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Hiroshi Sato"Pass" - Oil on Canvas Contemporary Figurative Streetscape Painting 20242024
2024
$19,500
£14,810.73
€17,035.05
CA$27,245.32
A$30,381.62
CHF 15,851.83
MX$372,793.89
NOK 201,768.58
SEK 191,171.34
DKK 127,138.87
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About the Item
Hiroshi Sato’s "Pass" (2024) is a monumental original oil on canvas that exemplifies his precisionist approach to contemporary figurative painting. Measuring 38 x 90 inches, this panoramic work presents a solitary male figure standing at the threshold of a broad, empty intersection, absorbed in contemplation as vast open land stretches toward the horizon. The cinematic composition evokes feelings of stillness and introspection, while its architectural edges and atmospheric color harmonies reflect Sato’s mastery of form and light.
Rendered with carefully modulated brushwork, "Pass" is a vivid study in geometry and tonal contrast. Cool blue shadows carve out angular shapes across the streetscape, while soft gradients of orange and ochre recede into the background, hinting at the quiet vastness of the American West. Sato uses color blocking and subtle tonal variation to manipulate perspective, guiding the viewer’s gaze through layers of space and time.
Born in Japan and trained in the United States, Sato often blends Eastern minimalism with Western realism, and this piece continues his exploration of stillness within the contemporary landscape. "Pass" is unframed but ready to hang, offering collectors an opportunity to acquire a commanding and contemplative statement work from one of today’s leading figurative painters.
- Creator:Hiroshi Sato (1987, Japanese)
- Creation Year:2024
- Dimensions:Height: 38 in (96.52 cm)Width: 90 in (228.6 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Denver, CO
- Reference Number:1stDibs: LU1308214492202
Hiroshi Sato, born in September 1987 in Japan, is a distinguished contemporary artist known for his realist paintings that delve into human consciousness and the interaction between mind and environment. From the age of three to fourteen, Sato spent his childhood in Tanzania, where he developed a keen sense of observation, understanding that he was not a participant in his surroundings but an observer. This perspective, combined with his exposure to diverse cultures, class, wealth, and languages, forms the backdrop of his interest in perception. A finalist for the Rise Art Prize 2018, Sato's work draws comparisons to Cezanne, Hopper, and Vermeer while maintaining a unique personal style. Influenced by Chuck Close, Euan Uglow, Johannes Vermeer, Edward Hopper, and Andrew Wyeth, Sato's paintings are technically excellent and narratively rich, often set in interior environments to create cohesive and compelling scenes. Based in San Francisco's Mission District, Sato continues to captivate audiences with his thoughtful and introspective approach to painting.
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