Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 15

Joseph Heard
19th Century marine oil painting of a barque sailing off Eddystone Lighthouse

C1840

About the Item

Joseph Heard British, (1799-1859) West Indiaman off Eddystone Lighthouse Oil on canvas, signed Image size: 28.25 inches x 40.25 inches Size including frame: 34 inches x 46 inches Provenance: The Parker Gallery, 2 Albemarle Street, London. A superb seascape painting of a West Indiaman trading barque sailing past the Eddystone Lighthouse off Plymouth. The ship is depicted sailing in choppy seas with only its main sails and top sails set, indicating strong winds. A figurehead can be seen at the bow of the ship which appears similar to that of Britannia, possibly a reference to its name. The lighthouse in the painting is Smeaton’s lighthouse, the third one to be built on the Eddystone Rocks and which was completed in 1759. The structure is how the artist would have known it at the time, before the exterior was painted with broad red and white horizontal bands in 1858. Although Smeaton’s lighthouse was eventually replaced by a Douglass's lighthouse in 1882, the upper part the tower was dismantled and rebuilt on its replica base on Plymouth Hoe where it still stands today. Joseph Heard was a ship portraitist born on 7 March, 1799 in Egremont near Whitehaven, Cumberland to Joseph and Ann Heard. His father was a sadler working out of 28 Church Street in Whitehaven where the family also lived. His brother Isaac Heard (1804-1869) also became an artist. Although little is known about his early life, both brothers would have undoubtedly received an artistic education. Some sources state he was tutored by the portrait painter John Clementson (1735-1805), however, given his dates and the fact that Clementson spent most of his life in London, this seems unlikely. It is more probable that he was influenced by the marine artist Robert Salmon (c1775-1845) who also lived in Whitehaven. He began working as an artist in Whitehaven but moved to Liverpool in 1831, where he joined his local masonic lodge. He married Alice Wilson a widow on 15 December, 1832 at St Philip’s Church and together the couple lived in Norfolk Street. By 1840, they had moved to 109 Pitt Street where he shared a studio with his brother. In Liverpool he found a ready market amongst the ship owners of the busy trading port and enjoyed considerable success during his lifetime. His ship portraits were highly detailed many depicted notable or dramatic events in a ship’s career. Towards the end of his life he moved to 90 Pitt Street where he later died on 10 November, 1859. He was buried on 14 November, 1859 at St James Cemetery. Examples of his work are located in a number of public collections including the Beacon Museum, Helena Thompson Museum, Merseyside Maritime Museum, National Maritime Museum, National Trust, North Devon Maritime Museum, University of Liverpool, Victoria Gallery and the Walker Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse retains a label for The Parker Gallery, a firm of picture and print dealers founded in 1750. During the late 1920’s they were based at 28 Berkeley Square, London but by 1937 had moved to 2 Albemarle Street. From the early 80’s they were based were once again in Berkeley Street. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    Joseph Heard (1799 - 1859, British)
  • Creation Year:
    C1840
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 46 in (116.84 cm)Depth: 2.25 in (5.72 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU156215381032

More From This Seller

View All
19th Century pair of French townscape oil paintings
By Henry Schafer
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES** Henry Schafer German/British, (1841-c.1914) Chartres, France & Metz, Lorraine Oil on canvas, pair, both signed Image size: 10 inches x 8 inches (each) Size including frame: 15 inches x 13 inches (each) Henry Schafer was born in Hanover, Germany in 1841. Although little is known about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher. Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914. Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...
Category

19th Century Victorian Landscape Paintings

Materials

Canvas, Oil

Riverscape oil painting of shipping on the Thames near Tower Bridge & St Paul’s
By Edward Henry Eugene Fletcher
Located in Nr Broadway, Worcestershire
Edward Henry Eugene Fletcher British, (1857-1945) Shipping in the Pool of London with Tower Bridge & St Paul’s Beyond Oil on canvas, signed Image size: 14.25 inches x 29.25 inches Size including frame: 19.25 inches x 34.25 inches A wonderful painting of a steamship and other boats in the Pool of London by Edward Henry Eugene Fletcher. A two funnelled steamship is shown in the foreground next to sailing boats and a dock. Tower Bridge can be seen in the distance with St Paul’s Cathedral beyond. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool. Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin. Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting. Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945. Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...
Category

Late 19th Century Landscape Paintings

Materials

Canvas, Oil

19th Century genre oil painting of fisher folk on a beach
By WILLIAM SHAYER SENIOR (1787-1879)
Located in Nr Broadway, Worcestershire
William Shayer British, (1787-1879) Fisher Folk on the Beach Oil on canvas, signed & dated 1839 Image size: 27.25 inches x 35.25 inches Size including frame: 37.25 inches x 45.25 in...
Category

19th Century Victorian Figurative Paintings

Materials

Canvas, Oil

19th Century landscape oil painting of figures in a lane near Abbey ruins
By Edward Williams
Located in Nr Broadway, Worcestershire
Edward Williams British, (1781-1855) The Old Abbey Ruins Oil on canvas Image size: 22.25 inches x 30.75 inches Size including frame: 28.25 inches x 36.75 in...
Category

19th Century Landscape Paintings

Materials

Canvas, Oil

19th Century landscape oil painting of hay making
By John Clayton Adams
Located in Nr Broadway, Worcestershire
John Clayton Adams British, (1840-1906) Hay Making Oil on canvas, signed & indistinctly dated 187(5)? Image size: 19.5 inches x 31.5 inches Size including frame: 28.5 inches x 40.5 inches Provenance: SA Spenser, 16b Grafton Street, Old Bond Street, London A lovely landscape painting of hay...
Category

19th Century Landscape Paintings

Materials

Canvas, Oil

19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
Category

19th Century Victorian Animal Paintings

Materials

Canvas, Oil

You May Also Like

Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque
Located in Firenze, IT
This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

J. Brunner 1869 Oil on Canvas Austrian Landscape with Lake and Mountain Painting
Located in Firenze, IT
This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...
Category

19th Century Romantic Landscape Paintings

Materials

Canvas, Wood, Oil

No extenuating circumstances #1 Hélène Duclos 21st Century Contemporary art blue
By Hélène Duclos
Located in Paris, FR
Oil and acrylic on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Canvas, Oil, Acrylic

Look at things from distance #2 Hélène Duclos 21st Century Contemporary art red
By Hélène Duclos
Located in Paris, FR
Oil paint and acrylic paint on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – W...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Canvas, Oil, Acrylic

Take some fresh air #2 Hélène Duclos 21st Century painting Contemporary art blue
By Hélène Duclos
Located in Paris, FR
Oil paint on canvas Signed lower right
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Oil

Do not retrace our steps #1 - Hélène Duclos, 21st Century, Contemporary art blue
By Hélène Duclos
Located in Paris, FR
Oil and acrylic on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Canvas, Oil, Acrylic

Recently Viewed

View All