Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 7

John Terelak
Rocky Mountain Vista

1996

About the Item

A monumental 59" x 82" with frame oil on canvas painting of a rocky mountain vista by John Terelak. Signed and dated lower left and inscribed verso. It is an impressive painting and would complement an expansive view of any Vail, Aspen, Sun Valley, Park City, Jackson Hole, Montana, or any western home. Terelak expertly captures that time in the late fall when the first snow is on the peaks and the trees still have vibrant color. American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vesper George School of Fine Art. Terelak's love of paint and canvas and his thorough understanding of color theory and paint technique eventually led him to become Headmaster of the Gloucester Academy of Fine Art. As demand for his work grew, it eventually became necessary for John to devote his full energies to the creation of his own paintings. Since making that decision he has enjoyed outstanding and continuing success in his career. His professional career at the easel now spans more than three decades. In addition to his beautiful work in oil, Terelak is also a master in watercolor and pastel. He is also a past President of The New England Watercolor Society. While the subject matter of Terelak's paintings is as diverse as the world in which he lives, the 'Terelak touch' is unmistakable in each of his works. An intricate system of layered paint and glazing, incredible use of color, and rich surface texture are hallmarks of his paintings. He has a gift for observation and the ability to paint with both freshness and emotion. His paintings may capture the tranquility of an early spring morning in the Vermont countryside, the beaches of Cape Cod in the summer, a woman hanging her laundry, the great harbors of New York, the hustle and bustle of Times Square, or the serenity of the French countryside. John does a considerable amount of location work. He loves to set his easel up in the woods and chase the passing light with his brush and paints. While exercising appropriate creative license, he documents the beauty of his surroundings and posterity is somewhat the richer for every canvas he completes. Terelak once said, "I've been painting for over twenty-five years, and after all that time, I still love to paint. I get enormous pleasure just from the smell of paint and turpentine, from the actual physical process of mixing paints and applying them to the canvas. I'm a very intense painter, and I'm certainly a 'messy' painter, but at the same time I'm also very patient and painstaking. I take a long time with my paintings, working and reworking them, adding layer after layer of paint, and glazing the surface again and again. I want the actual surface of the canvas to have a rich patina, a depth and texture that is beautiful in its own right, quite independent of the images and colors involved. Actually, whether I'm painting Monet's garden at three in the afternoon, or Times Square at three in the morning, the real content of my work is color and light. What I'm really doing is playing off one color against another, creating color harmonies that evoke different moods and feelings. I've been called an American traditionalist and impressionist, but those are just labels. In fact, the only thing that really matters is the work itself, and the feelings the work produces.” The reception Terelak's work has received from serious collectors is strong evidence that his paintings will be recognized as an important and permanent part of the best of American fine art created in this century. His paintings are included in thousands of private and public collections throughout the United States. Included are the Andrew Mellon Foundation, Sheraton Corporation, Winthrop Financial Corporation, Prudential Insurance Company, Bank of Boston, Shawmut Bank, State Street Bank, Boston, and Sterling-Regal Publishing Company. Included among Terelak's private collectors are many prominent persons from the business world, the entertainment and sports industries, and perhaps most significantly of all, the art community itself. John Terelak has had a number of successful one-man shows. His works have been included in exhibitions at The National Academy of Design, The Boston Museum of Fine Arts, The Springfield Museum, and The Butler Museum, among others.
  • Creator:
    John Terelak (1942, American)
  • Creation Year:
    1996
  • Dimensions:
    Height: 59 in (149.86 cm)Width: 82 in (208.28 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Wiscasett, ME
  • Reference Number:
    1stDibs: LU506311332342

More From This Seller

View All
January in the City
By Antonio Pietro Martino
Located in Wiscasett, ME
Oil on canvas board, signed lower left and inscribed on the reverse, as well as on the frame. This is most likely the original frame for this work made by the artist.
Category

Early 20th Century American Impressionist Landscape Paintings

Materials

Oil

Harbor Reflections
By Emily Hoffmeier
Located in Wiscasett, ME
Oil on artist board, signed Emily Hoffmeier lower left Most likely a scene of Nantucket harbor and presented in what could be the original frame with a slightly highlighted silver finish. Presents well overall measuring 16.5" x 20.5" including the frame. From 1929 to her death in 1952, Emily Hoffmeier (1888-1952) spent summers on Nantucket, painting in the waterfront studios—first Harborview No. 3 and later moving to the Red Anchor Studio on Washington Street. She exhibited in the Easy Street Gallery, the Candle House Studio, and later at the Kenneth Taylor Galleries. After the death of Maud Stumm in 1935, Hoffmeier took over the direction of the annual Sidewalk Art Show, which she ran for the next eighteen years “with untiring cheerfulness and unflagging interest.” She was one of the founding members of the Artists Association of Nantucket and served on its first executive committee. A graduate of Mount Holyoke College, South Hadley, Massachuetts, Hoffmeier taught art classes at the college for several years. From 1917 to 1951 she was a teacher at West Chester High School in Pennslyvania, where she headed the mathematics department. In addition to enrolling in the plein air classes of Frank Swift Chase...
Category

1930s American Impressionist Landscape Paintings

Materials

Oil

Gathering Flowers
Located in Wiscasett, ME
Oil on canvas, 33" x 43" including the frame, 25" x 35" canvas only. Signed lower right and signed and inscribed in verso. Henry Robertson Craig R.H.A., R.U.A. Scottish, 1916-1984...
Category

1950s Impressionist Landscape Paintings

Materials

Oil

A Parisian Boulevard
By Henri Alexis Schaeffer
Located in Wiscasett, ME
Oil on canvas, signed in the lower right featuring a vibrant street in Paris. Henri Alexis Schaeffer (1900-1975) was born in Paris, France in e...
Category

1950s Impressionist Landscape Paintings

Materials

Oil

Westminster Abbey, London
By Frank Myers Boggs
Located in Wiscasett, ME
Oil on canvas, signed and inscribed in the lower left. This is a wonderful scene of Westminster Abbey in London with sunlight beaming down from above. Dimensions listed include the ...
Category

Late 19th Century Impressionist Landscape Paintings

Materials

Oil

Boats in a Mediterranean Harbor
By Henry Malfroy
Located in Wiscasett, ME
Oil on canvas, signed lower right and presented in a magnificent period frame. This painting measures 34" x 46.5" including the frame. Provenance: Private Collection NYC Bradbury...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Oil

You May Also Like

Deck of Foxhill
Located in Greenville, DE
Marine scene from the deck of a Maine estate (Foxhill). William Beebe considers himself a Creative Realist, using touches of impressionism to go beyond representation. This particula...
Category

20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

Lake Street
Located in Los Angeles, CA
Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...
Category

1920s American Impressionist Landscape Paintings

Materials

Oil

Horses with People on the Beach Ogunquit Beach"by Walt Kuhn
By Walt Kuhn
Located in Brookville, NY
Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...
Category

1910s American Impressionist Animal Paintings

Materials

Adhesive, Oil

Peasant woman at work in the fields of Capri
By Charles Caryl Coleman
Located in Roma, RM
Charles Caryl Coleman (Buffalo 1840 – Capri 1928), Peasant woman at work in the fields of Capri (1901) Oil painting on canvas 35 x 49 cm, signed, located and dated Capri 1901 lower ...
Category

Early 1900s American Impressionist Landscape Paintings

Materials

Canvas, Oil

Vermillion at Lee's Ferry ( Plein Air Landscape painting sky blue terracotta)
By Jane Chapin
Located in Cody, WY
This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil, Board

Pecos Temple (Plein Air landscape Painting - beige neutral colors)
By Jane Chapin
Located in Cody, WY
This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil, Board

Recently Viewed

View All