Evelyne Brigeois

Behind Paraportiani, Mykonos

ca. 1990

Artist: Evelyne Brigeois – French/American (1946-2016) Title: Troyes III Year: 1987 Medium: Watercolor Sight size: 16.5 x 20 inches. Matted size: 23.25 x 26.25 inches Signature: Signed lower right Condition: Very good Unframed This watercolor is by Evelyne Brigeois (1946-2016) a very well-known Boise, Idaho artist. It depicts a storefront in Troyes, France. As with many of her paintings, Brigeois pays particular attention to light and shadow. The painting is in very good condition with no flaws to note. The painting is signed in the lower right corner and signed and dated on the reverse. It is titled on a foamcore mount. It is custom matted with three hinges on the top edge of the art. Born in France in 1946, Evelyne Brigeois was an internationally acclaimed watercolor artist. Having grown up in a small town east of Paris, Brigeois was particularly drawn to places which seem to have preserved their timeless and peaceful aspect. Crisp precision, strong definition of light and shadow, and beautiful composition distinguish her images of the Greek Islands, Venice and France. Brigeois received many national awards, from the Louisiana Watercolor Society, the Detroit Institute of Arts, Michigan Watercolor...

Artist: Barbara Ernst Prey – American (1957-) Title: Griffin Hall, Williams College, Autumn Year: circa 1980-1985 Medium: watercolor Sight size: 14....

Artist: Howard Rees – American (1941- ) Title: Untitled Year: circa 1985 Medium: Watercolor Sight size: 14 x 20 inches. Framed size: 21 x 27 inches Signa...

Artist: Edward Lynam Grant – American (1907-1998) Title: Untitled Year: 1957 Medium: Watercolor on artist’s board Sight size: 20.5 x 27.5 inches. Framed size: 30.5 x 37.5 inches Signature: Signed, dated lower right Condition: Good Frame: Framed in original frame. Frame in fair to good condition. Mat in fair to poor condition. This painting is a watercolor on Whatman artist board. It is a landscape of countryside on the Delmarva Peninsula, a subject that was a favorite of Edward Lynam Grant. The painting is in very good condition. The mat is toned and needs to be replaced. The driftwood/wormwood frame is in fair to good condition with some scratches. It is signed and dated (1957) in the lower right. Edward Grant...

Charles Rowbotham was the son of the British painter Thomas Leeson Rowbotham. Charles specialized in landscape views executed in watercolor and gouache. He is best known for his imag...

The British artist Maud Hollyer exhibited her watercolors at the Royal Academy of Arts in London at the turn-of-the-century.

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...