Igor Melnikov

Way Home

2016

Acrylic & ink on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Pigments, pastels and oil on wood Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked fo...

Introducing an extra-large painting, measuring an impressive 180cm x 180cm/70,9in x 70,9 in by the visionary artist Alejandro Hermann. Within this painting you experience an contempo...

"Munich, parc", oil on wood panel, original painting by Marc Tanguy, 2018 35 x 35 x 2 cm Signed and date on the back Framed with a natural oak floating frame (40 x 40 x 3,5 cm frame...

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

KRISTIN MOORE, a native Texan, holds an MFA from Otis College of Art & Design in Los Angeles and BA in Art from St. Edward’s University in Austin. Kristin’s paintings can be found in collections across North America, Europe, Australia, and Asia. Solo exhibitions include Jonathan Ferrara Gallery in New Orleans, Commerce Gallery...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition...

Born and raised in Houston, KRISTIN MOORE began attending art classes at the Glassell School at a young age. She moved to Austin in 2009 to obtain her BA in Art from St. Edward’s University. Soon after graduating, Moore moved to Los Angeles to pursue her MFA at Otis College of Art + Design. Moore’s first solo exhibition, Rear Window, was unveiled during the culmination of her participation in the MFA program in 2016. Upon moving back to Texas, Moore continued to explore contemporary landscapes through painting. The juxtaposed architecture of LA, the smoggy atmosphere, and unique characteristics of the city became source material for her work. Upon moving back to Texas in 2016, Moore viewed Austin through the same lens; the architecture is quickly changing, a new atmosphere is emerging, and the skyline is directly reflecting those elements. Oscillating between these two bustling cities of Austin & LA, lies the open space and peaceful landscape of Marfa. Texas. Often a favorite pit stop during the long road trips back and forth from Texas to California, Marfa holds space as a source of continued inspiration for Moore. Her Texas roots and California influence have culminated into her current body of work. Often inspired by Ed Ruscha’s work Every Building on the Sunset Strip and A Few Palm Trees, Moore sources the images that influence her paintings from her many car rides, walks, and hikes up to overlooks. A homage to Hollywood, Moore also finds visual influence for her work in the world of film; particularly from visionaries such as Stanley Kubrick, Ridley Scott, and Alfred Hitchcock. Her work has been featured in group exhibitions such as Turbulent Landscapes at Modified Arts in Phoenix, AZ, Excavations; Shindig at Mantle Art...

Triangle with 18 inch sides Greta Van Campen is known for her geometric hard-edged graphic approach to representation. She has traveled across the United States sourcing inspiration from the landscapes, small towns, and cities. Now, with a young family, she gets most of her inspiration close to home. Scenic ocean views and paintings of flowers from her gardens make up the bulk of her new work. She paints in her home studio, beginning each piece with a photograph she has taken. She uses the photo as a reference while drawing from memories of her experiences, sometimes also working from sketches done on location. The image is translated into a painting by first setting large compositional elements and then finding shapes and masking off areas with tape, mixing the desired color of paint, and continuing to tape and paint until the desired amount of detail is reached. This distilled and stylized approach imbues her traditional subject matter with a freshness and modernity. As Van Campen explains, she “figure(s) out how to recreate a version of the natural, atmospheric place by turning it into a more geometric, color and balance-driven scene that is hopefully appealing, interesting, and authentic.” Van Campen was born in and resides in Maine. She received her BFA from Bowdoin College, ME. She is represented by Octavia Art Gallery, LA & TX, and Dowling Walsh Gallery...