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Georgie Dowling Last Resort (White Horse), Georgie Dowling, Original painting, Equestrian art2022
2022
$410.44
£300
€352.96
CA$563.68
A$630.86
CHF 329.41
MX$7,696.57
NOK 4,181.42
SEK 3,967.91
DKK 2,635.71
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About the Item
‘Last Resort’ (White Horse) by Georgie Dowling [2021]
original and hand signed by the artist
Oil paint on canvas
Image size: H:40 cm x W:40 cm
Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
A portrait of a grey horse named ‘Last Resort’ standing in a vibrant green field painted with thick oil paint applied with a palette knife. The thickly applied impasto marks give a more contemporary look to the portrait. Bold, defined marks portray the appearance of the strong structure of the horse. Vivid green paint works with the orange ground giving a vibrant background to compliment the horse.
- Creator:Georgie Dowling
- Creation Year:2022
- Dimensions:Height: 9.06 in (23 cm)Width: 9.06 in (23 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU632311290452
Georgie Dowling artist with Wychwood Art. Georgie was raised in rural West Wales surrounded by rolling hills and patchwork fields, no doubt influencing her current artistic practice. Having moved to Cheltenham to study Fine Art she has now based herself there working from her home studio. Inspired by the British countryside, she explores the beauty of the landscape through her oil paintings. “I work with thick strokes of paint applied with a palette knife creating simple shapes in attempt to highlight the flashes of colour and other defining details that stood out to me. I work quite quickly and my marks are spontaneous and impulsive, I embrace happy accidents and enjoy the life that can be seen in a painting when the artist works instinctively. Inspiration comes to me while exploring the British landscape, sourcing colours and shapes that give me a sense of place. I’m fascinated by the relationship between the natural and man-made lines and forms in the landscape and how the two come together to create a harmonious aesthetic. I find myself drawn to the patterns of trees and hedgerows or structures of walls and paths that define the shapes in our landscape.
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