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Erik Jerken
City Canal With Boats by Erik Jerken, Oil on Canvas, Signed

1900s

Price:$1,150
$1,680List Price

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Northern Serenity by Swedish Artist Per Julius
Located in Stockholm, SE
Introducing "Northern Serenity" by renowned Swedish artist Per Julius (born 1951). This captivating painting captures a serene landscape from the northern r...
Category

Late 20th Century Modern Landscape Paintings

Materials

Canvas, Oil

Snowy Forest Road at Sunset – A Rare Nordic Winter Scene
Located in Stockholm, SE
Johan (John Kindborg) (1861-1907) Sweden Nordic Winter Twilight, 1901 oil on canvas signed and dated Kindborg 01. unframed: 48.5 x 33 cm (19 1/8 x 13 in) framed: 58 x 43 cm (22 7/8...
Category

Early 1900s Impressionist Landscape Paintings

Materials

Canvas, Oil

French Landscape by Philippe Marie Picard, Oil on Canvas, Signed, Dated -46
By Philippe Marie Rene Picard
Located in Stockholm, SE
Philippe Marie Picard (1915-1997) French French Landscape oil on canvas signed Ph m Picard dated a tergo 16.4 -46 canvas size 12.99 x 22.04 inches (33 x 56 cm ) frame 23.03 x 31.49 inches (58.5 x 80 cm) Provenance: A Swedish private collection. The Artist: The year was 1915, and Philippe Marie was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard...
Category

1940s Landscape Paintings

Materials

Canvas, Oil

Large Landscape Panting Depicting A Winter Landscape at Dusk
Located in Stockholm, SE
A leading figure in Swedish landscape painting around the turn of the century, Arvid Mauritz Lindström was celebrated for his evocative depicti...
Category

1890s Realist Landscape Paintings

Materials

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Evening Sun, View of Visby, c. 1896
Located in Stockholm, SE
This evocative evening view of Visby by Axel Lindman captures Visby in the warm, fading light of the setting sun. Rendered with atmospheric sensitivity, the silhouette of Visby’s med...
Category

1890s Impressionist Landscape Paintings

Materials

Canvas, Oil

Children by the Ice Hole by Swedish Artist Bengt Nordenberg, c. 1846
Located in Stockholm, SE
This evocative winter scene by Bengt Nordenberg captures a quiet moment of everyday life: two children stand on the frozen edge of a river or lake, watching as their mother washes cl...
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

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A Corner of Barbados
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Joseph Stella(1877-1946) A Corner of Barbados, 1937 Oil on canvas, 11 x 15 inches (27.9 x 38.1 cm) Inscribed on verso: A corner of / Barbados / O:P by / Joseph Stella Provenance The artist; By bequest to his nephew, Sergio Stella, 1946; By descent in the family, until the present Joseph Stella’s artistic career defies easy categorization. He was simultaneously a modernist and traditionalist, a dual citizen of the Old and New World, a bold experimenter and masterful practitioner of time-honored artistic techniques. His iconic paintings of New York City, such as the Brooklyn Bridge and Coney Island, celebrate modernity and the Machine Age, while his exuberant paintings of the natural world speak to the spiritual revelation that guided and grounded him throughout his life. Until recently, the divergent aspects of Stella’s career “confounded his legacy.” But in Joseph Stella: Visionary Nature, the multi-venue museum exhibition that focuses on the artist’s lifelong engagement with nature, a more complete and nuanced understanding of his career has emerged. Stella’s work of flora and fauna demonstrate his deep connection to and close observational study of nature to invigorate his creativity and sustain his human spirit. Indeed, nature was a salve to his woes about life and the modern age. He made countless drawings and paintings of flowers, many of which were done at the New York Botanical Garden – a favorite place for the artist. In these works, Stella explored new styles and pressed the limits of his imagination. Like nature itself, he was always changing, always growing. Stella found himself in Barbados in 1937, when then health of his wife had declined and she asked him to bring her home. He loved the island paradise, as it reawakened his creativity and love the natural world, much as his returns to Italy did. Although he remained in Barbados for only five months, the landscape he absorbed and the motifs he developed fueled his art for the next three years. The Barbados paintings...
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