Vertical Landscape Paintings

Richard Ballinger is a British landscape and still-life painter. “I do not draw in the landscape, I draw from it. It’s taken me inside, to the studio, imagining how it should be ...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 30 x 24 Frame Size: 36 x 30 Medium: Oil 2021 "Rehe im Morgenlicht" Deer in Morning Light Bio & Artist Statement Eric H...

Oil on cardboard realized by Sirio Pellegrini in 1968. Hand signed and dated. Includes a wooden frame realized by the Artist. cm. 44x34. Sirio Pellegrini, born in Rome on March 1,...

Vintage Contemporary Surrealist PAFA Artist Mark McCullen signed verso dated 1986 titled "A remarkable piece of Apparatus" 30 x 22" board, 32 x 24" Framed.

With a group of plein air artists we came to the small cozy town of Almonte. When I saw this waterfall, I immediately fell in love with it. It came to life on my canvas. It seemed to...

Landscape is a modern artwork realized by Athos Brioschi in mid-20th Century. Mixed colored oil on canvas. Hand signed on the lower margin. Includes frame: 54x44 cm

Acrylic, spraypaint, oilbar, oil on linen Krieger began making her “Day Dreams” paintings in the spring of 2023 in Cedarmere Estate in Roslyn Harbor, NY, close to the artist’s home....

Toying (e.g., rider on toy horse) with violent threats is not wise. The sounds (e.g., horn) of violence (e.g., spear and leopard) will never overtake wisdom (e.g., owl and pearl). This masterfully painted surrealist artwork draws in the viewer with its extraordinary detail. The artwork is framed. Christopher A. Klein Wisdom Trumps...

Pair of Views of Villa Medici Vascello are an old master artwork realized by Artist of 17th Century. Mixed colored oil painting on canvas. The View of Villa Medici Vascello toward...

A charming oil study of a valley running through a mountainous landscape in an impressionist style. Unsigned. On canvas.

Sophie Dumont is always at the limit of abstraction and figurative, this painting is the representation. The background is worked with different whites that highlight the trees. Abst...

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...

Beautiful gouache on paper, Moody atmospheric landscape in shades of black, blue green and gold by French artist, Roger Etienne Everaert Ret, signed on top right. Roger Etienne, Fren...

Rare and interesting mid century Icelandic abstract painting. Oil on canvas board. Signed verso. Image size, 16H by 13L.

Sarah Robertson, Blue Bird Garden on Golden #1, 36 x 24 in, Mixed Media on Canvas Golden hues and sapphire blue birds bring warmth and brightness to Blue Bird Garden on Golden #1. T...

Striking and atmospheric painting of North Yorkshire’s Whitby Abbey ruins by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Whitby Abbe...

Creek Through The Trees - Oil on Canvas Impressionist painting of a creek running through a grove of trees by Michelle Marco (American). A grove of trees surrounds a small creek tha...

Impressionist garden landscape oil on panel painting circa 1902 by French painter Marie Duhem. The work depicts a white ornate planter in the centre of ...

John Edmund Califano, an American artist born in the late 19th century, was known for his remarkable skills in capturing the beauty of everyday life through his paintings. Califano'...

"All Tucked In for the Night" (2011) By Susie Hyer is an original handmade oil painting on stretched linen that depicts a trailer parked in a landscape under bright moonlight. This p...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The bold orange underpaint has been allowed to shine through the co...

Superbe original painting on canvas depicting the portrait of a partially eaten donut in mid-air and a woman from a different sera in a fur coat observing the strange phenomena. keywords; fut coat...

OIL PAINTING LARGE SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIG...

Portrait of an English Bagger in an extensive landscape. Very Pretty English Otter, in an extensive landscape, painted circa 1970. The painting is an amazing display of an artist, ...

the Shop Window New York City, 1940s 17.75X25 sight size. Maurice Becker (1889–1975) was a radical political artist best known for his work in the 1910s and 1920s for such publica...

"Greece" is a modern, romantic landscape painting by Maestro Zhivko Zheliazkov, TECHNIQUE: oil painting on canvas STYLE: Romantic, Impressionist, Contemporary Edition : Unique, si...

Watercolor and silkscreen on Fabriano vélin paper. Paper size: 13.75 x 12 inches. Inscription: Hand signed in ink, as issued. Notes: Published, printed, and painted by Peter Max, New...

A delightful oil study depicting an aerial view of a French farmhouse in a rolling landscape. Signed and dated to the lower right. Presented in a Hogarth stye frame. On canvas board.

An original oil on canvas by noted Scottish artist William Gear which dates to 1981. Entitled early Spring it is a vibrant and fresh art work with lovely colouring. Signed, dated and titled verso. Provenance. William Gear estate. Royal Birmingham Society of Artists 1981. Condition. Oil on canvas, 48 inches by 32 inches. Excellent condition. William Gear (1915-1997). Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...

Gregory Block's (US based) "Resplendence" (2024) is an original, handmade oil painting that depicts a vibrant pink flower in front of a blurred green background. About the Artist: G...

Early 20th century, Italian Mediterranean landscape with two figures fishing Your visible signature Oil on canvas Relined and restored 25.5 x...

Signed, verso, in Cyrillic, 'Leontev V.E.' for Valentin Nikolaevich Leontiev (Russian, 1912-1984) and inscribed, 'City of Yarolsavl on the River Volga. Painter, Leontev V.E. Showing Ilaskaya Church, symbol of 17th Century architecture'. Painted circa 1965. Accompanied by old framing label bearing title, 'Church of the Prophet Elijah'. Displayed in a burnished gilt-wood frame; framed dimensions: 21.5 H x 17.5 W x 1.5 D inches Valentin Nikolaevich Leontiev; painter, teacher. Honored Worker of Culture of the USSR (1973). Member of the Great Patriotic War of 1941-1945. He was awarded a commemorative medal. Medal "For Valiant Labor. In commemoration of the 100th anniversary of the birth of V.I. Lenin. Member of the Union of Artists of Russia (1947). Chairman of the Board of the Yaroslavl Union of Artists (1961-1964), member of the board until 1982. In 1931 he graduated from the Yaroslavl Art and Pedagogical College (teacher - S.F. Shitov) and continued his studies in Leningrad (teachers - I.I. Brodsky, A.A. Osmerkin, B.V. Ioganson). He was a Stalin scholarship holder. In 1941, from the 6th graduation course of the institute at the Academy of Arts, he volunteered for the front. Participated in battles near Narva and Kingisepp (North-Western Front). When the regiment left the encirclement, he was captured, in April 1945 he was liberated by the allied forces in Germany on the river. Elbe. After his release, he fought on the 2nd Belorussian Front, participated in the battles near Königsberg. In 1947 he graduated from the Leningrad Institute of Painting, Sculpture and Architecture. I.E. Repin of the Academy of Arts of the USSR, having defending his thesis - the monumental composition "Meeting of the Winners". After graduation, he taught at the Cheboksary (Chuvash ASSR) art school (1949-1951). In 1951 he returned to Yaroslavl and for 32 years (1951-1983) taught at an art school. There are many well-known artists among the students of Valentin Nikolaevich Leontiev. In addition to many landscapes ( " Morning in Yaroslavl " (1967), " Industrial motive " , " The Church of Elijah the Prophet " (1956), " Hoarfrost "(1979) and others), as well as chamber works in the genre of still life, V.N. Leontiev created several significant thematic canvases, including: " Weekend Morning in Cheboksary " (1950 - Chuvash State Art Museum), " Building Communism " (1951, YAHM). Participant of regional, interregional, zonal, regional, republican and all-Union exhibitions. Personal exhibitions in Yaroslavl: 1972, 1983 and 1997. V.N. Leontiev participated in the work of several congresses of the Union of Artists of the RSFSR and the Union of Artists of the USSR, in the formation of regional exhibitions. Works by V.N. Leontiev are kept in the museum collections of Yaroslavl, in Russian and foreign private collections. From the introductory article to the exhibition catalog "Valentin Nikolaevich Leontiev and his students ” , 2008 Art critic Olga Shikhanova. He was loved by both students and fellow artists. Many even now remember with a smile many funny stories associated with the name of Valentin Nikolaevich Leontiev, one of the most significant painters of Yaroslavl. Many are still grateful to him for the lessons of mastery, for patience and tolerance, for a sincere interest in their first, albeit timid, steps in art and for a personal example of passion for creativity. A native Yaroslavl, Leontiev was born on February 5, 1912. His father was a wagon coupler on the railroad and died when his son was 7 years old. Mother Alexandra Nikolaevna worked all her life as a painter at one of the oldest paint and varnish enterprises in the country - the Victory of Workers plant. An inquisitive and active boy at the age of ten joined the first pioneer detachment on Krasny Perekop and from that time became addicted to drawing. Valentin received his initial art diploma in the then popular working studios of fine arts, and in the Yaroslavl Art School, where he entered in 1928, his teachers were wonderful teachers Sergei Fedorovich Shitov and Pyotr Nikolaevich Shadrikov, who stood at the origins of the Yaroslavl art school. In 1931, after defending his diploma, Leontiev received a referral to the Victory of Workers factory, where he conscientiously performed the usual work for a factory artist: he wrote slogans, drew wall newspapers, designed stands with the results of socialist competitions. Such work could not give real creative satisfaction to a person with his pictorial possibilities. In 1933, Valentin first entered the preparatory classes of the All-Russian Academy of Arts, and in 1935 became a student. Art and creative work carried away, and the names of the teachers I. Brodsky, A. Osmyorkin, B. Ioganson, E. Serov, R. Frentz, A. Zaitsev, who had already entered the history of Russian art, turned their heads. In 1940, for excellent progress, Vadentin was awarded the highest student award - a state scholarship. Even then, Leontiev's leadership qualities appeared, and in 1938 he was elected a member of the Student Youth Council under the Central Committee of the Komsomol. For the diploma, he painted a large-scale painting "Children on the Volga" (headed by A.I. Savinov). These few Leningrad years were the happiest in Leontiev's life. After all, it was there, within the walls of the Academy, that he met a friend for life - Evsey Moiseenko, and there he met his only love, Tanya Edelson. The wedding was played in a student hostel in January 1941. But June 1941, like many young people of his generation, dramatically changed the life that had begun so wonderfully. The terrible word "War!" Leontiev and Moiseenko, academic scholarship holders, on whom great hopes were placed, were completely exempted from military service, but both made the only choice possible for them at that time: instead of defending their diploma, in July 1941 they signed up as volunteers in the people's militia. On a memorable day, a large group of students gathered at the Academy - future historians, artists, musicians - all of whom the slogan "Leningrad is in danger!" also did not leave indifferent. From there, everyone went first to the militia, and then to the front. Private of the 4th Volunteer Division, Leontiev participated in the construction of defensive fortifications around Leningrad. The militias dug the ground, constructing anti-tank ditches and pillboxes. After heavy fighting near Narva and Koenigsberg, some colonel undertook to take them out of the encirclement. And so it happened that led untrained soldiers directly to the Germans. So Leontiev was captured, and soon ended up in Germany. Repeated attempts to escape each time ended in raids and brutal reprisals. Finally, he was given as free slaves to a German farm, where he stayed until the arrival of the Red Army. It was a difficult time for Leontiev's wife, Tatyana: in November 1941, their son Vladik was born in Anapa. She survived nine months of occupation and the inability to learn anything about the fate of her husband. Freed from captivity, Leontiev served in the 128th separate communications battalion of the 24th Army of the Belorussian Front until October 1945, and all this time he tried to contact his relatives. He was considered missing. Finally, Valentin was reunited with his family, and then a wonderful portrait of his son appeared, which the artist painted on the same day - “Vladik. Meeting with my son. Leontiev's graduation work was lost during the war years. Having written under the guidance of B.V. Ioganson and V.A. Serov's new large painting "Meeting of the Winners" (280x350), Valentin in 1947 defended his diploma. The high commission rated...

An abstracted interior scene on a bathroom scene in which a man showers as his 'ghosts' are washed away. "Chubb" is painted in shades of blue bringing a melancholy to the overall aes...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Represented by George Billis Gallery, NYC & LA --A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good in...

Hagop Hagopian's landscape artwork from 1986, executed in oil on canvas, exemplifies his typical composition. The painting is signed in the lower right ...

Artist: Raphael Soyer, American (1899 - 1987) Title: City Street Year: circa 1930 Medium: Oil on Board, signed verso Size: 20 in. x 13.75 in. (50.8 cm x 34.93 cm) Frame Size: 26 x 20...

Jack Laycox, "Indian Summer" Oil on panel 14 x 11 unframed, 19.5 x 22.5 framed

Peter Bol, born in 1947 in Eindhoven, is a Dutch painter renowned for his colorful and expressive landscapes and still lifes. As the son of the esteemed painter Kees Bol, he was imme...

“Water Blooms 8” — Oil, Acrylic, and Ink on Canvas, 48 x 72 inches "Water Blooms 8" is a monotone abstract painting with richly layered tones of black, greys and bright whites, inks...

The work was created in nature under the inspiration of the beauty of the Ukrainian landscape.

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Johanna Secor (American, 1920-1998) Waterfall, Late 20th Century Oil on canvas Framed: 35 3/8 x 29 1/8 x 1 7/8 in. Signed and inscribed verso: Johanna Secor "Waterfall" “Mrs. Seco...

Marcia Wise’s “Warm Reflections” is part of her abstract landscape series depicting the colors of a red boat reflected in water. Reds, oranges, yellows and blues are used in the arti...

Blue,White,Indigo, navy 40 x 72" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

“Dandelions” by Allison Green is a vividly colorful oil painting by Allison Green. It depicts a single dandelion in full bloom surrounded by green and pi...

Calm farm scene of a bucket filled with daisies by an unknown artist (20th Century). In the background a brick barn has a door open, with weeds and plants growing in front of it. A p...

A large Mid-20th Century oil painting landscape depicting a figure near a boat with a beautiful sailboat in a Marina in France with other sailboats in the distance. This piece has a ...

Glorious electric cobalt blue Land's end watercolor from William Stanisich, whose provocative Land’s End series was painted over a 40-year span with a force and directness that refle...

Symbolic figurative of woman having visions with religious themes and icons (cross, bride, salamander, crown, meeting Christ) while reading by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Interior courtyard scene by Mary Scott (American, late 19th/early 20th C). Two large stone columns support an arch, framing the composition. Between the columns, some of the courtyard can be seen, including a tree and the edges of a grassy area. Across the courtyard, there is a small desk and chair...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Patio Still Life with Flowers, Plants and Pots) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches ...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

Gorgeous California landscape titled, "The By Road" by Myrtle Sue Redford (American, 20th Century). Signed "Myrtle Sue Redford" on verso. Image, 16"H x 12"L. Myrtle Redford was a Fresno artist whose artwork won her a statewide reputation. She studied with Arthur Hill Gilbert, Abel Warshawsky and Nell Walker Warner. Myrtle was a member of the Carmel Art Association, the Santa Cruz Art League, Central California Art...

Bovine Beauties Realist, Light/ Shadow Oil Painting 20"x16" Landscape . The second image shows how the painting will look. I am waiting for professional photos by 2/14. Bovine B...

An unsigned, early twentieth century oil showing a view of an old wooden wharf with longshoremen working. A well-composed work by an anonymous but skilled hand; painted circa 1925.

This oil painting on paper is what artist Ashley Eliza Williams calls a "restless being." Derived from field studies of lichen, each of the restless beings in this 2022 body of work ...