Items Similar to Water Movements, Oil on Paper Painting by John Hubbard, 1968
Want more images or videos?
Request additional images or videos from the seller
1 of 6
John HubbardWater Movements, Oil on Paper Painting by John Hubbard, 19681968
1968
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Water Movements, Oil on Paper Painting by John Hubbard 1931-2017, 1968
Additional information:
Medium: Oil on paper
57 x 69 cm
22 1/2 x 27 1/8 in
signed and dated 'XI-68'
Writing on the subject of water and reflections, John Hubbard said ‘Many of my reflections involve water, more specifically the sea. I suppose a reflection is really the visual equivalent of an echo, but more effective in enlarging the subject’. The flowing white of the righthand side of the composition catches the eye first, bruising into grey in places with hints of violet alluding to movement, suggesting perhaps the tumbling of water, perhaps moving over rocks and stones, or maybe the sea washing over the shore. This dynamism is tempered somewhat on the opposite side of the work with dappled greens, seemingly echoing various shades and melding with warm beiges in flat, angular patches which are in contrast with the painterly wash of white; shimmering, fractured light suggesting the reflection of something, potentially green foliage upon the water.
Provenance
New Art Centre, London;
Private Collection, UK.
John Hubbard was an American-born abstract impressionist painter who worked in Britain.
Born in Connecticut on 26 February, Hubbard was the son of a lawyer. His family spent much of their time at their small farm in the countryside. Hubbard read English at Harvard University and, after graduating, completed three years of military service in Japan during the Korean War. On his return to the USA in 1956, Hubbard studied at the Art Students League of New York and with the hugely influential Abstract Expressionist painter Hans Hoffman. Other students of Hofmann include Lee Krasner, Helen Frankenthaler, Robert De Niro Sr., the designer Ray Eames and, briefly, Jackson Pollock. After finishing his education, Hubbard then moved to Rome, spending time travelling and painting throughout Italy and wider Europe. In 1961, Hubbard married and settled near Bridport in Dorset.
The artist had first visited England in 1958 and, like many others involved in the 'Ab-Ex' movement of New York, travelled to the popular artist’s colony of St Ives, where he met the painter Peter Lanyon. From this point on, Hubbard concentrated on a kind of landscape painting which goes beyond the depiction of appearance, alluding to natural forms and the rhythms of growing while recreating the experience of a particular place. In Dorset, the artist’s interests in East Asian painting and philosophy and early influences such as De Kooning, Rothko and Mark Tobey were applied to his contemplation of the natural world.
From 1963 to '65 Hubbard taught at Camberwell School of Art and worked as a designer and painter for various ballet companies. His designs included the costumes and décor for 'Le Baiser de la Fee' by the Dutch National Ballet in Amsterdam in 1968, the costumes and décor for 'Midsummer' by the Royal Ballet in London in 1983, and work for 'Sylvia' by the Royal Ballet in London in 1985. As a guest artist at the National Gallery of Malaysia in 1990, Hubbard also designed a series of batik hangings, still on display in Kuala Lumpur.
Hubbard enjoyed working in series, a method for further understanding natural changes, taking his inspiration from sites he visited in Greece, Morocco, and France. From his time growing up in rural America, Hubbard had long been passionate about gardening and the subject of the garden is a recurring theme in his work, including pieces inspired by Abbotsbury, Tresco, the Alhambra, and his own mature garden in Dorset. Making sketches and charcoal drawings en plein air, Hubbard would move into the studio to create his paintings with their extraordinary sense of drama and subtle use of light and colour.
From the 1960s onwards, Hubbard increasingly showed his paintings in exhibitions in Britain and abroad. This included solo shows at New Art Centre, London (1960-'61, '63, '65, '67, '69-'75), University of Leicester (1964), St Catherine's College, Oxford (1966), Aberdeen Art Gallery, Ikon Gallery Birmingham (both 1975), Newlyn Gallery (1978), Fischer Fine Art, London (1979 and '84). With a rising interest in his work, Hubbard was the subject of a film aired as part of the South Bank Show in 1981. In 1985, his success was rewarded with a solo exhibition at the Museum of Modern Art in Oxford and, the following year, a major retrospective at the Yale Center for British Art in New Haven, Connecticut.
In 1995, he was commissioned to create an installation for the entry hall to the headquarters of Smith & Nephew in London. In 1996 he was awarded the Jerwood Prize and was invited to create work to be included in 'Eight Variations on a Drawing by Rubens' at the Fitzwilliam Museum (1998). Other commissions include Dorchester Hospital (1990), Charleston Farmhouse, Sussex (1995), Rothschild Collection, Waddesdon Manor (2000), Said Business School, Oxford (2005), and Royal Parks, London (2008). In 1993, the artist was chosen as a Member of the Advisory Panel for Tate St. Ives. In 1997, he was chosen to curate Dorset County Museum's Elisabeth Frink exhibition.
Hubbard’s work is not representational, with water or sky suggested and alluded to, yet they are far from abstract. Specialising in "contained landscape and enclosed spaces" – quarries, caves, rocks, woodland – rather than grand sweeping views, he explored the atmosphere and the spirit of places such as the play of light through leaves or the textures of stone or foliage.
His work can be found in many public and private collections, including the Financial Times, Nuffield Foundation, Deutsche Bank, Yale Centre of British Art, Connecticut, National Gallery of Malaysia, Art Gallery of Ontario, Canada, National Gallery of Victoria, Melbourne, Philadelphia Museum of Fine Arts, Scottish National Gallery of Modern Art, Edinburgh, City Art Gallery, Bristol, New College, Oxford, Fitzwilliam Museum, Cambridge, Arts Council of Great Britain, V&A Museum, British Museum and Tate Gallery.
- Creator:John Hubbard (1931 - 2017, American)
- Creation Year:1968
- Dimensions:Height: 22.5 in (57.15 cm)Width: 27.13 in (68.92 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214574462
John Hubbard
John Hubbard (1931 - 2017) American-born John Hubbard grew up in Connecticut and studied at Harvard University. While on military service (1953 and 1956) during the Korean War, he was stationed in Japan, where he developed an interest in the art from Japan and East Asia more generally. This grew into an admiration of the traditions of Taoism and Zen; philosophies he equated with the act of abstract painting. He has cited Xie He, the sixth century Chinese painter who wrote: ‘In art, the terms ancient and modern have no place’ – a thought that speaks clearly to the modern abstract painter’s inspiration from wide and eclectic sources. Hubbard studied in New York at the Art Students League from 1956–58. He spent time also working with Hans Hoffmann, an influential abstract painter whose associations with Picasso, Matisse and Braque in Paris in the 1930s, brought those influences to the emerging number of Abstract Expressionist artists in New York. Hubbard moved to England in 1960, settling in Dorset and associating with the St Ives art circle. His painting became infused with light, inspired by the open land and seascapes of Cornwall, Scotland and later, Morocco and Spain. Hubbard participated in residencies in America and Malaysia and, in 1996, won the Jerwood Prize in Britain. In recent years his work has explored the theme of gardens, and he has completed several garden and painting commissions for public and private organisations.
About the Seller
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2010
1stDibs seller since 2024
40 sales on 1stDibs
Typical response time: 14 hours
- ShippingRetrieving quote...Shipping from: Kingsclere, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllUntitled (November), Oil on Paper Painting by John Hubbard, 1965
By John Hubbard
Located in Kingsclere, GB
Untitled (November), Oil on Paper Painting by John Hubbard 1931-2017, 1965
Additional information:
Medium: Oil on paper
16 x 21.5 cm
6 1/4 x 8 1/2 in
Signed with initials and dated;...
Category
20th Century Abstract Paintings
Materials
Paper
Study No.2 for Waterfall, Oil on Paper Painting by John Hubbard, 1965
By John Hubbard
Located in Kingsclere, GB
Study No.2 for Waterfall, Oil on Paper Painting by John Hubbard 1931-2017, 1965
Additional information:
Medium: Oil on paper
21 x 16 cm
8 1/4 x 6 1/4 in
Signed and dated
Provenance...
Category
20th Century Abstract Paintings
Materials
Paper
Untitled (May), Oil on Paper Painting by John Hubbard, 1960
By John Hubbard
Located in Kingsclere, GB
Untitled (May), Oil on Paper Painting by John Hubbard 1931-2017, 1960
Additional information:
Medium: Oil on paper
57 x 65 cm
22 1/2 x 25 5/8 in
Signed and dated 'V-1960'
American-...
Category
20th Century Abstract Paintings
Materials
Paper
Abstract, Gouache and Watercolour Painting by John Hubbard, 1976
By John Hubbard
Located in Kingsclere, GB
Abstract, Gouache and Watercolour Painting by John Hubbard 1931-2017, 1976
Additional information:
Medium: Gouache and watercolour
12.5 x 20 cm
4 7/8 x 7 7/8 in
signed, initialled a...
Category
20th Century Abstract Drawings and Watercolors
Materials
Watercolor, Gouache
Untitled (Green), Oil on Paper Painting by John Hubbard, 1962
By John Hubbard
Located in Kingsclere, GB
Untitled (Green), Oil on Paper Painting by John Hubbard 1931-2017, 1962
Additional information:
Medium: Oil on paper
21 x 21 cm
8 1/4 x 8 1/4 in
Signed and dated '22-VII-62'; furthe...
Category
20th Century Abstract Paintings
Materials
Paper
Baiser de la fée (The Fairy's Kiss), Scene I, II, III (October) Painting, 1968
By John Hubbard
Located in Kingsclere, GB
Baiser de la fée (The Fairy's Kiss), Scene I, II, III (October) Painting by Hubbard 1931-2017, 1968
Additional information:
Medium: Oil on paper on board
44.5 x 78.5 cm
17 1/2 x 30 ...
Category
20th Century Landscape Paintings
Materials
Paper
You May Also Like
Stream, Abstract Work on Paper by Geri Taper
Located in Long Island City, NY
An abstract green and blue swipe of color across the horizontal axis of a page. This ink on paper piece by Geri Taper is stamped and signed on the verso.
Stream
Geri Taper, American...
Category
Late 20th Century Abstract Drawings and Watercolors
Materials
Paper, Ink
Tamar Zinn "Dancing in forgotten spaces 3" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Unseen Voices 5" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Unseen Voices 4" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Dancing in forgotten spaces 2" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
The Dance of water oil on canvas 1968
Located in Soquel, CA
The Dance of water oil on canvas 1968
Abstract expressionist painting of three fish circling the water as the focal point. Hues of dark blue fade to light with hints of yellows and reds. Signed "Mary T...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
More Ways To Browse
World War 2 Paintings
Japanese 1960s Painting
Japanese Painting 1960s
John Smith Vintage
Oil Painting Italian Countryside
American Farmhouse Painting
English Farm Painting
Canadian Landscape Artists Early 20th Century
Modern Farmhouse Painting
Japanese Farm
Charleston Oil Painting
Charleston Landscape Art
Dutch Farm Paintings
Helen La France
British Military Oil Paintings
Newlyn School
Tobey Mark
Paintings From Newlyn School