Cardboard Landscape Paintings

Vibrant brushstrokes create a lively impression of a landscape, possibly capturing a body of water in the foreground and trees in the background bathed in warm light. The use of colo...

The ruins of this ancient city on the territory of modern Turkey, this place is loved by tourists. The name of the city of Side is translated as pomegranate. It is not easy enough to...

The sunset in the North lasts quite a long time, which allows you to work out more details and understand the shades of color when writing a full-scale sketch. The city of Veliky Ust...

The Island Inn on Monhegan Island Maine, a beautiful landscape by Richmond Irwin Kelsey (American, 1905 - 1987), 1977. Titled "Island Inn - Monhegan", signed and dated "Kelsey '77" ...

Serene mid-century landscape of mountains reflecting over a fjord in Norway by an unknown artist, Circa 1940's. Unsigned. Displayed in a rustic giltwood frame. Image, 20"H x 24"W. The Norwegian and Antarctic Fjords were carved by a massive sheet of ice...

PLEASE NOTE: The painting will be shipped WITHOUT a frame. The framing option is available ON REQUEST with additional shipping costs. On the last day before leaving Chamzinka, I pain...

Already in May, bird cherry blossoms in places on the Kamenka River in the Botanical Garden. The water in the river is not very clear and the river is not deep. In the park of the Bo...

PLEASE NOTE: The painting will be shipped WITHOUT a frame. The framing option is available on request with additional shipping costs. Balis small harbor on the island of Crete became...

Striking vertical landscape of a dramatic rocky mountain peak towering above the tree line by Ken Lucas (American, 20th Century). "Ken Lucas" and "#33 March 3, 1993" are written on ...

Beautiful desert canyon landscape of Black Canyon, Arizona featuring Adobe home in foreground by Claire McAnear (American, 1989 - 1986), 1945. Presented in aged gilt-toned wood fram...

Original oil landscape painting: "Sunset on the Klyazma River. Gorokhovets." The evening of a hot burning day in August, when the coolness from the tired Klyazma River envelops the town. Soon everything will be wrapped in fog and the city will fall asleep until the next morning. Floating clouds to the horizon, becoming softer in tone and warmer towards the horizon, are covered with gold. The ringing of the monastery bells...

October is a very changeable time of year. With an abundance of bright colors in the foliage in sunlight, a simple motif can become the subject of a painting. In this sketch I experi...

The view of the pink peaks of the coastal mountains and hills of the Peloponnese is soothing in the evenings. You can look at it for a long time, but fast southern sunsets do not giv...

Vibrant late 1930's landscape painted in a colorful spectrum of a pathway leading through trees to a glassy lake framed by distant mountains and a multicolored sky by A. Griffin (Ame...

Beautiful mid-century winter landscape of the sun rising over a forest stream covered in fresh snow by Genevieve Clibborn (American, 1892-1982). Presented in a rustic ornate, faux wood frame. Image, 12"H x 16"W. Genevieve Idell Booth Clibborn was born in Washington on January 6, 1896. She lived most of her life in Salinas, California (East of the Monterey Peninsula). She painted and exhibited widely in that area. An award-winning artist, she was primarily self-taught and was known for her tree studies. She was a member of the Santa Cruz Art League. She was also a famous evangelist who preached at revivals in the United States, Canada and Australia. Her husband was William Booth-Clibborn, grandson of the founder of the Salvation Army...

Landscape. 1937, oil on cardboard, 34x40 cm Reinhold Kasparsons (born 13/9/1889 in Cēsis, died 14/1966 in Riga), painter. Born in a craftsman's family. Studied at Nītaure school, a...

Wonderful palette knife impasto painting of the Matterhorn from the Italian side with Breuil-Cervinia in forefront by Northern California artist Beatrice Ash...

Mt. Tamalpais Road California Landscape by Jesse Don Rasberry Lovely oil on artist board landscape painting of a road leading to Mt. Tamalpais by California artist Jesse Don Rasberr...

Miniature seascape by Kathleen Murray (American, b. 1958). Unsigned, but was acquired directly from the artist. "Kathleen Murray" is written on verso. No frame. Kathleen Murray (Ame...

Gorgeous mid century Pacific Northwest oil landscape of McKenzie River, Oregon by La Selva Beach, California artist Loretta Adele Lee Kirchoff (American, 1907-1994). Signed "Kirchoff...

American Impressionist of figures on the beach on Tuck's Point which is a famous location in Massachusetts. A top 1 % by Martha Walter .. Housed in a gold leaf custom frame

Vibrant miniature Big Sur seascape by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower right corner. The rocks in this seascape have been formed with a pallet knife,...

Serene mid-century winter landscape with a cabin near a lake covered in snow and tall mountains in the distance by W. Dunn. Signed "W. Dunn" lower left. Displayed in a giltwood frame...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

Tranquil horizontal landscape of a tree-lined pathway near the coast leading to a quaint cabin by an unknown artist (American, 20th Century). Uns...

Beautiful mid century California landscape of a creek running through the woods near an old barn by San Francisco artist Bonita Salvater Van Craeynest (American, 1907-1992). Signed "...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2020 Title: Odessa. Monument to Count Voronts...

In this stirring seascape, I embraced the raw energy of the ocean, capturing its power and grace with acrylics. Blending realism and impressionism, I sculpted light and shadow, infus...

River in autumn. 1984, cardboard, oil, 40x50 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different se...

Significant landscape painting of Taos, New Mexico river and buttes by Walter Alexander Bailey (American, 1894-1989). Rendered in saturated colors, a lone tree stands at the edge of a river. The river flows back into the distance, guiding the viewer's eye to a lush green plain. At the edges of the plain, large mesas rise from all sides in purple and red. Signed lower right corner. Unframed. Image size: 24"H x 30"W. Bailey studied at the Kansas City Art Institute with Thomas Hart Benton and Charles Wilimovsky. In the 1940s he worked as a scenic and motion picture artist in Hollywood. In 1927 to 1929, he taught a Master Class in Taos, New Mexico, and in 1932-1934 he taught a Master Class in landscape painting at the Kansas City Art Institute. Born Wallula, Oct. 17, 1894, Walter Bailey was a painter, illustrator, muralist, etcher, block printer, lithographer and teacher. He studied at the Kansas City Art Institute in 1920 with Charles A. Wilmovsky, Randall Davey, & Anthony Angarola. He worked on the art staff of the Kansas City Star. SOURCES: Susan Craig, "Biographical Dictionary of Kansas Art...

Charming rural landscape with a two lane country road, mountains in the background, and two trees in the foreground by Fred O. Bohne (American 19th-20th C...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Vibrant mid century landscape of Mount Whitney by John Alfred Coultrup (American, 1888-1982), Signed/inscribed in the paint "Coultrup" lower left. Presen...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

Vivid mid-century painting of desert in bloom by Gail Pace (American, 20th Century), 1961. Signed "G. Pace" and dated '61 lower right corner. Unframed....

Bold and vibrant depiction of a suburban street by an unknown artist ("Ryan"). Saturated fall foliage dominates the foreground of this piece, framing the houses in the midground. The...

Beautiful and vivid California mountain lake landscape. Circa 1970. Signed lower right "C. Sokolovsky." Displayed in rustic giltwood frame. Image, 20"H x 24"W.

Beautiful California mountain scene by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Circa 1950. Unframed. Image, 12"H x 16"W. Gleiforst was born in Crete, Nebraska but moved to Oregon where she studied at the University of Oregon. She then settled in Beverly Hills where she began to paint. Her teachers included Nicolai Fechin...

Miniature landscape of trees in the snow by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower left corner. Titled "#8 Snow + Trees" on verso. No frame. Kathleen Murr...

March 24x32 cm, oil/cardboard, 1990

Gorgeous vivid mid-century landscape painting of a house attributed to Texas artist Vivian Love (American, 1908-1982). Circa 1950s. Signed "Vivian" lower right. Presented in a blue wood frame. Image size, 20"L x 16"H. Vivian Rogers Love began exhibiting in San Antonio in the 1940s. She was a member of the San Antonio Art League, River Art Group, Coppini Academy of Fine Arts and the Highland Art...

Abel LAUVRAY (1870-1950) Rome, the Arch of Titus Oil on cardboard mounted on canvas Size: 48 x 65 cm Signed lower right Painting in good condition. A few fine cracks without liftin...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Egypt plein air

Arlberg brücke. 1930, оil on cardboard, 30x36,5 cm

Lielupe. 1980. Cardboard, oil. 51x66 cm

Artist: Vahe Yeremyan Title: After Storm Medium: Oil on Cardboard Year: 2025 Style: Impressionism Dimensions: 17" x 17" x 0.2" inch (43 x 43 x 1cm) Framed: 21'' x 21'' x 1'' inch (53...

Sunny winter landscape. 1985, cardboard, oil, 45x58 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in diffe...

Pine trees on the seashore. 1981, cardboard, oil, 46x65 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in d...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

Peonies and Dew 1 (20/30см), 27x37 in frame Peonies and Dew 2 (20/40 см) 27-47 in frame The work "Peonies and Dew" from the "Garden Dreams" series is done in an impressionist style...

plein air

Roses. 2008, cardboard, oil, 87x67 cm

Windy day. 1981, oil on cardboard, 40x62 cm

Carnations and roses. 1990, cardboard, oil, 92x67 cm

This plain air sketch was painted by the artist in Kuzminki Park in winter near the Churilikha River and reflects the tranquil beauty of the winter landscape. The scene is dominated ...

Rye field. 2000. Cardboard, oil, 69x91 cm Summer landscape with Rye field and river by Edgars Vinters

"By The Sea" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's pa...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.