Items Similar to Notre-Dame de Paris, Oil on Canvas by Henri André Martin
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Henri André MartinNotre-Dame de Paris, Oil on Canvas by Henri André Martinca.1960
ca.1960
About the Item
Oil on canvas by Henri-André Martin (1918-2004), France, ca.1960. Notre-Dame de Paris. With frame: 79.3x 60.3 cm - 31.2x23.7 inches. Without frame: 54x 73 cm - 21.3x28.7 inches. 20P format. Signed lower left "Henri A. Martin" (see photo).
Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire.
During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion.
Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières.
In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting.
The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production and mills, a passion that he will keep for the rest of his life. This work on the olive tree allowed him to achieve wide simplifications. Hence paintings with a symbolist character, in which one has the impression that the goal is not to represent this or that tree, but to summarize in an emblem, trunk, leaf and sky, the civilization of the olive tree. René Déroudille wrote about them in 1976: "There is a lyrical sap there which carries the artist along and pushes him to define the trees of dear Provence in a different way." The ancestor "and especially the plates devoted to embrace and renewal, in poetry de fi nes the action of an artist who is also in full mutation ".
The following years were marked by intense pictorial activity and the realization in the studio and from sketches on patterns, large canvases very often colored which were the subject of a major exhibition in 1988 at the Maison de Lyon. Bernard Gouttenoire wrote in Hebdo Lyon in June 1979 on this subject: “The fields of colza or lavender abundantly filling the canvas frame. . ..There could be "monotony" by practicing large flat areas, but precisely this is not the case and we never get tired of so many sublimated colors ".
In the 1980s, Provence and especially the Alpilles, which had long been privileged themes, presented him with an intense source of inspiration and an evolution towards much more abstract canvases. These same years are marked by the realization of large nudes which with the Alpilles and other colored canvases are the subject of a major exhibition at L'Atrium in Lyon in 1992. During this period of the 1990s, he worked in the studio intensely, embarks on series, often abstract and undoubtedly necessary for its expression. René Déroudille wrote in 1992: “. . . he wants to go to the end of his work, that is to say to bring to their conclusion the shapes and colors born of his creative imagination. . . Slowly but surely, he arrived at a sort of plenitude, at the satisfaction of the task finally accomplished ... Absolutely apart from the Lyon school, he seems unpretentious, reveling in an active solitude, where he feels close to his desires ”. Gradually, however, he dealt with more attractive, almost decorative subjects, such as Japanese flowers and butterflies. It takes up old themes with a frankly figurative style: bouquets of flowers, still lifes, landscapes of Eygalières.
Prizes and distinctions
1964: Maurice Utrillo Prize
Out of competition, then medal of honor from the Société lyonnaise des Beaux-Arts
Member of the Salon du Sud-Est until his death in 2004.
Drawing and water painting fair, Paris
Member of the Salon of the National Society of Fine Arts, Paris
Member of the Salon d'Automne, Paris
Correspondent of the Institut de France
His paintings were exhibited in great galleries in Paris, New-York, Dallas, Caracas, Genève, etc.
- Creator:Henri André Martin (1918 - 2004)
- Creation Year:ca.1960
- Dimensions:Height: 23.75 in (60.3 cm)Width: 31.23 in (79.3 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Amans des cots, FR
- Reference Number:1stDibs: LU1088215552992
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2018
37 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: Saint Amans des cots, France
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllHenri-André Martin Road in Eygalieres, Alpilles, Provence, Oil on Canvas, 1999
By Henri-André Martin
Located in Saint Amans des cots, FR
Oil on canvas by Henri-André Martin (1918-2004), France, 1999. Road in Eygalieres, Alpilles, Provence. With frame: 52x67 cm - 20.5x26.4 inches. Without frame: 46x61cm - 18.1x24 inche...
Category
1990s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Henri-André Martin, Les Baux de Provence, Oil on Canvas, 1961
By Henri-André Martin
Located in Saint Amans des cots, FR
Oil on canvas by Henri-André Martin (1918-2004), France, ca.1980s. Les Baux de Provence. With frame: 71x98 cm - 28x38.6 inches. Without frame: 65x92cm - 25.6x36.2 inches. 30P format....
Category
1960s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Oil on Canvas by Jallais, Boats in Port, 1960s
Located in Saint Amans des cots, FR
Oil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...
Category
1960s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Edith Desternes, The Church Notre-Dame de l'Assomption in Auvers-sur-Oise, 1920s
Located in Saint Amans des cots, FR
Oil on canvas by Edith Desternes (1901-2000), France, 1920s. The Church Notre-Dame de l'Assomption in Auvers-sur-Oise. This church has been painted in ...
Category
1920s Expressionist Figurative Paintings
Materials
Canvas, Oil
Bories-en-Provence Village Near Gordes, Large Oil on Canvas
Located in Saint Amans des cots, FR
Oil on canvas by Paul Clement (1906-), France, 1967. Bories-en-Provence near Gordes. Measurements : with frame: 106x87 cm - 41.7x34.25 inches, without frame: 100x81 cm - 39.4x31.9 in...
Category
1960s Expressionist Figurative Paintings
Materials
Canvas, Oil
Village of Provence, Oil on Canvas
Located in Saint Amans des cots, FR
Oil on canvas by Michel Jouenne, France, Early 1960s. Village of France. Measurements : with frame : 38.7x28 inches - 98.3x71 cm, without frame : 36.3x25.6 inches - 92.2x65 cm, Forma...
Category
1960s Neo-Expressionist Figurative Paintings
Materials
Canvas, Oil
You May Also Like
Evening in Paris - 20th Century Oil, Figures in Cityscape at Night - Louis Hayet
By Louis Hayet
Located in Marlow, Buckinghamshire
A wonderful oil on canvas by Louis Hayet depicting figures in a cityscape at evening time. Signed and dated 1932 lower left.
Louis Hayet had a difficult and itinerant childhood, due to the instability of his father, an amateur artist. He began to draw and produce watercolours from the age of 12. By the age of 20 he produced works with great skill, as demonstrated by his pen drawing Boulevard, Evening, Paris. He made a living in Paris doing various jobs more or less to do with painting. He associated with Camille and Lucien Pissaro...
Category
1930s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil, Board
"Spring Day by the Lake" Post-Impressionist Parisian Country Side Oil Painting
Located in New York, NY
A beautiful oil on board painting by American artist Maurice Monnard. Monnard was a Post-Impressionist painter known for his colorful cityscapes depict...
Category
1970s Post-Impressionist Landscape Paintings
Materials
Oil, Board, Canvas
Delft Netherlands oil on canvas painting urbanscape
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Delft Netherlands - Oil on canvas
Oil measures 60x73 cm.
Frameless.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Catalan painter.
He tra...
Category
1990s Fauvist Landscape Paintings
Materials
Canvas, Oil
Aperitif on the terrace of the bar spanish oil on canvas painting
Located in Barcelona, Barcelona
Illegible signature lower right.
Oil measures 38x46 cm.
Frameless.
Dated 1976.
Category
1970s Fauvist Figurative Paintings
Materials
Canvas, Oil
"Parisian Street Scene" Post-Impressionist Oil Painting on Canvas with Figures
Located in New York, NY
In this piece, the artist depicts his subject in an impressionistic way, capturing the busy streets of Paris from the 20th Century with much life. The artist mostly used oil with a p...
Category
Mid-20th Century Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
Coucher de Soleil - Post Impressionist Figurative Oil by Emilio Grau Sala
By Emilio Grau Sala
Located in Marlow, Buckinghamshire
Signed oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts beachgoers in Deauville, France taking the last of the sun as it disappears beyond the horizon. The pale yellow light reflects on the sea, illuminating the water. Two horse riders gallop across the sand. The piece is painted in beautiful shades.
Signature:
Signed lower right and further signed and titled verso
Dimensions:
Framed: 27"x36"
Unframed: 20"x29"
Provenance:
Private Collection - France
Emilio Grau Sala studied at the fine arts school in Barcelona, where he became friends with Antoni Clavé. While still very young he began exhibiting at the Humourists Exhibition. In Paris he exhibited at the major annual Salons. He also exhibited at many international group exhibitions and in 1937 received an important award at the Carnegie Foundation International Exhibition in Pittsburgh. He showed collections of his work in many solo exhibitions starting in Barcelona in 1929 and 1930. His first solo exhibition in Paris was in 1937 and he went on to exhibit in Madrid, London, Buenos Aires and New York. After three trips to Paris he finally settled there in 1936.
In Paris he was influenced by the paintings of Marcel Gromaire and especially Julius Pascin. He created theatrical sets and costumes for several plays including The Woman of Easy Virtue ( La Demoiselle de Petite Vertu) by Marcel Achard. He also illustrated many literary works including Madame Bovary by Flaubert, Bel-Ami by Maupassant, Colette's series of four Claudine novels, Marcel Proust's In Search of Lost Time ( À la Recherche du Temps Perdu), and works by poets including Baudelaire's Les Fleurs du Mal...
Category
1950s Post-Impressionist Figurative Paintings
Materials
Oil, Canvas
Recently Viewed
View AllMore Ways To Browse
Vintage Childs Plate
Parisian Winter
Trunk Carry On
Long Painted Trunk
New York Trunk
Japanese Vintage Plane
Notre Dame Lithograph
Vintage Butterfly Case
Vintage Dior Butterfly
Flower Serigraph
Vintage Hospital Photos
Vintage Japanese Water Flowers
Andre Bouquet
Maurice Utrillo Lithograph
Vintage Doctors Case
Childs Trunk
Thousand Butterfly Plate
Shrimp Boat Painting