Gary Ernest Smith

"Profile in Red and Blue"

2018

"The comment I hear most often about my paintings is 'happy'". I've loved art all of my life and it warms my heart to know that I'm able to pass that love and joy on to others. I use...

"The comment I hear most often about my paintings is 'happy'". I've loved art all of my life and it warms my heart to know that I'm able to pass that love and joy on to others. I use...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have attracted the attention of collectors from coast to coast. His three year exhibit, “Journey I Search of Lost Images” hung in 22 museums and institutes across the United States. In an exhibit curated by the Brooklyn Museum of Art, his work toured the New Orleans Contemporary Art Center, San Jose Museum of Art, the Palm Springs Desert Museum and many more prestigious art institutions. Although he must strictly limit the number of commissions he accepts, his mural size paintings are highly prized by corporate collectors. Gary Ernest Smith was born and raised in a relatively isolated farm community 25 miles northeast of Baker City, Oregon. His interests and intensity for painting began at an early age and progressed through college degrees, numerous commissions and awards to a full time pursuit of painting. The commission work that dominated the early years eventually stifled his creativity. Dissatisfaction with this career direction forced him to reach inward and search beyond popular style and accepted artistic norms to a personal vision. Following years of artistic training and experimentation, subject matter began to emerge based on the artist’s background of a rural life-style that celebrates the values of hard work and self-reliance. These aspects of Smith’s life came together and became the catalyst for his distinctive style. Living in the west, his work is primarily of that region, but it is not western in the traditional sense. Although it defies precise classification, the artist considers his style “minimal” and seeks to express the essence and simplicity of each subject. Whatever the focus might be, his work expresses the artistic elements of bold form and color. These two components become the vehicle that melds the style and subject into a symbolic visual language, expanding the artistic appeal beyond the west...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years th...

This landscape painting is by Margery Ammon, a noted California plein air artist who currently resides in the San Francisco Bay Area. The painting depict...

In the present work, Wilson McLean departs from a typical expected fashion setting and places his two male models in a surreal world. The outdoors comes indoors with cotton ball clo...

This is a parody portrait of the famed Duke of Urbino, Federico da Montefeltro, by Piero della Francesca, in the Uffizi Galleries in Florence. Hispanic Illustrator Ignacio Gomez pain...

The setting reminds us of a Rear Window by Alfred Hickcock but Evergood did it 8 years before. It's most likely Greenwich Village since Evergood lived there. This is a very big and heavy to lift painting Signed lower left Framed 56 x 51 in a period very heavy rustic wood frame. Exhibited Center Gallery, Bucknell University, PA, among others venus. gallery label remnants on verso - The Walker Art Center, Minneapolis The Whitney Museum of American Art Annual 1949 - Label Provenance: Naomi and Walter Rosenblum Best Viewed with a top gallery light...