Gail M. Boykewich

Moonlight Magnolia (2020) square figurative painting, bird, women, landscape

2020

"Alphabet Soup" (2019) acrylic on fabric with black wood frame, figurative interior, portrait, woman seated at table eating soup and Bloody Mary cocktail, sharing spoonful of soup wi...

Bachman's Warbler, nature, birds, branches, floral, oil on panel, black, yellow "Bachman's Warbler" by Alexis Kandra is an original oil painting with black metal foil on wood panel ...

"Spring and All" (2019) by Gail M. Boykewich Acrylic on wood panel, figurative, butterfly, daytime, skyscape, portrait, woman holding an open book, flipping through the pages, a cup ...

"Femme Fatale" (2021) by Gail M. Boykewich Acrylic on wood panel, figurative, magical realism, neo-folk, portrait of woman with braids, wearing a purple glove and holding a glass of pink champagne, surrounded by blooming indoor plants and freshly cut daffodils; interior setting with dark wood furniture...

Young moon, 120x120cm

Artist Commentary: Magnolia blossoms and branches recede into a twilight sky gradient from deep blue to pale green. Words that describe this piece: flowers, magnolias, nature, twil...

Moonlit Magnolia Susan Meeks oil on canvas 36" x 36" Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals as seen in The Magnolia ...

Moonlight Phantasy [2021] Original Acrylics on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:3.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look "Moonlight Phantasy" comes from a lovely wood near my home in the High Peak. When the moon is full you can walk in the evening and it feels almost as light as day. The wood is quiet with dark tones of the trees creating shadows in the pale moonlight. An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists and some of the methods of the old masters such as scumbling and glazing. I continue working until the painting reaches a natural conclusion. The result is a contemporary painting, which lies somewhere between abstraction and realism. The painting continues round the sides, a frame is not needed and it is ready to hang. Amanda Horvath...