennis Sheehan is a 19x28 tonalist oil painting on canvas featuring a moody marshy green landscape just b...

Vibrant Modernist Landscape Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 8 x 10.75 inches Suzanne Vattier (1901-1996) was a pupil of the ...

Tom Coates (1941-2023) Cattle grazing in an extensive landscape Oil on canvas Signed with initials lower left Canvas Size - 20 x 24 in Framed Size - 29 x 33 in Tom Coates (1941–2023...

Colorful and idyllic impressionist oil painting of an old wooden barn surrounded by trees by Redwood City, California artist, Irma "Edy" Caprini (American...

George Gustav Adomeit (American, 1879-1964) Barn Scene Oil on canvas mounted to masonite Signed lower right 16 x 20 inches 21.5 x 25.5 inches, framed A major painter of American sce...

Central Park Grand Army Plaza oil/panel 8 x 10 image unframed 12.63 x 14.5 framed is an oil painting on canvas panel by award winning contemporary artist Michael Budden. This is o...

This charming painting captures a lively street scene in a quaint European town, with intricate architectural details of historic buildings and a church spire dominating the backgrou...

Island Of Majorca Cathedral of Santa Maria of Palma by Antonio M. Silva Watercolor of the Basilica de Palma on Majorca by Antonio M. Silva (Portugal, 20th C.) Wide view of the villag...

Signed post impressionist figures in landscape oil on canvas circa 1980 by French painter Max Michel Agostini. The work depicts a park in spring. There are flowerbeds filled with red...

This charming painting by Ernest Walbourne is a quintessential example of the artist’s ability to capture the serene beauty of rural life. Known for his idyllic landscapes and depict...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Farmhouse by a River in the English Countryside by 20th Century British Artist, Peter J Greenhill Art measures 30 x 20 inches Frame measures 35 x 2...

Nicely painted 19th century woodland interior landscape painting. Oil on board. Framed. Image size, 7.5 by 9.5 inches. Housed in period frame.

Artist: Dimitrie Berea, Romanian (1908 - 1975) Title: St. Paul de Vence Year: 1957 Medium: Oil on Canvas, signed Size: 29 in. x 39 in. (73.66 cm x 99.06 cm) Frame Size: 41 x 47 ...

Signed, titled and dated figures in landscape oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts a large group of jockeys and horse owners talking...

Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his land...

Parisian Boulevard Scene signed oil on canvas, framed Framed: 13.5 x 15.75 inches Canvas: 9 x 11 inches Provenance: private collection Condition: very good condition Description: ...

A Charming 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed near the artist's studio and summer home in the historic whaling port town of Edgartown, Massachusetts; a cheerful, diminutive painting of a busy sunlit boat dock. Artwork size: 8 3/4" x 11 3/4". Framed size: 12 1/2" x 15 1/2". Estate stepped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city. In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach...

Leo Mechelaere Bruges, Belgium 1880 – 1964 Erlangen, Germany Belgian Painter 'Swans of Bruges – Beguinage Bridge' Signature: Signed lower left Medium: Oil on canvas Dimensions: Image size 65 x 75 cm Provenance: Painting "Swans of Bruges" was exhibited at Salon des Artistes Indépendants Normands in Rouen, France on June 7th, 1956. Biography: Leo Mechelaere, or Leon Mechelaere as he was sometimes known, emerged from the cobblestone streets of Bruges, Belgium, in 1880, destined to leave an indelible mark on the canvas of art history. Born into a world of rich cultural heritage and artistic inspiration, Mechelaere’s passion for painting ignited early, fueling a lifelong journey of creative exploration. His formative years were steeped in the traditions of the Academy of Fine Arts in Bruges, where he honed his craft under the tutelage of esteemed masters. Among them, Edouard Van Hove (1851 – 1913) and Franz Courtens (1850 – 1943) imparted their wisdom, guiding Mechelaere’s hand as he navigated the intricacies of form, light, and color. Under the mentorship of Juliaan De Vriendt...

Signed and dated Warren Brandt '58, this dynamic mixed-media composition by American artist Warren Brandt (1918–2002) exemplifies mid-century abstraction with a vibrant use of color,...

An Original Oil Painting of George's Street Kingstown in 1910 by Modern Impressionist Irish Artist, Robert D. Beattie (1900-1979). The painting captures a historic moment...

This artwork is my ode to nature's intertwined beauty, crafted with the delicate dance of acrylic and oil. Embracing impressionism's soul, I infused each stroke with the serenity of ...

The Rat Catcher English School, 1920's signed, dated, "R. Esom" oil on canvas, framed framed: 12 x 16 inches canvas : 8 x 12 inches Provenance: private collection, Cotswolds, Englan...

Provence by Max Toutain (1935-2006) oil painting on canvas, framed framed: 12 x 16 inches canvas : 10 x 13 inches Provenance: all the paintings we have by this artist have come from ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Very Large Landscape Oil on canvas by Henry Bright, Signed by the artist. Exceptional size. Great Wall filler by this accomplished artist...

Clyde Steadman's "Going Round the Bend" is an original, handmade oil painting that depicts an impasto painting of a two lane road going around the bend with mountains in the backgrou...

Suzanne Schweig Langsdorf Martyl was active/lived in Illinois, Missouri, Kansas. Suzanne Martyl is known for abstract western landscape, magazine cover illustration, murals, botanics. Illustrator of the Doomsday Clock. Martyl exhibited infrequently but five one-man shows in Saint Louis since 1936 kept her in the public. She was also represented in many of the National exhibitions. In 1940 she was awarded the first prize in the Midwestern Show at the Kansas City Art Institute and won the hundred dollar purchase prize at the Y.M.H.A., Saint Louis. The following year she was awarded first prize in the annual exhibition of Missouri artists at the Saint Louis City...