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Bob Stuth-WadeCerro Castellan, Narrow View2017
2017
$3,500
£2,692.43
€3,125.15
CA$4,935.84
A$5,528.97
CHF 2,904.01
MX$67,230.45
NOK 36,774.28
SEK 34,908.68
DKK 23,324.20
About the Item
This painting is oil on gessobord panel. The overall dimensions including the frame are 17 x 14 inches.
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols. His process often entails the creation of an initial ‘energy’ study in artist-made charcoal, several works on paper, and a large detailed painting of the same subject. Each step in the process enriches his understanding of his subject.
Since his first solo exhibition in 1971, at age 18, Bob Stuth-Wade has been a full-time artist. In addition to ten solo exhibitions at Valley House Gallery since 1991, his work has been exhibited at The Grace Museum in Abilene, Texas, and the San Angelo Museum of Fine Arts in San Angelo, Texas. His work is in numerous public and private collections.
- Creator:Bob Stuth-Wade (1953, American)
- Creation Year:2017
- Dimensions:Height: 15 in (38.1 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:Seller: 214171stDibs: LU25710685802
About the Seller
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Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
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Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
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Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...
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Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
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Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...
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