Barbara Doyle

Barbara Doyle (b.1917) - 20th Century Oil, Market Scene in Blue

Unknown

A spooky and atmospheric woodland landscape showing a bridge through a gnarled and dark forest. The leafless trees and impasto ground add great depth and...

An idyllic view of black and white cows grazing at Northwick Fields. Presented in a wooden frame with a canvas window and white painted wooden inne...

A view down a historic cobbled street in the fishing village of Camogli in northern Italy. Presented in a grey painted wooden frame with gold detailing and a linen inner window. Mono...

Delighted to present a very fine landscape study by the Swiss painter Emil Cardinaux. Known for his wonderful tourist posters and graphic designs, this unusual study still reflects h...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right and is Illustrated in the Ashley John Gallery catalog titled "The Pennsylvania Impressionists". George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

Oil on Canvas 41 7/10 × 57 1/10 in 106 × 145 cm This is a unique work This work includes a Certificate of Authenticity Yeonsoo Kim focuses on the color green, drawing from its neutral tone and energy. Kim’s landscapes are the portrait of her emotions, a freeform blend of memories and feelings. Green is the color between yellow and blue - it’s neutral in tone and energy, balancing and calming one’s mind and emotions. The reason we are so drawn to the green of nature may be our own instincts trying to flee from the endless adrenaline rush society constantly throws us into, always demanding more and faster. The landscapes I drew from were a freeform blend of memories and emotions - the sky, mountains...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Original Period Newcomb Macklin Frame George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

Unidentified Artist – 19th Century "Farmers by the River" Medium: Oil on canvas Framed Dimensions: 42 x 60 cm Canvas Dimensions: 51 x 70 cm Period: 19th Century This beautifully comp...