Cardboard Landscape Paintings

Vivid mid-century painting of desert in bloom by Gail Pace (American, 20th Century), 1961. Signed "G. Pace" and dated '61 lower right corner. Unframed....

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Paintin...

In this stirring seascape, I embraced the raw energy of the ocean, capturing its power and grace with acrylics. Blending realism and impressionism, I sculpted light and shadow, infus...

Bold and vibrant depiction of a suburban street by an unknown artist ("Ryan"). Saturated fall foliage dominates the foreground of this piece, framing the houses in the midground. The...

Beautiful and vivid California mountain lake landscape. Circa 1970. Signed lower right "C. Sokolovsky." Displayed in rustic giltwood frame. Image, 20"H x 24"W.

Beautiful California mountain scene by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Circa 1950. Unframed. Image, 12"H x 16"W. Gleiforst was born in Crete, Nebraska but moved to Oregon where she studied at the University of Oregon. She then settled in Beverly Hills where she began to paint. Her teachers included Nicolai Fechin...

Miniature landscape of trees in the snow by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower left corner. Titled "#8 Snow + Trees" on verso. No frame. Kathleen Murr...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

Gorgeous vivid mid-century landscape painting of a house attributed to Texas artist Vivian Love (American, 1908-1982). Circa 1950s. Signed "Vivian" lower right. Presented in a blue wood frame. Image size, 20"L x 16"H. Vivian Rogers Love began exhibiting in San Antonio in the 1940s. She was a member of the San Antonio Art League, River Art Group, Coppini Academy of Fine Arts and the Highland Art...

Lakeside. 1959, oil on cardboard, 36x49,5 cm Summer landscape by the lake Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints ...

Spring sunny day. Cardboard, oil, 29.5 x 36 cm Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1...

Paris, Seine. 1918/19, oil on cardboard, 38x52 cm Signature located in bottom right corner Belay The certificate: M. Roland Souef at November 23, 2011 Pierre Savigny de Belay...

River in autumn. 1984, cardboard, oil, 40x50 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different se...

Piccoa opera di Boris Lavrenko Molto luminoso ,colori verde e giallo Bella cornice

March 24x32 cm, oil/cardboard, 1990

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Adolfs Melnars (till 1940 – Adolfs Maslovskis) (1908.4.III – 1963.31.X) attended studio of K. Miesnieks (1928), studied in Latvia Art academy (1930 – 39) and graduated studio of G. ...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Egypt plein air

Across the Land by Karen Birchwood [2019] Original painting Mixed media: Acrylic, cardboard and collage on canvas. Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76...

In this oil painting, I harnessed the vibrant spirit of Impressionism mixed with the depth of Realism to bring forth the serene, yet lively essence of a blooming water lily. The brus...

Wave. 1961., cardboard, oil, 51x74 cm A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by ...

Winter landscape. 2002, oil on cardboard, 59,5x72 cm Juris Germanis (1941) The artist has always had a tendency to catch the most significant features ...

City landscape. Talsi. Cardboard, oil, 52.5x74 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of...

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

Arlberg brücke. 1930, оil on cardboard, 30x36,5 cm

Lielupe. 1980. Cardboard, oil. 51x66 cm

Early autumn mood. 1990. Cardboard, oil, 24x32 cm This painting depicts an early autumn landscape with lively, textured brushstrokes that capture the transition between summer and f...

Romantic sunset 1995. Cardboard, oil, 90x83 cm The painting portrays a romantic scene featuring a captivating red sunset. The artist skillfully utilizes oil paints to capture the v...

Mountain landscape with a village. 1980. Cardboard, oil. 49,5x70cm In this work artist paid attention to infinite landscape depiction of mountains in summertime. Mountains are thought to contain divine inspiration in many forms, and are the focus of pilgrimages of transcendence and spiritual elevation. Mountains surpass ordinary humanity and extend towards the heavens. They symbolize constancy and permanence and at their peak signify the state of absolute consciousness. The visual components of color, form, line, shape, space, texture, and value in this painting works together as one story of peaceful moment next to nature. The village at the foot of the mountains is depicted in light brush strokes. Information about artist: Janis Lauva...

Port. 1975. Oil on cardboard, 48,5x67,5 cm Nikolaj Petraskevics (1909 - 1976) Born in a working class family. Wife Ejzhenija Henisha - graphic artist, sons Juris Petrashkevich - gr...

Sunny winter landscape. 1985, cardboard, oil, 45x58 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in diffe...

Artist: Vahe Yeremyan Title: After Storm Medium: Oil on Cardboard Year: 2025 Style: Impressionism Dimensions: 17" x 17" x 0.2" inch (43 x 43 x 1cm) Framed: 21'' x 21'' x 1'' inch (53...

Morning mood in a fishing village. Oil on cardboard, 64x68.5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stali...

Pine trees on the seashore. 1981, cardboard, oil, 46x65 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in d...

plein air

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

Abel LAUVRAY (1870-1950) Rome, the Arch of Titus Oil on cardboard mounted on canvas Size: 48 x 65 cm Signed lower right Painting in good condition. A few fine cracks without liftin...

Morning fog. 1975., cardboard, oil, 49x69 cm Realistic early morning landscape in the village with haystacks in the fog Alfejs Bromults (1913.3.IV - 1991.11.I) His first profession...

Windy day. 1981, oil on cardboard, 40x62 cm

In this piece, I captured the serene embrace of Venetian gondolas floating gently at dawn. The interplay of light and water reflects a peaceful yet vibrant energy, inviting you to fe...

Roses. 2008, cardboard, oil, 87x67 cm

Signed in Cyrillic "F. Zakharov" (lower right) and signed again and inscribed "Fedor Zakharov/Football" (on reverse) Oil on card laid down on panel Undoubtedly, football, or socc...

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

Carnations and roses. 1990, cardboard, oil, 92x67 cm

The road to the sun 1996, cardboard, oil, 74x85 cm The composition depicts a landscape where a road leads towards the sun, with the sea visible in the background. The focal point ...

Rye field. 2000. Cardboard, oil, 69x91 cm Summer landscape with Rye field and river by Edgars Vinters

Tree silhouette. Oil on cardboard, 43x53,5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at ...

Boats/Tulips. Bilateral. 1975., cardboard, oil, 34.5x46.3 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingr...

This plain air sketch was painted by the artist in Kuzminki Park in winter near the Churilikha River and reflects the tranquil beauty of the winter landscape. The scene is dominated ...

The party’s over I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and copper leaves on Japanese cardboard, it is sold with a b...

"By The Sea" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's pa...

Anna Abys-Lotz (1861–1945) was a Swiss painter born on October 10, 1861, in Basel, where she also passed away on July 4, 1945. She specialized in watercolor paintings, focusing on la...

Plein-air landscape painting of trees along the Monterey Bay, California by Carmel artist Alicia Meheen (American, 20th century). Signed "A. Meheen" lower right. Displayed in a wood frame. Image size, 24"L x 20"H. Alicia Meheen was born in Evanston, Illinois. Her family later moved to Carmel, California on Monterey Peninsula. She attended and graduated from Carmel High School. She studied art at the University of California, Santa Barbara. Meheen paints primarily in plein air, in both watercolor and oils. She began her watercolor study with Dorner Schueler in 1963. She has painted in plein air with such well known artists as Frank Myers, Richard Yip...

This plain air painting is a spring landscape of a Japanese garden located in the depths of the Botanical Garden in Moscow, demonstrating a harmonious combination of natural elements...

Peonies and Dew 1 (20/30см), 27x37 in frame Peonies and Dew 2 (20/40 см) 27-47 in frame The work "Peonies and Dew" from the "Garden Dreams" series is done in an impressionist style...